"[The Woman at the Keyhole is one] of the most significant contributions to feminist film theory sin ce the 1970s." -- SubStance "... this intelligent, eminently readable volume puts women's filmmaking on the main stage.... serves at once as introduction and original contribution to the debates structuring the field. Erudite but never obscure, effectively argued but not polemical, The Woman at the Keyhole should prove to be a valuable text for courses on women and cinema." -- The Independent When we imagine a "woman" and a "keyhole," it is usually a woman on the other side of the keyhole, as the proverbial object of the look, that comes to mind. In this work the author is not necessarily reversing the conventional image, but rather asking what happens when women are situated on both sides of the keyhole. In all of the films discussed, the threshold between subject and object, between inside and outside, between virtually all opposing pairs, is a central figure for the reinvention of cinematic narrative.

Now a major motion picture starring Matthew McConaughey and Idris Elba In The Wind Through the Keyhole, Stephen King returns to the rich landscape of Mid-World, the spectacular territory of the Dark Tower fantasy saga that stands as his most beguiling achievement. Roland Deschain and his ka-tet--Jake, Susannah, Eddie, and Oy, the billy-bumbler--encounter a ferocious storm just after crossing the River Whye on their way to the Outer Baronies. As they shelter from the howling gale, Roland tells his friends not just one strange story but two...and in so doing, casts new light on his own troubled past. In his early days as a gunslinger, in the guilt-ridden year following his mother's death, Roland is sent by his father to investigate evidence of a murderous shape-shifter, a "skin-man" preying upon the population around Debaria. Roland takes charge of Bill Streeter, the brave but terrified boy who is the sole surviving witness to the beast's most recent slaughter. Only a teenager himself, Roland calms the boy and prepares him for the following day's trials by reciting a story from the Magic Tales of the Eld that his mother often read to him at bedtime. "A person's never too old for stories," Roland says to Bill. "Man and boy, girl and woman, never too old. We live for them." And indeed, the tale that Roland unfolds, the legend of Tim Stoutheart, is a timeless treasure for all ages, a story that lives for us. King began the Dark Tower series in 1974; it gained momentum in the 1980s; and he brought it to a thrilling conclusion when the last three novels were published in 2003 and 2004. The Wind Through the Keyhole is sure to fascinate avid fans of the Dark Tower epic. But this novel also stands on its own for all readers, an enchanting and haunting journey to Roland's world and testimony to the power of Stephen King's storytelling magic.

"I want the reader of my story to bear in mind that I had no devious forethoughts of lighting fire to the house. The act of which only administered when there was no other option to quell the terrifying images and aberrations that I've had to endure while living in that horrific nightmare. Perhaps if I were to tell you just some of my tale you'll realize that there was no other choice..."This short story tells the tale of woman who buys a mysterious house with a locked bedroom and her horrifying experience after she looks through its keyhole.

Scandal existed long before celebrity gossip columns, often hidden behind the closed doors of the Georgian aristocracy. But secrets were impossible to keep in a household of servants who listened at doors and spied through keyholes. The early mass media pounced on these juicy tales of adultery, eager to cash-in on the public appetite for sensation and expose the shocking moral corruption of the establishment. Drawing on a rich collection of original and often outrageous sources, this book brings vividly to life stories of infidelity in high places – passionate, scandalous, poignant or tragic – and reveals how the flood of print detailing sordid sexual intrigues, created a national outcry and made people question whether the nobility was fit to rule.

What's a witch to do when the meanest man in the county drops dead in his coleslaw during her shift at the local barbecue joint? Noelle does what any good Southern girl would do: she flicks a wrist to clean up the mess, then thanks the stars for doing the world a favor. But that's just the beginning. She has the Magical Oversight Committee on her back because she can't keep her unruly little sister in line and the hunky new city-slicker sheriff would like to take her to dinner, except he suspects her of murder. To top it off, her possessed miniature donkey is being particularly calamitous and the old hens at the local beauty parlor are laying bets on her love life. A skydiving best friend and a bossy, living-impaired aunt become the least of her worries when the killer decides to bump up the plan by bumping her off. Can she figure it out in time to save all that she holds dear, or will Noelle be next on the list of folks who've turned up dead? If you like laugh-out-loud southern wit, magic, and murder, you'll fall in love with this witchy cozy mystery series!

A haunting, impossible-to-put-down thriller set almost entirely in a large and forbidding English mansion, in 1961. England, 1961. Samuel’s mother has been away for 113 days. Now it’s just Samuel and Ruth, the housekeeper, alone in the once-great house. His mother is abroad, purportedly tending to her late husband’s faltering business. Samuel yearns for her return, but knows she must have had her reasons for leaving in the middle of the night, without saying goodbye. Although Samuel receives occasional postcards from his mother, her absence weighs heavily on his mind. And when his friend plants a seed of suspicion about Ruth, who rules the house with an iron fist, a dangerous idea is born. What if Ruth is responsible for his mother's disappearance? Samuel is soon obsessed with finding answers. Is Ruth the one person in his life who truly cares for him? Or is she a killer with a murderous plan? And will Samuel be able to uncover the truth before it's too late? Artful and deliciously claustrophobic, The Boy at the Keyhole is a story of truth and perception, and of the shocking acts that occur behind closed doors. 'A fiendishly efficient, gorgeously written, nasty little thrill of a ride of a psychological thriller . . . A true tour-de-force of a debut novel' Lyndsay Faye, Author of The Gods of Gotham

Bruce Holland Rogers has been writing fiction full-time since 1991. His works range from literary and experimental to SF, fantasy, and mystery, and many of the stories in The Keyhole Opera began as subscription stories and went on to be published in magazines and anthologies.