The last untold story of the First World War: the fortunes and fates of 170,000 British soldiers captured by the enemy. On capture, British officers and men were routinely told by the Germans 'For you the war is over'. Nothing could be further from the truth. British Prisoners of War merely exchanged one barbed-wire battleground for another. In the camps the war was eternal. There was the war against the German military, fought with everything from taunting humour to outright sabotage, with a literal spanner put in the works of the factories and salt mines prisoners were forced to slave in. British PoWs also fought a valiant war against the conditions in which they were mired. They battled starvation, disease, Prussian cruelties, boredom, and their own inner demons. And, of course, they escaped. Then escaped again. No less than 29 officers at Holzminden camp in 1918 burrowed their way out via a tunnel (dug with a chisel and trowel) in the Great Escape of the Great War. It was war with heart-breaking consequences: more than 12,000 PoWs died, many of them murdered, to be buried in shallow unmarked graves. Using contemporary records - from prisoners' diaries to letters home to poetry - John Lewis-Stempel reveals the death, life and, above all, the glory of Britain's warriors behind the wire. For it was in the PoW camps, far from the blasted trenches, that the true spirit of the Tommy was exemplified.

'For you, the war is over.' These famous words marked the end of the Second World War for nearly half a million allied servicemen, and the beginning of a very different battle in captivity. Waged against boredom, brutality, disease, hunger and despair, it was a battle for survival, fought without the aid of weapons against fully armed enemy captors. Based on interviews and correspondence with ex-POWs and their relatives over the last 30 years, Prisoner of War is a major survey of allied POWs from all walks of life. Extraordinary stories of extremes: courage, hope and desperation are revealed in the words of those that were there. Arranged chronologically, the book follows those involved from capture, through interrogation, imprisonment, escape, to final liberation and homecoming. POWs and, in particular, those who broke free, have become a post-war cultural icon; a symbol of the will to survive against the odds. Rich with incident and emotion, Prisoner of War is a compelling look at the lives of extraordinary individuals trapped behind the wire.

From the bestselling author of Irena’s War comes a gripping novel of historical fiction based on one of the most extraordinary true stories of World War II—an uprising behind the walls of Auschwitz concentration camp. October 1944: In the long, narrow undressing rooms in Auschwitz-Birkenau, prisoner Jakub Bak toils under the scrutiny of SS guards. Like other members of the Sonderkommando, Jakub was selected on arrival for an unthinkable job: sorting through the clothes of the dead and moving their bodies from the gas chambers to the crematoriums. In this hell within a hell, Jakub clings to the promise he made to his murdered father—to live, at any cost—and to the moments he is able to spend in the company of Anna, imprisoned in the women’s camp. Every morning, Anna marches miles to the union munitions factory where she works alongside other prisoners. Even Jakub doesn’t know that she and a few other women have been taking the ultimate risk, smuggling trace amounts of gunpowder back in their clothing. A bold plan is brewing to revolt against the SS and liberate the camp. Jakub, pressured to join the resistance, knows that any uprising faces impossible odds. Added to this already stark choice is another desperate reality—the risk from informers who see their only chance of survival in betraying their fellow Jews. Powerfully moving and unflinching in its authenticity, Beyond the Wire tells of the women and men who, though outnumbered and outgunned, fought to free themselves, sparking a brilliant flash of light and hope amidst the darkest evil that humans can conceive. Praise for Irena’s War “Shipman’s humbling, spellbinding tale is a standout among recent works of Holocaust fiction.” —Publishers Weekly (Starred Review)

This book focuses on the numerous examples of creativity produced by POWs and civilian internees during their captivity, including: paintings, cartoons, craftwork, needlework, acting, musical compositions, magazine and newspaper articles, wood carving, and recycled Red Cross tins turned into plates, mugs and makeshift stoves, all which have previously received little attention. The authors of this volume show the wide potential of such items to inform us about the daily life and struggle for survival behind barbed wire. Previously dismissed as items which could only serve to illustrate POW memoirs and diaries, this book argues for a central role of all items of creativity in helping us to understand the true experience of life in captivity. The international authors draw upon a rich seam of material from their own case studies of POW and civilian internment camps across the world, to offer a range of interpretations of this diverse and extraordinary material.

Squinting from a one-two punch of exhaustion and the eerie faded-brass hue of a desert sun that doesn't take breaks and never seems to want to, I'm trying to decide just how in the hell I ended up here. Here, being Iraq. Cavalry Scout. In the Army for that matter. Perhaps if I thought long and hard enough I could remember. I knew for damn sure that I had no shortage of time to work it out. My journey started six thousand miles to the west in a place called Ashtabula, Ohio. I had spent the better part of a year at a 3rd shift job in a factory on the far end of town, trying not to lose myself in the mullets and meth of the American Midwest. Then came 9/11. The images of those airplanes slamming into the NYC skyline like lawn darts playing on a constant loop on CNN. The attack had leant me a sense of purpose; I enlisted in the Army. Now here I was two years later, as far from Ashtabula as I could get, squinting in the dust and that godforsaken insane-colored sun. It all seemed to be drawing together into some kind of destiny; and before I ever saw Ohio again, before I got the chance to comprehend the paradise that Ashtabula really had been, there was Iraq. There was an eternity of gunfire and explosions and heat and blood and steel. Iraq was hell, and that was exactly where I was going.

Published to coincide with the major 2 part BBC1 series (Autumn 2000) of the same name, War Behind the Wire focuses on the capture, interrogation, the comradeship of camp life, escape planning and forgery techniques, tunnelling, the thrill of life on the run, re-capture and punishment, the joy of liberation. All these experiences and more are vividly described by former POWs of the Second World War and their German camp guards, in War Behind the Wire.Through gripping first-hand accounts enhanced with numerous illustrations, we learn the true story of the ill-fated Great Escape, which ended in the barbaric murder of 50 gallant men of many nationalities. Former inmates tell what life in Colditz Castle was really like.War Behind the Wire is an inspiring book of memories and experiences of those who never gave up hope. These will be as unforgettable for the reader as they were for those who found themselves in captivity.

Yasutaro Soga’s Life behind Barbed Wire (Tessaku seikatsu) is an exceptional firsthand account of the incarceration of a Hawai‘i Japanese during World War II. On the evening of the attack on Pearl Harbor, Soga, the editor of a Japanese-language newspaper, was arrested along with several hundred other prominent Issei ( Japanese immigrants) in Hawai‘i. After being held for six months on Sand Island, Soga was transferred to an Army camp in Lordsburg, New Mexico, and later to a Justice Department camp in Santa Fe. He would spend just under four years in custody before returning to Hawai‘i in the months following the end of the war. Most of what has been written about the detention of Japanese Americans focuses on the Nisei experience of mass internment on the West Coast—largely because of the language barrier immigrant writers faced. This translation, therefore, presents us with a rare Issei voice on internment, and Soga’s opinions challenge many commonly held assumptions about Japanese Americans during the war regarding race relations, patriotism, and loyalty. Although centered on one man’s experience, Life behind Barbed Wire benefits greatly from Soga’s trained eye and instincts as a professional journalist, which allowed him to paint a larger picture of those extraordinary times and his place in them. The Introduction by Tetsuden Kashima of the University of Washington and Foreword by Dennis Ogawa of the University of Hawai‘i provide context for Soga’s recollections based on the most current scholarship on the Japanese American internment.