W.C. Fields was at the top among comedians during Hollywood's Golden Era of the 1930s and 1940s and has since remained a comic icon. Despite his character's misanthropic, child-hating, alcoholic tendencies, his performances were enduringly popular and Fields became personally defined by them. This critical study of his work provides commentary and background on each of his films, from the early silents through the cameos near the end of his life, with fresh appraisals of his well known classics. Pictures once believed to be lost that have been discovered and restored are discussed, and new information is given on some that remain lost.

Arthur Frank Wertheim's groundbreaking book is the first to examine W.C. Fields' twelve silent movies and how they influenced his later career in sound films. The author concludes that Fields might never have become one of the prem-ier comedians during the Golden Age of Sound Films without first embarking on a career in silent movies. In this explo-ration, readers will discover new insights and surprises concerning Fields' experiences in this medium. The Silent Movies of W.C. Fields details Fields' early failed screen attempts, which resulted in his decision not to abandon his successful Ziegfeld Follies career, a choice that would prevent him from joining the pantheon of great silent film stars: Chaplin, Keaton, and Lloyd---each of whom, by 1925, had achieved worldwide recog-nition and success. Wertheim relates how Fields would have to struggle against all types of roadblocks to reach the second pantheon tier - and how legendary filmmaker D. W. Griffith came to his rescue by directing two of his silent pictures. The Silent Movies of W.C. Fields is a comprehensive depiction of Fields' early years in New York and Holly-wood, his personal and professional trials and accomplishments, his triumphs and disillusionments, each of which would lead to his ultimate screen legacy. Generously illustrated with many new and rare photos, The Silent Movies of W.C. Fields will prove invaluable to fans of both the comic genius of W.C. Fields and his pristine time of moviemaking. Arthur Frank Wertheim has written numerous books on Twentieth Century American Culture including The New York Little Renaissance and Radio Comedy. He has also co-edited with Barbara Bair three volumes on the The Papers of Will Rogers and edited Will Rogers at the Ziegfeld Follies and American Popular Culture. An American history professor at several universities, his awards include a Fulbright grant to teach at the Univer-sity of Indonesia. He has recently published a three-volume biography on W. C. Fields.

In this wonderful parody from 1940, W.C. Fields announces his candidacy for America's highest office. He offers sound advice on a number of topics in classic Fields-style humor in his attempt to win votes. "Campaign resolutions are no better than New Year's resolutions," he writes. "They are thrown together hastily at the last minute, with never a thought as to how they may be gracefully broken. Now, I am a candidate with years of experience breaking New Year's resolutions, and what I can accomplish with those, I can certainly accomplish with campaign resolutions."

Provides a revealing glimpse of the man and artist behind the image of the gin-guzzling misanthrope, discussing Fields' Philadelphia childhood, his career in vaudeville, his turbulent personal life, and his seminal film work.

They made fans go crazy and censors apoplectic, spent fortunes faster than they made them, forged Rembrandts and hung them in major museums, went on trial for committing statutory rape with necrophiliac teenage girls, reinterpreted Hamlet as an incestuous mama's boy,and swilled immeasurable quantities of spirits during week-long parties on wobbly yachts. They were "The Bundy Drive Boys," and they made the Rat Pack look like Cub Scouts. Their self-destructiveness was spectacular, the misanthropy profound, but behind the boozy bravado was a devoted mutual affection. The Bundy Drive Boys' un-bowdlerized stories have never been illustrated so well or told so completely as within Hollywood's Hellfire Club. Author Gregory William Mank also wrote It's Alive!: The Classic Cinema Saga of Frankenstein and Hollywood Cauldron.