A collection of assembled essays from Sal Maida and Mitchell Cohen & friends on lost classic rock, folk, RnB, psychedelic and funk LPs from the late 50s to the mid 80s.

The White Label Promo Preservation Society returns with another collection of essays celebrating albums that fell short of cracking Billboard's top 100, but belong in the libraries of discerning music-obsessives. Among the artists who turn up in these pages are members of the pop, rock and soul pantheon, as well as many who remain obscure or underappreciated. Sal Maida and Mitchell Cohen and their dozens of contributors take a trip from the Kinks and the Beach Boys to the Violent Femmes and Teardrop Explodes. Get ready to spend your money at used vinyl stores, garage sales and flea markets.

Sal Maida's laid-back personality and his dextrous musical adaptability ensured he'd be in high demand once his chops were in place, and `Four Strings, Phony Proof, and 300 45s' solidifies his incredible knack for catching a rare opportunity every time it came across his path. His stories are nothing short of fascinating glimpses into a far-gone era, even to those of us with extensive piles of punk history books will rejoice at hearing.

A collection of essays celebrating the history of underground American music venues.

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

Available for the first time as a traditional paperback, this revised and updated edition contains new and archival interviews with those closest to Chris Bell and the Big Star circle: their friends, family, former bandmates—even fans, exes, classmates, and coworkers. “Bell’s and Big Star’s existence was short, but the wealth of stories and quotes here provides a healthy sustenance for the truth seekers. A top-notch biography.” —San Francisco Book Review The varied cast of voices—many from the band’s hometown of Memphis—comprises all the members of Big Star, including Chris Bell, the iconic Alex Chilton, Andy Hummel, and Jody Stephens. In the following decades after its 1975 breakup, the obscure group somehow reached and inspired some of rock’s most important bands, including R.E.M., the Replacements, Yo La Tengo, Teenage Fanclub, Beck, and Wilco. With Chris Bell at the center of the Big Star universe, this book carefully reveals the production of the band’s masterful 1972 debut LP, #1 Record, for Ardent/Stax Records. Despite stellar reviews, the record suffered abysmal sales. Soon after, toxic personality conflicts and turmoil tore the band apart while Bell battled drug abuse and depression. There Was A Light then delves into Big Star’s second and third albums, while recounting Bell’s second act as a struggling solo musician and born-again Christian. During several trips to Europe, he produced ambitious recordings and pitched himself to record labels—even crossing paths with Paul McCartney. From this fertile era arose Bell’s lone solo album, the posthumously released I Am the Cosmos—his swan song and masterpiece. There Was A Light details the pop culture phenomenon that made Big Star legendary and divulges how its staunch fanbase saved the band from obscurity. “... an encyclopedic compendium…illuminating Bell’s life from a thousand angles.” —Memphis Flyer

In the late '70s and early to mid 1980s, San Francisco was a creative incubator, bringing forth all manner of new music acts. Ground zero for the scene was the Mabuhay Gardens, home to huge barrels of popcorn, once-a-week spaghetti nights, colorful emcee Dirk Dirksen, and punk/new wave bands from all over the Bay Area. Concert booker and renegade radio deejay Howie Klein joined with Aquarius Records owner (and fellow deejay) Chris Knab to launch a record label in support of that scene.Disturbing the Peace: 415 Records and the Rise of New Wave is Bill Kopp's chronicle of the groundbreaking independent record label founded by Howie Klein & Chris Knab, featuring the stories of Romeo Void, Red Rockers, Translator, Wire Train, Roky Erickson, The Nuns, Pearl Harbor and Explosions, and nearly two dozen other bands.Based on nearly 100 interviews with the artists, industry execs, producers, friends, rivals, onlookers, journalists and hangers-on, Disturbing the Peace also features hundreds of photos and memorabilia from the personal archives of those who were there.