NEW STORY ARC CONQUERED In the aftermath of The Whisperer War: ALL IS LOST. ALSO, HOLY CRAP! THIS ISSUE IS 99¢ CENTS TO CELEBRATE THE 25th ANNIVERSARY OF IMAGE COMICS!

"AFTERMATH" Carl fights for the Commonwealth but who is he fighting against?

Who is Negan? Since his debut in THE WALKING DEAD #100, the charismatic psychopath has antagonized Rick Grimes, murdered his friend with a baseball bat wrapped in barb wire (which he calls "Lucille"), and led the Saviors into war against Alexandria and the neighboring communities. But who was he before society broke down? That question will be answered here, collecting the ñHEREÍS NEGAN!î story originally serialized in IMAGE+ magazine

In the aftermath of The Whisperer War ALL IS LOST. Collects THE WALKING DEAD #163-168

"How many hours are in a day when you don't spend half of them watching television? When is the last time any of us really worked to get something we wanted? How long has it been since any of us really needed something that we wanted? The world we knew is gone. The world of commerce and frivolous necessity has been replaced by a world of survival and responsibility. An epidemic of apocalyptic proportions has swept the globe causing the dead to rise and feed on the living. In a matter of months society has crumbled. No government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, we are forced to finally start living"--Page 4 of cover.

In the aftermath of The Whisperer War--ALL IS LOST. Collects THE WALKING DEAD #163-168

An accessible introduction to the world of The Walking Dead, this book looks across platforms and analytical frameworks to characterize the fictional world of The Walking Dead and how its audiences make use of it. From comics and television to social media, apps, and mobile games, utilizing concepts derived from literary studies, media studies, history, anthropology, and religious studies, Matthew Freeman examines the functions and affordances of new digital platforms. In doing so, he establishes a new transdisciplinary framework for analyzing imaginary worlds across multiple media platforms, bolstering the critical arena of world-building studies by providing a greater array of vocabulary, concepts, and approaches. The World of The Walking Dead is an engaging exploration of stories, their platforms, and their reception, ideal for students and scholars of world-building, film and TV studies, new media, and everything in-between.