'Bursts with gloriously geeky detail.' The Telegraph Have you ever made someone you love a mix-tape? Forty years ago, a group of scientists, artists and writers gathered in a house in Ithaca, New York to work on the most important compilation ever conceived. It wasn't from one person to another, it was from Earth to the Cosmos. In 1977 NASA sent Voyager 1 and 2 on a Grand Tour of the outer planets. During the design phase of the Voyager mission, it was realised that this pair of plucky probes would eventually leave our solar system to drift forever in the unimaginable void of interstellar space. With this gloomy-sounding outcome in mind, NASA decided to do something optimistic. They commissioned astronomer Carl Sagan to create a message to be fixed to the side of Voyager 1 and 2 – a plaque, a calling card, a handshake to any passing alien that might one day chance upon them. The result was the Voyager Golden Record, a genre-hopping multi-media metal LP. A 90-minute playlist of music from across the globe, a sound essay of life on Earth, spoken greetings in multiple languages and more than 100 photographs and diagrams, all painstakingly chosen by Sagan and his team to create an aliens' guide to Earthlings. The record included music by J.S. Bach and Chuck Berry, a message of peace from US president Jimmy Carter, facts, figures and dimensions, all encased in a golden box. The Vinyl Frontier tells the story of NASA's interstellar mix-tape, from first phone call to final launch, when Voyager 1 and 2 left our planet bearing their hopeful message from the Summer of '77 to a distant future.

A historic generator of American counterculture, California has become the landing site for Asian vinyl toy culture as well. Beyond Ultraman examines the vinyl art toy landscape as seen through the work of seven California artists who reflect that movement, turning art into toys and vice versa. Through originality, wit, flippancy and brilliance, each artist represented here has elevated the vinyl art toy movement and captured the attention of two audiences: the mainstream art community and the toy community. This full-color illustrated catalog documents a first-of-its-kind exhibition presented jointly by the Pasadena Museum of California Art and the Los Angeles Toy, Doll and Amusements Museum. Specific works by Gary Baseman, Tim Biskup, David Gonzales, David Horvath, Sun-Min Kim, Brian McCarty and Mark Nagata are illustrated and described within both current and historical contexts. The vinyl art toy movement is fueled by a generation of enthusiastic young collectors for whom this book is essential.

For nearly 60 years, since the arrival of the long-playing record in 1948, the album has provided the soundtrack to our lives. Our record collections, even if they're on CD, or these days, an iPod, are personal treasure, revealing our loves, errors of jugdement and lapses in taste. Self-confessed music obsessive, Travis Elborough, explores the way in which particular albums are deeply embedded in cultural history, revered as works of art or so ubiqitous as to be almost invisible. But in the age of the iPod, when we can download an infinite number of single tracks and need never listen to a whole album ever again, does the concept of an album still mean anything? THE LONG-PLAYER GOODBYE is a brilliant piece of popular history and a celebration of the joy of records. If you've ever had a favourite album, you'll love Travis Elborough's warm and witty take on how vinyl changed our world.

Presents the story of the writing and recording of one of the most influential albums, Led Zeppelin IV. This book explains how Led Zeppelin, recognised as the first true rock gods with three platinum albums in quick succession, had been shrouded in intrigue, with legendary tales of debauched excesses, orgies, black magic, and satanic pacts.

Most books about the Beatles reveal the big picture first and ask questions afterward. This book reverses that approach. It takes a fresh and often funny look at the magnificent and sometimes idiotic career path of the Beatles through the prism of one vital album -- a record considered by many (including John Lennon) to be the one on which they reached their peak as songwriters. It focuses not just on the intimate recording details and creative process, but on the politics, music, and culture of the era, as well as the band's individual development amid increasing dissolution. In crisp and witty prose, the inside stories behind the making and release of the album are revealed: how the White Album got its look and name; why it included the most experimental track the Beatles ever recorded; how it inspired the bloody massacres of Charles Manson and his 'family'; why Ringo Starr walked out on the sessions and who replaced him; the actual identities of 'Dear Prudence', 'Sexy Sadie', 'Martha My Dear', 'Julia' and 'Bungalow Bill'; on which song Yoko sang lead; which song is about Eric Clapton's teeth;

Om indspilningen af The Beach Boys' album Pet sounds fra 1966

PLASTIC creators DOUG WAGNER and DANIEL HILLYARD return with Eisner Award winner DAVE STEWART for an unsettling tale of psychopaths, sweet love, and a serial killer named Walter. When Walter’s best friend, the FBI agent charged with his capture, is kidnapped by a death cult of all-female sunflower farmers, Walter finds himself deep within an underground labyrinth filled with secrets and monsters...but are their monsters more horrific than his?