The New Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features textual notes on the plays and poems and an extensive introduction. The winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

The New Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features textual notes on the plays and poems and an extensive introduction. The winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

The New Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features textual notes on the plays and poems and an extensive introduction. The winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

Originally published in the First Folio of 1623, William Shakespeare's "The Winter's Tale" is a play which has been classified by some critics as a comedy and by others as a romance. The confusion arises out of the fact that the first three acts are filled with intense psychological drama while the last two acts provide a comedic and happy ending. At the outset of the play we are introduced to two childhood friends, Leontes, King of Sicilia, and Polixenes, the King of Bohemia, who has travelled to Sicilia to visit his old friend. After several months of joyful reunion, Polixenes yearns to return home to attend to his affairs and see his son. Leontes however doesn't wish to see his friend go and implores his wife, Queen Hermione, to try and convince him to stay. Hermione easily convinces Polixenes, which should make Leontes happy, but instead arises suspicion that the two may be engaged in an affair considering how quickly Hermione is able to change Polixenes' mind. The jealousy of Leontes sets in motion a series of events which threaten to ruin his entire kingdom and legacy. This edition is printed on premium acid-free paper, includes a preface and annotations by Henry N. Hudson, and an introduction by Charles Harold Herford.

The winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

Written toward the end of William Shakespeare's theatrical career, The Winter's Tale (1609-1611) is a story of loss and redemption. In a fit of wild and unfounded jealousy, Leontes, the King of Sicily, convinces himself that his pregnant wife is carrying his best friend's love child. Leontes's jealousy turns to tyranny as the king proceeds to destroy his entire family and a lifelong friendship. Sixteen long years pass, and we witness one of the most astonishing endings in English literature.The play is famous for its two-part structure, which makes The Winter's Tale seem like two entirely different plays that are joined together at the end. The first three acts enact a mini-tragedy and occur in wintery Sicily, while the second half of the play occurs in Bohemia during the summer months and features the kind of restorative ending typical of Shakespeare's "comedies."Because of its mixed genre, the play is often referred to as one of Shakespeare's "problem plays" (a group that also includes Pericles, Cymbeline, and The Tempest). To complicate matters, these works are also referred to as Shakespeare's "romances," which you can read more about in "Genre."Aside from its unique structure and Shakespeare's experiments in genre, The Winter's Tale is also famous for its flagrant disregard for the "classical unities" (of time, place, and action), literary rules that say all plays should have the following features: 1) the action should take place within a 24 hour time span; 2) the action should take place in one geographical place/setting; 3) the play should have one main plot and no sub-plots. Most of Shakespeare's plays ignore the "classical unities," but The Winter's Tale takes it a step further by having the figure Time appear on stage at the beginning of Act 4 to announce that Shakespeare is fast-forwarding sixteen years and changing the location from Sicily to Bohemia - if anyone has a problem, they should just get over it, please.Much of The Winter's Tale is based on Robert Greene's Pandosto, The Triumph of Time (published 1588), a pastoral romance about a jealous king who banishes his infant daughter and drives away his friend. Shakespeare also draws from the story of Pygmalion in Book 10 of Ovid's Metamorphoses.Over the years, there's been some speculation that The Winter's Tale is really about King Henry VIII's second wife, Anne Boleyn, who was beheaded after being (unfairly) accused and convicted of adultery in 1536.

The winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.