Presents the unpublished intelligence report 'South America', written in 1822 by Woodbine Parish, clerk at the Foreign Office, Castlereagh's private secretary and later the first British Consul to Buenos Aires. The document is transcribed, analysed and fully contextualised in order to foreground its decisive historical significance. The aim of Parish's report was to outline British foreign policy and political strategy towards the South American revolutions at the final Congress of the Holy Alliance, held in Verona.

This book presents the unpublished intelligence report “South America”, written in 1822 by Woodbine Parish, clerk at the Foreign Office, Castlereagh's private secretary and later the first British Consul to Buenos Aires. The document is transcribed, analysed and fully contextualised in order to foreground its decisive historical significance. The aim of Parish’s report was to outline British foreign policy and political strategy towards the South American revolutions at the final Congress of the Holy Alliance, held in Verona. Its publication contributes to the ongoing debates on Informal Empire, providing new empirical evidence that will enable us to better understand the social content of the political, economic and cultural relationships established between Britain and Latin America in the first half of the 19th century. The history of the document and of its author introduce the reader to the early stages of British intelligence and diplomacy with respect to an Independent Latin America, revealing the Foreign Office’s powers and limitations. Likewise, they offer an overview of the information about the South American revolutions circulating in London at the time, as well as the mechanisms used by the British government to obtain, classify and publicize this intelligence for political purposes. In this sense, the report makes evident the importance for the British government of knowing a specific historical and geographical reality in order to develop a foreign policy and political strategy. The book reflects on how this knowledge was mediated by class antagonisms and social relations (on a national and international scale) and was shaped by the stages of development of the productive forces in the regions involved. In this sense, studying the Parish family will allow us to more fully understand the role played by the increasingly influential social classes, in particular the merchants and manufacturers, in the development and implementation of a British foreign policy for Latin America.

Volume III covers the Iberian Empires and stresses the ethnic dimension of the independent processes in Spanish America and Brazil. An important reference text for historians of the Atlantic World with a keen interest in the Iberian Empires.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. Representations of China in Latin American Literature (1987-2016) analyses contemporary Latin American novels in which China is the main theme. Using ‘China’ as a multidimensional term, it explores how the novels both highlight and undermine assumptions about China that have shaped Latin America’s understanding of ‘China’ and shows ‘China’ to be a kind of literary/imaginary ‘third’ term which reframes Latin American discourses of alterity. On one level, it argues that these texts play with the way that ‘China’ stands in as a wandering signifier and as a metonym for Asia, a gesture that essentialises it as an unchanging other. On another level, it argues that the novels’ employment of ‘China’ resists essentialist constructions of identity. ‘China’ is thus shown to be serving as a concept which allows for criticism of the construction of fetishized otherness and of the exclusion inherent in essentialist discourses of identity. The book presents and analyses the depiction of an imaginary of China which is arguably performative, but which discloses the tropes and themes which may be both established and subverted, in the novels. Chapter One examines the way in which ‘China’ is represented and constructed in Latin American novels where this country is a setting for their stories. The novels studied in Chapter Two are linked to the presence of Chinese communities in Latin America. The final chapter examines novels whose main theme is travel to contemporary China. Ultimately, in the novels studied in this book ‘China’ serves as a concept through which essentialist notions of identity are critiqued.

The first women’s football book on Latin America centring the perspectives of players brings rare interview material that cuts through the clichés to uncover the lived reality of women footballers. It includes the first large-scale survey of South American women footballers’ views into dialogue with institutional and media perspectives. The early chapters consider the backdrop Latin American women footballers operate in, a media and institutional panorama that privileges a heteronormative athletic femininity whilst ensuring women’s football is never portrayed as anything other than an inferior version of the hegemonic (men’s) game. Following this, drawing on nine months of ethnographic fieldwork in which 33 semi-structured interviews were carried out with players and institutional figures, this pioneering book foregrounds the lived reality of women’s football in three strategic locations. Firstly, three months were spent in the Amazon region of Brazil where Esporte Clube Iranduba provides a fascinating alternative model for the growth of women’s football. This is contrasted with Santos FC, where women’s football tends to be constantly overshadowed by the presence of banal patriarchy, and finally with another fleeting glimpse of how another model is possible at Atlético Huila of Colombia, the surprise winner of the women’s Copa Libertadores in 2018.

An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library as part of the Opening the Future project with COPIM. A City Against Empire is the history of the anti-imperialist movement in 1920s Mexico City. It combines intellectual, social, and urban history to shed light on the city’s role as an important global hub for anti-imperialism, exile activism, political art, and solidarity campaigns. After the Russian and the Mexican Revolution, Mexico City became a space and a symbol of global anti-imperialism. Radical politicians, artists, intellectuals, scientists, migrants, and revolutionary tourists took advantage of the urban environment to develop their visions of an anti-imperialism for the twentieth-century. These actors imagined national self-determination, international solidarity, and an emancipation from what they called “the West.” Global, local, and urban factors interacted to transform Mexico City into the most important hub for radicalism in the Americas. By weaving together the intellectual history of Mexico, the urban and social histories of Mexico City, and the global history of anti-imperialist movements in the 1920s, this books analyses the perfect storm of anti-imperialism in Mexico City.

Coded Lyrics is the first comprehensive academic work dedicated to unraveling the lyrical intricacies of Argentine rock in the English language. This book redefines the narrative of rock history, shedding light on the distinctive journey undertaken by South American rock music amidst a unique set of contextual challenges, far removed from its English-speaking counterparts. Within this vibrant musical landscape, Argentine rock emerges as a shining example of cultural resistance in the region. Focusing intently on Argentina's tumultuous authoritarian decades and the post-dictatorship era, this book delves deep into the heart of the Argentine rock genre's lyrical content. It vividly portrays the ongoing struggle between the state and the public, where identity, language, and perception converge around the powerful medium of rock music. Coded Lyrics is not a conventional musicological study; instead, it serves as a meticulous exploration of language and culture. With captivating prose, the book unravels the genesis of Argentine rock, placing language at its epicentre. Through a thorough examination of rock lyrics, this work unveils the artful manipulation of language as a vehicle for resistance. It illuminates the unexpected consequences of censorship in Argentina, with Argentine rock lyrics standing as a compelling testament to the transformative power of art in the face of totalitarianism.