From the bestselling author of What You Did comes a true-crime investigation that cast a dark shadow over the Ireland of her childhood. Ireland in the 1990s seemed a safe place for women. With the news dominated by the Troubles, it was easy to ignore non-political murders and sexual violence, to trust that you weren't going to be dragged into the shadows and killed. But beneath the surface, a far darker reality had taken hold. Through questioning the society and circumstances that allowed eight young women to vanish without a trace―no conclusion or conviction, no resolution for their loved ones―bestselling crime novelist Claire McGowan delivers a candid investigation into the culture of secrecy, victim-blaming and shame that left these women's bodies unfound, their fates unknown, their assailants unpunished. McGowan reveals an Ireland not of leprechauns and craic but of outdated social and sexual mores, where women and their bodies were of secondary importance to perceived propriety and misguided politics--a place of well-buttoned lips and stony silence, inadequate police and paramilitary threat. Was an unknown serial killer at large or was there something even more insidious at work? In this insightful, sensitively drawn account, McGowan exposes a system that failed these eight women--and continues to fail women to this day.

Between 1993 and 1998, six Irish women, ranging in age from eighteen to twenty eight, disappeared. The area in which these disappearances occurred became publicly referred to as 'The Vanishing Triangle'. To date, none of the missing females have ever been located. These six unsolved cases resulted in the creation of the specialist Garda task force 'Operation Trace', set up in the hope of finding a connection between the missing women. None was found. The task force investigated dozens of unsolved cases of women gone missing in Ireland. Alan Bailey served as the National Coordinator for the task force for thirteen years, and the revealing stories in Missing, Presumedall come from his personal experiences in this role. Missing, Presumed details, and reports on, the Garda investigations into the case studies of fifteen women who disappeared over a time span of twenty years. In almost half of the cases, the women's badly mutilated bodies were recovered, sometimes months later, buried in shallow graves. Each chapter focuses on one woman's story, and details the timeline of events that led to her disappearance, beginning on the day of her disappearance through to the ensuing investigation, and up to - when lucky - a conviction. These stories are haunting, terrifying, and true. 'It is now sixteen years since Trace was established. The families and friends of both the disappeared and those whose bodies were found still await closure.'

Please note: This is a companion version & not the original book. Sample Book Insights: #1 I grew up in Northern Ireland in the nineties, which was a time of turmoil and change. We were afraid of being shot by the soldiers who crouched in the hedgerows as we walked home, and we were afraid of being bombed by the IRA. #2 The nineties in Ireland were a time of change and struggle. People were trying to prise off the fingers of Church control, and they were struggling with their self-identification as one of the few true Catholic countries left. #3 There were a few brutal murders in Ireland during my childhood that could be linked to the later disappearances. In 1979, Phyllis Murphy, who was twenty-three, went missing from Newbridge, about thirty miles from Dublin. She was last seen walking to the bus stop wearing jeans and a winter coat, mittens. Her body was found two months later in a forest in Wicklow. #4 There were several unsolved cases in Ireland in the 1980s and 1990s, including the murders of Antoinette Smith and Jastine Valdez. The cases were all similar, with the bodies of the victims wrapped in plastic bags and dumped in bog land.

From the author of the "wrenching and exhilarating" All Things Cease to Appear comes a gripping literary thriller about a man reckoning with the mysterious death of his former roommate (Wall Street Journal). Julian Ladd and Rye Adler cross paths as photography students in the exclusive Brodsky Workshop. When Rye needs a roommate, Julian moves in, and a quiet, compulsive envy takes root, assuring, at least in his own mind, that he will never achieve Rye’s certain success. Both men are fascinated with their beautiful and talented classmate, Magda, whose captivating images of her Polish neighborhood set her apart, and each will come to know her intimately – a woman neither can possess and only one can love. Twenty years later, long after their paths diverge, Rye is at the top of his field, famous for his photographs of celebrities and far removed from the downtrodden and disenfranchised subjects who’d secured his reputation as the eye of his generation. When Magda reenters his life, asking for help only he can give, Rye finds himself in a broken landscape of street people and addicts, forcing him to reckon with the artist he once was, until his search for a missing boy becomes his own desperate fight to survive. Months later, when Julian discovers Rye’s obituary, the paper makes it sound like a suicide. Despite himself, Julian attends the funeral, where there is no casket and no body. This sudden reentry into a world he thought he left behind forces Julian to question not only Rye’s death, but the very foundations of his life. In this eerie and evocative novel, Elizabeth Brundage establishes herself as one of the premiere authors of literary fiction at work today.

From New York Times bestselling author Jodi Lynn Anderson comes a haunting and lovely small-town romance, perfect for fans of Gayle Forman, Lauren Myracle, and Laurie Halse Anderson. When Maggie’s parents move them from bustling Chicago to small, rundown Door County, Wisconsin, she thinks she’ll spend a year reading classics and killing time until college. That plan changes as soon as she meets Pauline and Liam. Soon the three are inseparable, stretching out the love between two childhood best friends to fit over all of them and all their grand dreams. But what starts as an uneventful year suddenly changes. Someone is killing teenage girls, and the town reels from each new tragedy. And as the dynamics between Maggie, Pauline, and Liam shift and collide in irreversible ways, they all will experience love and loss hand-in-hand—but only two of them will survive the winter.

In The Vanishing Moon, Joseph Coulson writes with insight and beauty about the American working-class, about the strength and strain of family bonds, and about tragic incidents that haunt the human psyche over a lifetime. Set in Cleveland and Detroit, the novel chronicles two generations of the Tollman family, opening at the start of the Great Depression and moving forward through five decades to the Vietnam War. The first narrator, Stephen Tollman, looks back on his early adventures with his older brother, as both boys try to shield their siblings from the confusion and vulnerability of financial ruin. Later, as World War II approaches, Katherine Lennox, musician and political activist, offers an outsider’s view of the Tollmans, mesmerizing both Stephen and his brother with her energy and ambition. James Tollman comes of age in the 1960s, and as the youngest son in the family’s second generation, he strives to understand his father and mother amidst a summer of assassinations and civil unrest. Stephen returns to finish the story, struggling to hold his own against the currents of memory and abandoned dreams. Told with the compression and intensity of a poem, The Vanishing Moon is a novel of desire, unyielding necessity, and the people and places that inevitably disappear from our lives.

From the Costa Award winning, bestselling author of THIS MUST BE THE PLACE and I AM, I AM, I AM, comes an intense, breathtakingly accomplished story of a woman's life stolen, and reclaimed. 'Unputdownable' Ali Smith Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done. Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox and the one person who should know more, her grandmother Kitty, seems unable to answer Iris's questions. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?