For as long as he can remember, Blake K. Healy has seen angels and demons. He sees them as clearly as he would see you if you were standing right in front of him. He sees angels dancing in worship services and whispering words of encouragement in people’s ears. He also sees demons latching on to people and perpetuating addiction and bitterness in their hearts. The Veil chronicles how Blake matured in this gifting, while overcoming the fear and confusion of what he saw, how he learned to use his gift of seeing for God’s glory, and how to teach others to do the same. This new and updated version of The Veil also includes a brief guide on how to begin growing in the gift of seeing in the spirit yourself, as well as an appendix of scriptural references to the spirit realm and angels, along with Blake’s commentary on these passages.

This topic divides people - and it will divide readers of this book too. Many Muslims worldwide either support or adopt religious veiling, and those who argue against it are often criticised, or worse. But, according to Yasmin Alibhai-Brown, the veil throws up a number of concerns, from questions of health and freedom of choice to issues of gender and personal identity. She argues that veiling conceals abuse, propagates eating disorders and restricts access to sunlight and exercise. It is imposed on babies and young girls, allows women to be shamed for not covering up, and has become associated with extremist factions. It demonises men, oppresses feminism and presents obstacles to performance and success. It even encourages racism, distorts Muslim values and strips women of autonomy and individuality. Written from a unique perspective and packed with personal experiences as well as public examples, Yasmin addresses the ultimate question of why Muslim women everywhere should refuse the veil.

Since the early 2010s, an increasing number of European countries have passed laws that prohibit the wearing of various kinds of Islamic veil in particular circumstances. This insightful book considers the arguments used to justify such laws and analyses the legitimacy of these arguments both generally and in regards to whether such laws can be seen as justified interferences with the rights of women who wish to wear such garments.

They say that legends are born, not made. But for Jeremy Goodson and Masaru Hagen that is far from the truth. Confronted by something that neither of them can explain, two complete strangers from opposite sides of the world embark on an unforgettable journey that will forge them into living legends. It has been almost 4,000 years since magic disappeared from the Earth. Hidden from humanity by the Veil, those who possess magic live in ancient settlements across the globe. Over the centuries, these beings have pierced the Veil, leaving behind glimpses and shadows of the fantastic and arcane. Fueled by distant memories and humanity’s desire for wonder, familiar stories of myths and legends have been passed down for thousands of years in nearly every culture and nation. Jeremy Goodson, an average, overweight teacher in New York City finds his entire world turned upside down when a stranger tempts him to leave everything behind and start a journey that will test Jeremy’s mysterious gift and bring magic and hope back to humanity. Masaru Hagen, the adopted son of American tech entrepreneurs living in Tokyo, has been guided by an unseen voice all his life. On the eve of his twentieth birthday, the voice leads him across thousands of miles, on a mysterious and perilous mission he alone can undertake. But there are principalities of this world that will do whatever they can to stop Jeremy and Masaru and keep magic out of the hands of humanity forever. One of these men will bring hope to the world; the other will bring death. The world they once knew will be changed forever, not only for themselves, but for everyone on Earth…and maybe not for the best.

This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Burning the veil draws upon sources from newly-opened archives, exploring the ‘emancipation’ of Muslim women from the veil, seclusion and perceived male oppression during the Algerian War of decolonisation. The claimed French liberation was contradicted by the violence inflicted on women through rape, torture and destruction of villages. This book examines the roots of this contradiction in the theory of ‘revolutionary warfare’, and the attempt to defeat the National Liberation Front by penetrating the Muslim family, seen as a bastion of resistance. Striking parallels with contemporary Afghanistan and Iraq, French ‘emancipation’ produced a backlash that led to deterioration in the social and political position of Muslim women. This analysis of how and why attempts to Westernise Muslim women ended in catastrophe has contemporary relevance and will be important to students and academics engaged in the study of French and colonial history, feminism and contemporary Islam.

Until now the bulk of the literature about the veil has been written by outsiders who do not themselves veil. This literature often assumes a condescending tone about veiled women, assuming that they are making uninformed decisions choices about veiling makes them subservient to a patriarchal culture and religion. “Rethinking Muslim Women and the Veil” offers an alternative viewpoint, based on the thoughts and experiences of Muslim women themselves. This is the first time a clear and concise book-length argument has been made for the compatibility between veiling and modernity. Katherine Bullock uncovers positive aspects of the veil that are frequently not perceived by outsiders. “Rethinking Muslim Women and the Veil” looks at the colonial roots of the negative Western stereotype of the veil. It presents interviews with Muslim women to discover their thoughts and experiences with the veil in Canada. The book also offers a positive theory of veiling. The author argues that in consumer capitalist cultures, women can find wearing the veil a liberation from the stifling beauty game that promotes unsafe and unhealthy ideal body images for women. This book also includes an extensive bibliography on topics related to Muslim women and the veil.

Rashida, an Indian Muslim woman with a questing spirit, falls in love with an author whose work she admires, though she's never laid eyes on him. She refuses other suitors, to the horror of her large, loving family. After years of political turmoil have convulsed India, with the author's fate unknown, he suddenly appears at her door. Rashida marries him at last, and sees him for the first time on their wedding night. His ugliness, slovenly habits, vanity--and finally, treachery--throw her emotions and her family's life into chaos. She begins a scandalous affair with a handsome teacher, defying her culture and destroying her family's honor. Rashida's story unfolds against a sweeping panorama of Indian history and culture, and a vivid, sensuous portrait of a changing India.