A page-turning tale of murder, subversion and vice in which a female medical student in Victorian Edinburgh is drawn into a murder investigation when she recognizes one of the corpses in her anatomy lecture. Sarah Gilchrist has fled London and a troubled past to join the University of Edinburgh's medical school in 1892, the first year it admits women. She is determined to become a doctor despite the misgivings of her family and society, but Sarah quickly finds plenty of barriers at school itself: professors who refuse to teach their new pupils, male students determined to force out their female counterparts, and—perhaps worst of all—her female peers who will do anything to avoid being associated with a fallen woman. Desperate for a proper education, Sarah turns to one of the city’s ramshackle charitable hospitals for additional training. The St Giles’ Infirmary for Women ministers to the downtrodden and drunk, the thieves and whores with nowhere else to go. In this environment, alongside a group of smart and tough teachers, Sarah gets quite an education. But when Lucy, one of Sarah’s patients, turns up in the university dissecting room as a battered corpse, Sarah finds herself drawn into a murky underworld of bribery, brothels, and body snatchers. Painfully aware of just how little separates her own life from that of her former patient’s, Sarah is determined to find out what happened to Lucy and bring those responsible for her death to justice. But as she searches for answers in Edinburgh’s dank alleyways, bawdy houses and fight clubs, Sarah comes closer and closer to uncovering one of Edinburgh’s most lucrative trades, and, in doing so, puts her own life at risk… An irresistible read with a fantastic heroine, beautifully drawn setting, fascinating insights into what it was like to study medicine as a woman at that time, The Wages of Sin is a stunning debut that heralds a striking new voice in historical fiction.

Discusses diseases and ailments that have been connected to sex throughout history, and the reactions to them that have been shaped by religion or morality.

Dulcinea "Cin" Craven, having inherited magical powers and become the target of a vampire and a demon who want them for themselves, teams up with the warriors of the Righteous, meeting and falling in love with Michael who gives her the option to remain human or become immortal like him.

Examines how film censors and producers treated the "fallen woman" or "sex picture" subject.

Murder of Chris Hatton on January 14, 1995.

A promising series debut with engaging characters, social commentary, and a Victorian twist on the ever popular upstairs-downstairs storyline First in a brand-new Victorian mystery series featuring steward Matthew Rowsley and housekeeper Mrs Faulkner as an engaging detective duo. Newly appointed as land agent to the youthful Lord Croft, Matthew Rowsley finds plenty to keep him busy as he attends to his lordship’s neglected country estate. But he’s distracted from his tasks by the disappearance of a young housemaid. Has Maggie really eloped with a young man, as her mother seems to think – or is the truth rather more sinister? What’s been going on behind the scenes at the grand country estate ... and where has his lordship disappeared to? Teaming up with housekeeper Mrs Faulkner to get to the bottom of the matter, Matthew uncovers a number of disturbing secrets, scandals and simmering tensions within the household. Something rotten is going on at Thorncroft – and it’s up to Matthew and Mrs Faulkner to unearth the truth.

A woman wants only to forget. A man wants only to feel needed. A child disappears without a trace. A kidnapping, a murder or an accident? Among the villagers, fear spreads. There is a sadist in their midst, and it is up to Inspector Konstantin 'Tino' Dühnfort to find him before he strikes again.