Publishes for the first time the surviving transcripts of over one hundred broadcasts on German radio to Ireland given by Francis Stuart. They have been at the heart of a long-running controversy over Stuart.

She was the 'token woman' on the first Irish UN delegation in New York; and she was charge d'affaires in Franco's Spain in the 1940s, with experiences 'both baroque and absurd'." "Then she met and married Conor Cruise O'Brien, a rising star at the UN. Therafter, her life took her to the Congo, Ghana, Europe and America, where Conor worked both academically and politically in highly dramatic situations. From her unique vantage point she vividly recalls the workings of the international community. Their return to Ireland and Conor's position as a government minister took her full circle."--BOOK JACKET.

Searching for Lord Haw-Haw is an authoritative account of the political lives of William Joyce. He became notorious as a fascist, an anti-Semite and then as a Second World War traitor when, assuming the persona of Lord Haw-Haw, he acted as a radio propagandist for the Nazis. It is an endlessly compelling story of simmering hope, intense frustration, renewed anticipation and ultimately catastrophic failure. This fully-referenced work is the first attempt to place Joyce at the centre of the turbulent, traumatic and influential events through which he lived. It challenges existing biographies, which have reflected not only Joyce’s frequent calculated deceptions but also the suspect claims advanced by his family, friends and apologists. By exploring his rampant, increasingly influential narcissism it also offers a pioneering analysis of Joyce’s personality and exposes its dangerous, destructive consequences. "What a saga my life would make!" Joyce wrote from prison just before his execution. Few would disagree with him.

Narrative/s in Conflict presents the proceedings of an international workshop, held at the Trinity Long Room Hub Dublin in 2013, to a wider audience. This was a cross-disciplinary cooperation between the comparative research network 'Broken Narratives' (University of Vienna), the research strand 'Identities in Transformation' (Trinity College Dublin) and the Graduate Center for the Study of Culture at the University of Giessen. What has brought this informal network together is its credo that theories of narrative should be regarded as an integral part of cultural analysis. Choosing exemplary case studies from early Habsburg days up to the the wars and genocides of the 20th century and the post-9/11 'War on terror', our volume tries to analyze the relation between representation and conflict, i.e. between narrative constructions, social/historical processes, and cultural agon. Here it is crucial to state that narratives do not simply and passively 'mirror' conflicts as the conventional ‘realistic’ paradigm suggests; they rather provide a symbolic, sense-making matrix, and even a performative dimension. It even can be said that in many cases, narratives make conflicts.

A biography that considers the philosophical and literary beliefs of one of Ireland's most controversial figures.

The era of literary modernism coincided with a dramatic expansion of broadcast media throughout Europe, which challenged avant-garde writers with new modes of writing and provided them with a global audience for their work. Historicizing these developments and drawing on new sources for research Â? including the BBC archives and other important collections - Broadcasting in the Modernist Era explores the ways in which canonical writers engaged with the new media of radio and television. Considering the interlinked areas of broadcasting 'culture' and politics' in this period, the book engages the radio writing and broadcasts of such writers as Virginia Woolf, W. B. Yeats, Ezra Pound, T. S. Eliot, James Joyce, George Orwell, E. M. Forster, J. B. Priestley, Dorothy L. Sayers, David Jones and Jean-Paul Sartre. With chapters by leading international scholars, the volume's empirical-based approach aims to open up new avenues for understandings of radiogenic writing in the mass-media age.

'How do such people, with brilliant members and dull ones, fare when they pass from being a dominant minority to being a powerless one?' So asked the Kilkenny man-of-letters Hubert Butler (1900-1991) when considering the fate of Southern Protestants after Irish Independence. As both a product and critic of this culture, Butler posed the question repeatedly, refusing to accept as inevitable the marginalization of his community within the newly established state. Inspired by the example of the Revivalist generation, he challenged his compatriots to approach modern Irish identity in terms complementary rather than exclusivist. In the process of doing so, he produced a corpus of literary essays European in stature, informed by extensive travel, deep reading, and an active engagement with the political and social upheavals of his age. His insistence on the necessity of Protestant participation in Irish life, coupled with his challenges to received Catholic opinion, made him a contentious figure on both sides of the sectarian divide. This study addresses not only Butler's remarkable personal career, but also some of the larger themes to which he consistently drew attention: the need to balance Irish cosmopolitanism with local relationships; to address the compromises of the Second World War and the hypocrisies of the Cold War; to promote a society in which constructive dissent might not just be tolerated but valued. As a result, by the end of his life, Butler came to be recognised as a forerunner of the more tolerant and expansive Ireland of today.