Dance History Tribute to: • Michael Jackson, Patrick Swayze, Jennifer Beals, Debbie Allen, Janet Jackson, Gregory Hines, Mel Brooks, John Travolta, Olivia Newton-John, Deney Terrio, Liza Minnelli, Sonny & Cher, Elvis Presley, Dick Van Dyke, Mary Tyler Moore, Annette Funicello, Bob Fosse, Jerome Robbins, Cyd Charisse, Gene Kelly, Donald O'Connor, Debbie Reynolds, Chubby Checkers, Judy Garland, Diana Ross, Buddy Ebsen, Jack Haley, Bert Lahr, Eleanor Powers, Ginger Rogers, Fred Astaire, Busby Berkeley, Bill Bojangles Robinson, Nicholas Brothers, Carmen Miranda, Carolina “La Belle” Otero, Rita Moreno, Loie Fuller, Cheryl Burke, Peta Murgatroyd, Derek Huff, Maksim Chmerkovskiym, Lacy Schwimmer, Benji Schwimmer, Eliana Girard • Dancing with the Stars! • So You Think You Can Dance! • Join your favorite dance celebrities past, present and future as they compete to DANCE OR DIE! • Celebrate every holiday from January through December and Vamptember with an homage to recipes from the upcoming cookbook from the Author Get updates and other special features on our Blog! Join today to participate & comment: http://learnbellydancewithshalimarali.com/

Seven vampiric temptresses dance with seven handsome highlanders. Then they turn on the men.Sorcha's six sisters vanish with the light of dawn, leaving her trapped by Ian in the mortal realm.Murdina, goes hunting for a man, but this time she wants love not blood. She spots Cameron just as a strong wind lifts his kilt. Sorcha takes a good look and decides he's the one.The same night Sorcha was left behind on earth, Ever danced with Calin. And, he's fantasized about her ever since. When they meet again he waste no time in claiming and capturing Ever.Angus was nearly killed by Charlak when she tried to free Sorcha. A year later Angus comes upon Charlak again. Despite the danger, he has to have one waltz with her. In a passionate embrace, Charlak and Angus dance across a field of heather. An insatiable hunger rises in her and it isn't for his blood.Mordak spots Tor, and wants more from him than his blood. She burns for his touch, but before she can enchant Tor, three Valkyrie land in front of him. Mordak is not about to let the Norse blondes fly off with her man.Finally, the last two of the dancing vampire sisters, Foomna and Afric, shimmy and strut their way into belly dancing at a Scottish Steampunk Con. It's all sizzle and steam when they get together with a sexy rock guitarist and a hot looking god at the con.

Becca is so excited by her dance lessons that she does not even care that her neighbor and dance partner is a vampire--and it is up to Echo, the Bat Pack, and a talking parrot to make sure that this dance does not end in disaster.

The conclusion to the three-volume series following the New York Times Bestseller Dance in the Vampire Bund! Dance in the Vampire Bund: The Memories of Sledge Hammer is a three-volume interlude between Dance in the Vampire Bund's first fourteen volume story arc and the upcoming second part of the series, which will launch in 2014. The Memories of Sledge Hammer delves into the past to look at the doomed love affair of one of the Vampire Bund's most deadly operatives. Three months have passed since Princess Mina, queen of all vampires, has recaptured the Bund. The damage inflicted to vampire/human relations runs deep, but a peaceful postwar restoration is now underway. Yet appearances can be deceiving. Somebody is trying to kill government liaison Reiko Gotoh, but her lycanthrope bodyguard, Seiji Hama, is nowhere to be found. The mystery of Hama's whereabouts can only be solved by examining the past, when the ill-fated couple first met. The past may be the key to saving Gotoh in the present—and to the future of the Vampire Bund itself!

This crowning collection brings together seven of Bole Butake's finest plays since 1984, namely: Dance of the Vampires; Family Saga; Lake God; Betrothal Without Libation; And Palm Wine Will Flow; The Rape of Michelle; and Shoes. More than an academic, Butake has distinguished himself as a playwright, unearthing and foregrounding the ills, travails and predicaments of a land and people trapped by the blood-dripping impunities of vampires in power. In his rich repertoire of over ten plays, Butake takes sides with the downtrodden, the wretched of the earth, the deprived and the underdogs. His jabs and jibes, aimed at the rulers, are scathing, at times vitriolic. He has excelled at a stubborn determination to ignore the sinecures, lure and allure of power without responsibility.