King Leontes of Sicilia begs his childhood friend, King Polixenes of Bohemia, to extend his visit to Sicilia. Polixenes protests that he has been away from his kingdom for nine months, but after Leontes's pregnant wife, Hermione, pleads with him he relents and agrees to stay a little longer.

The winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

The New Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features textual notes on the plays and poems and an extensive introduction. The winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

The winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

Originally published in the First Folio of 1623, William Shakespeare's "The Winter's Tale" is a play which has been classified by some critics as a comedy and by others as a romance. The confusion arises out of the fact that the first three acts are filled with intense psychological drama while the last two acts provide a comedic and happy ending. At the outset of the play we are introduced to two childhood friends, Leontes, King of Sicilia, and Polixenes, the King of Bohemia, who has travelled to Sicilia to visit his old friend. After several months of joyful reunion, Polixenes yearns to return home to attend to his affairs and see his son. Leontes however doesn't wish to see his friend go and implores his wife, Queen Hermione, to try and convince him to stay. Hermione easily convinces Polixenes, which should make Leontes happy, but instead arises suspicion that the two may be engaged in an affair considering how quickly Hermione is able to change Polixenes' mind. The jealousy of Leontes sets in motion a series of events which threaten to ruin his entire kingdom and legacy. This edition is printed on premium acid-free paper, includes a preface and annotations by Henry N. Hudson, and an introduction by Charles Harold Herford.

"The Winter's Tale is a play by William Shakespeare, originally published in the First Folio of 1623. Although it was grouped among the comedies, some modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's problem plays, because the first three acts are filled with intense psychological drama, while the last two acts are comedic and supply a happy ending."

The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.