In 1929 French journalist Albert Londres (Inspiration for the cartoon character Tintin) set out to document the lives of Jews. In the East End of London, he is moved by their unswerving faith. In eastern Europe he is astounded by their miserable plight. With gentle humor and a sharp eye he draws unforgettable portraits of the exotic individuals he encounters along the way. He vividly depicts the birth of Zionism and the wave of anti-semitic pogroms that propelled Jewish Immigration to Palestine. There he discovers the proud "new Jew" while his on-site reporting of the horrific Arab massacres of the Jews of Hebron and Safed exposes an age-old animosity still very much alive today. Presciently, Londres foresees that the Jews, despite their small numbers, will pay the Arabs 'back in kind' and ultimately regain their homeland. This literary masterpiece transports readers back to a pivotal moment in history and offers invaluable insights on Jewish life in the early twentieth century, on the formative years that preceded the State of Israel, and on the strife that has engulfed the region ever since. The Wandering Jew Has Arrived is as relevant today as when first penned. Book jacket.

The Gothic Wanderer Rises Eternal in Popular Literature From the horrors of sixteenth century Italian castles to twenty-first century plagues, from the French Revolution to the liberation of Libya, Tyler R. Tichelaar takes readers on far more than a journey through literary history. The Gothic Wanderer is an exploration of man's deepest fears, his eff orts to rise above them for the last two centuries, and how he may be on the brink finally of succeeding. Tichelaar examines the figure of the Gothic wanderer in such well-known Gothic novels as "The Mysteries of Udolpho," "Frankenstein," and "Dracula," as well as lesser known works like Fanny Burney's "The Wanderer," Mary Shelley's "The Last Man," and Edward Bulwer-Lytton's "Zanoni." He also finds surprising Gothic elements in classics like Dickens' "A Tale of Two Cities" and Edgar Rice Burroughs' "Tarzan of the Apes." From Matthew Lewis' "The Monk" to Stephenie Meyer's "Twilight," Tichelaar explores a literary tradition whose characters refl ect our greatest fears and deepest hopes. Readers will find here the revelation that not only are we all Gothic wanderers--but we are so only by our own choosing. Acclaim for "The Gothic Wanderer" ""The Gothic Wanderer" shows us the importance of its title figure in helping us to see our own imperfections and our own sometimes contradictory yearnings to be both unique and yet a part of a society. The reader is in for an insightful treat." --Diana DeLuca, Ph.D. and author of Extraordinary Things "Make no mistake about it, The Gothic Wanderer is an important, well researched and comprehensive treatise on some of the world's finest literature." --Michael Willey, author of Ojisan Zanoni Foreword by Marie Mulvey-Roberts, Ph.D. Learn more at www.GothicWanderer.com From Modern History Press www.ModernHistoryPress.com Literary Criticism: Gothing & Romance Literary Criticism: European - General

"Beginning at the Beginning, Heym introduces both Ahasverus and Lucifer as angels in free fall, cast out of heaven for their opinions of God's order. The story follows their respective oppositions through the rest of time: Ahasverus defiant through protest rooted in love and a faith in progress, and Lucifer rebellious by means of his biblically familiar methods.