On a summer afternoon in 2015, I was driving alone by car along the west coast from Mangalore to Goa. As I revelled at the scenery, I suddenly felt something odd. The next minute, the landscape changed tremendously. A massive wave of emotion took over forcing me to stop. The street was silent. The tree in front of me was ablaze with something I had never seen before. It beckoned. Every leaf, branch, and the trunk lit up with an unimaginable radiance. I was stunned. It was a transformative moment for me. Trees speak. And this Neem tree, growing up along the Margosa Road in the mid-1950s in Malleshwaram, has a story of her own. She develops a special affection for Balu, a child next door. A wonderful relationship develops between them. Till one day, young Balu leaves the city. She misses the little boy. Decades later, she narrates her life, their daily battles for survival, an incredible ‘social web’ that keeps the planet alive. And life in old Bengaluru. What happened to Balu? And to the tree? Did they meet again? What was her life like? What message does she share for humanity? Hear from the whispering tree.

Anthony Selero, some call him Ants. Ants has problems. After a job gone sideways, from an act of violence, there is now the blood of his girlfriend on his hands. He now finds himself on the run, from the law, from the man that instigated the violent act, from a bloodied nightmare. But, a chance encounter with a strange old man with a tale about a mysterious tree that can grant forgiveness sets him on quest to seek such absolution.

Endlessly Green looks at the history, the science and the art of composting and sustainable waste management through a kaleidoscope of philosophical, moral and ethical intricacies. The author digs into her rich pool of experiential learnings and raw inputs gathered through a decade of research, legwork and fearless execution. This engaging field guide equips community volunteers, activists, students, SWM practitioners and professionals with practical inputs on segregation, composting and organic gardening/farming, making sustainability imaginable in a concrete jungle. In doing so, it helps individuals discover the possibilities of bringing about a change in their environment by engaging their own environmental sensibilities. Endlessly Green is an extraordinary celebration of things small and significant and the fight against waste, culminating in a replicable and scalable end-to-end solution.

During the past two decades there has been a significant amount of research and publication concerning the sociolinguistics of South Asian languages. Language and Society in South Asia is the first major attempt to assess the impact of this new literature. It exposits the methodological and theoretical assumptions of sociolinguistic descriptions of south Asian languages, and contrasts them with the assumptions of earlier characterizations of these languages. An important feature of this book is its detailed examination of numerous schools of linguistic analysis within which most past descriptive work on South Asian languages has been carried out. This is done in language accessible both to the professional linguist and to non-linguists interested in social aspects of language use in South Asia. Among the topics treated in this book are traditional taxonomies of South Asian languages, South Asia as a linguistic area, social dialectology, bi- and multilingualism in South Asia, pidginization, creolization, and South Asian English, ethnographic semantics, and the ethnography of speaking. The work also contains an extensive bibliography of the scholarly literature pertinent to the study of South Asian languages in their social contexts.

In present-day Pakistan, in the far corners of Lyari in Karachi, or Hingol in Balochistan, or Thatta in Sindh, tightly knit groups of women keep alive the folklore, songs and legends of Sati—their name for Sita in the Ramayana. The way they sustain the attendant rituals and practices in a nation state with a fixed idea of what constitutes citizenship and who gets to be a primary citizen is at the heart of this book. In Sita under the Crescent Moon, author Annie Ali Khan travels with women devotees—those without resources, subject to intense violence—who, through the bravest and simplest act, that of a pilgrimage, retrace what they remember of the goddess. Who are these pilgrims? How did this relationship with Sati start, and why is she so significant? How do their oral mytho-histories compare to colonial narratives or mainstream definitions of Sati? Even while retelling the stories of these pilgrims, Sita under the Crescent Moon studies how worship has altered the mores of a land—and how the sacral site, made up of clay and thread and tumble weed, grants a woman power to fight against her circumstances.