The New Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features textual notes on the plays and poems and an extensive introduction. The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

Blind rage underlies Leontes’ jealousy in The Winter’s Tale. Although his jealously is akin to Othello’s, it is not carried out to the same extent, thanks to the oracle’s pronouncement. While Leontes’s change of heart strains credibility, he does redeem himself and, in the process, changes the tragedy into a comedy, or at least a play with a happy resolution. One might also compare Hermione with Desdemona as both are “more sinned against than sinning” (Lear, III.2). Despite Leontes’ reformation, one cannot avoid sympathy for Hermione, she who has been made to pay dearly for her husband’s lack of faith and trust. She certainly deserves more.

The Winter's Tale is a play by William Shakespeare originally published in the First Folio of 1623. Although it was grouped among the comedies, many modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's problem plays because the first three acts are filled with intense psychological drama, while the last two acts are comedic and supply a happy ending

Without any good cause, Leontes, King of Sicilia, suddenly comes to believe that his wife Hermione is having an adulterous affair with his best friend Polixenes, King of Bohemia. He orders Camillo, his trusted friend and advisor, to poison Polixenes. Camillo is torn between loyalty to his king and following his conscience. He chooses his conscience, and rather than obey his king he helps Polixenes to escape back to Bohemia.When he hears of their flight, Leontes is convinced that his wife and his two best friends have been plotting against him. He has Hermione, who is pregnant, thrown into jail. Hermione has the baby while imprisoned. Paulina, a fearless noblewoman loyal to the queen, brings the baby to Leontes in hopes that the sight of the child will bring the king to his senses. Instead, the king orders Paulina's husband, Antigonus, to abandon the child in a remote area. If he does not do so, Paulina will be executed. Heartsick, Antigonus goes to do as the king commands. Hermione is put on trial. There is no real evidence, but Leontes has dispatched messengers to the oracle of Apollo at Delphos. The oracle proclaims Hermione innocent; it also warns that Leontes will be without an heir until the infant daughter is found. Leontes rejects the news, and a servant enters to tell him that Prince Mamillius has died. Leontes repents; Hermione dies of grief.

The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time. Special attention is paid to the ending and its tempered happiness. Performance history is integrated throughout the introduction and commentary.

The Winter's Tale is one of Shakespeare's most varied, theatrically self-conscious, and emotionally wide-ranging plays. Much of the play's copiousness inheres in its generic intermingling of tragedy, comedy, romance, pastoral, and the history play. In addition to dates and sources, the introduction attends to iterative patterns, the nature and cause of Leontes' jealousy, the staging and meaning of the bear episode, and the thematic and structural implications of the figure of Time.