This book relates stories of everyday life revolving around small-scale urban gardens in Central Havana and focusing particularly on that of Marcelo, a seventy-four-year-old revolutionary and gardener. The urban gardens are contested spaces: though monitored and controlled by Cuban state institutions, they also offer possibilities of crafting life in resistance. The experiences the authors narrate are not ‘thick descriptions,’ linked to larger political issues, but rather rhizomatic observations that highlight the relationships between humans and non-humans within the nature-culture debate. Using these experiences, the authors argue that ‘the political’ reaches beyond the affairs of state and governance and should be seen as an all-encompassing part of life. The authors thereby invite the social sciences to focus on the microscopic and the day-to-day to illuminate how the political affairs of lives can be imagined differently.

Following the collapse of the Soviet Union in the early 1990s, Cuba found itself solely responsible for feeding a nation that had grown dependent on imports and trade subsidies. With fuel, fertilizers, and pesticides disappearing overnight, citizens began growing their own organic produce anywhere they could find space— on rooftops, balconies, vacant lots, and even school playgrounds. By 1998 there were more than 8,000 urban farms in Havana producing nearly half of the country's vegetables. What began as a grassroots initiative had, in less than a decade, grown into the largest sustainable agriculture initiative ever undertaken, making Cuba the world leader in urban farming. Featuring a wealth of rarely seen material and intimate portraits of the environment, Farming Cuba details the innovative design strategies and explores the social, political, and environmental factors that helped shape this pioneering urban farming program.

Following the crisis of the Special Period, Cuba promoted urban agriculture throughout its towns and cities to address food sovereignty and security. Through the adoption of state recommended design strategies, these gardens have become places of social and economic exchange throughout Cuba. This book maps the lived experiences surrounding three urban farms in Havana to construct a deeper understanding about the everyday life of this city. Using narratives and drawings, this research uncovers these sites as places where education, intimacy, entrepreneurism, wellbeing, and culture are interwoven alongside food production. Henri Lefebvre’s latent work on rhythmanalysis is used as a research method to capture the everyday beats particular to Havana surrounding these sites. This book maps the many ways in which these spaces shift power away from the state to become places that are co-created by the community to serve as a crucial hinge point between the ongoing collapse of the city and its future wellbeing.

"This is a story of resistance against all odds, of Cuba's remarkable recovery from a food crisis brought on by the collapse of trade relations with the former socialist bloc and the tightening of the U.S. embargo. Unable to import either food or the farm chemicals and machines needed to grow it via conventional agriculture, Cuba turned inward toward self-reliance. Sustainable agriculture, organic farming, urban gardens, smaller farms, animal traction and biological pest control are part of the successful paradigm shift underway in the Cuban countryside. In this book Cuban authors offer details-for the first time in English-of these remarkable achievements, which may serve as guideposts toward healthier, more environmentally friendly and self-reliant farming in countries both North and South."--Publisher's description

Cuban Intersections of Literary and Urban Spaces examines Havana as a center where urban and literary spaces often come together. The idea for this collection of essays grew out of an international conference on Cuba, Cuba Futures: Past and Present, held by the City University of New York's Bildner Center for Western Hemisphere Studies at CUNY's Graduate Center in 2011, but evolved out of a collaboration with scholars in the fields of literature, architecture, urban planning, and library science. The topics addressed peek at a dynamic Cuban nation through its cultural interstices at a crucial moment in the island's evolving history. This conference proceeding opens with a piece on the intersections between Havana's colonial built environment and the literary aesthetic of the Baroque in the Caribbean. The collection continues with the following areas of study: urban gardens, urban planning, architecture, literary projections on space, international relations and cultural institutions, access to books, and social policies.