IN quietly dazzling language, Women Clothed with the Sun engages ninety women from the Old and New Testaments, the inconspicuous as well as the more prominent: Eve, Lot's wife, Zipporah, Miriam, Judith, Ruth, Bathsheba, Mary, Elizabeth, Martha, the woman at the well, the wife of Pilate, the women of Jerusalem, and others. Without a feminist axe to grind in the foreground, without pretension or piety, but fearlessly and enthusiastically, Dana Little-page Smith has imaginatively entered into each woman's life, by turns boldly, delicately, sensuously, intelligently, always skillfully. Smith pulls aside the veil to let each woman speak her mind. What emerges is the female humanity of the women, some caught in appalling circumstances, some freed to new heights of spiritual and physical presence, all of them lifted from the relative silence of their lives in patriarchal times and allowed to command our full attention. There is great variety here -- spirited and heroic women, bawds, victims of incest, wives and daughters. The poet has heard the drumming and the songs the scribes could not hear. These women have "practiced pain like a pentateuch". They have asked themselves, "What is this heart you fear breaking?" And they have found answers in action, image, and word.

Provides up-to-date profiles on the careers of leading and emerging poets.

If baseball is the sport of nostalgic prose, basketball’s movement, myths, and culture are truly at home in verse. In this extraordinary collection of essays, poets meditate on what basketball means to them: how it has changed their perspective on the craft of poetry; how it informs their sense of language, the body, and human connectedness; how their love of the sport made a difference in the creation of their poems and in the lives they live beyond the margins. Walt Whitman saw the origins of poetry as communal, oral myth making. The same could be said of basketball, which is the beating heart of so many neighborhoods and communities in this country and around the world. On the court and on the page, this “poetry in motion” can be a force of change and inspiration, leaving devoted fans wonderstruck.

Founded in 1957, Chase's observes its 60th anniversary with the 2018 edition! Users will find everything worth knowing and celebrating for each day of the year: 12,500 holidays, historical milestones, famous birthdays, festivals, sporting events and much more. "One of the most impressive reference volumes in the world."--Publishers Weekly.

Since 1964, when Louisiana State University Press published its inaugural book of verse (Miller Williams’s A Circle of Stone), its poetry list has grown exponentially—191 books by 93 poets—into a program that inspires understandable pride in those associated with it. Two collections have won the Pulitzer Prize—The Flying Change (1986), by Henry Taylor, and Alive Together (1996), by Lisel Mueller. Another book by Mueller, The Need to Hold Still (1980), won the National Book Award, while several other LSU titles have been finalists for that distinction, most recently The Fields of Praise (1997), by Marilyn Nelson, and The Vigil (1993), by Margaret Gibson. Dozens more have been recognized for their excellence through a host of various honors. The Press publishes the winner of the annual Walt Whitman Award, given by The Academy of American Poets for a first collection; and in 1996 it launched the Southern Messenger series in collaboration with Dave Smith, bringing two shining works into the fold each year. The appearance of The Collected Poems of Robert Penn Warren in 1998 meant for the Press the realization of a long, dearly held dream. To mark this thirty-five-year-old tradition as the century and millennium turn, and to offer a sampling of its richness, The Yellow Shoe Poets, a retrospective anthology, was compiled under the editorship of George Garrett, a longtime colleague of the Press and the author of eight poetry volumes. (Say “the LSU poets” real fast with a southern drawl and you get the ridiculously wonderful moniker that poet Elizabeth Seydel Morgan’s young friend innocently mistook for this noble band. It’s an image Brendan Galvin has appropriated to a perfect fit in his poem “Yellow Shoe Poet,” written on behalf of his fellow “yellow shoes” across the years.) All 173 poems are taken from LSU Press books and were selected by the poets themselves, if living. Arranged alphabetically by author, they consist of at least one poem from every poet published by the Press. Goethe’s admonition that “one ought every day at least, to read a good poem” can find no better starting point than in The Yellow Shoe Poets.