"The Unrest-Cure"is a short story by Saki. Saki's recurring hero Clovis Sangrail, a sly young man, overhears the complacent middle-aged Huddle complaining of his own addiction to routine and aversion to change. Huddle's friend makes the wry suggestion of the need for an "unrest-cure" (the opposite of a rest cure) to be performed, if possible, in the home. Clovis takes it upon himself to "help" the man and his sister by involving them in an invented outrage that will be a "blot on the twentieth century." Hector Hugh Munro (18 December 1870 - 13 November 1916), better known by the pen name Saki, and also frequently as H. H. Munro, was a British writer whose witty, mischievous and sometimes macabre stories satirized Edwardian society and culture. He is considered a master of the short story and often compared to O. Henry and Dorothy Parker. Influenced by Oscar Wilde, Lewis Carroll, and Kipling, he himself influenced A. A. Milne, Noel Coward, and P. G. Wodehouse. Beside his short stories (which were first published in newspapers, as was customary at the time, and then collected into several volumes), he wrote a full-length play, The Watched Pot, in collaboration with Charles Maude; two one-act plays; a historical study, The Rise of the Russian Empire, the only book published under his own name; a short novel, The Unbearable Bassington; the episodic The Westminster Alice (a Parliamentary parody of Alice in Wonderland), and When William Came, subtitled A Story of London Under the Hohenzollerns, a fantasy about a future German invasion of Britain. Mary was the daughter of Rear Admiral Samuel Mercer; and her nephew, Cecil William Mercer, became a famous writer as Dornford Yates. Charles Munro was an Inspector-General for the Burmese Police. In 1872, on a home visit to England, Mary was charged by a cow; and the shock caused her to miscarry. She never recovered and soon died. Charles Munro sent his children, including two-year-old Hector, to England, where they were brought up by their grandmother and aunts in a strict puritanical household. Munro was educated at Pencarwick School in Exmouth, Devon and at Bedford School. On a few occasions, when he retired, Charles travelled with Hector and his sister to fashionable European spas and tourist resorts. In 1893, Hector followed his father into the Indian Imperial Police, where he was posted to Burma (like George Orwell a generation later). Two years later, having contracted malaria, he resigned and returned to England. At the start of World War I, although 43 and officially over-age, Munro refused a commission and joined 2nd King Edward's Horse as an ordinary trooper, later transferring to 22nd Battalion, the Royal Fusiliers, where he rose to the rank of lance sergeant. More than once he returned to the battlefield when officially still too sick or injured. In November 1916, when sheltering in a shell crater near Beaumont-Hamel, France, during the Battle of the Ancre he was killed by a German sniper. His last words, according to several sources, were "Put that bloody cigarette out!" After his death, his sister Ethel destroyed most of his papers and wrote her own account of their childhood. Munro was homosexual; but, at that time in the U.K., sexual activity between men was a crime. The Cleveland Street scandal (1889), followed by the downfall of Oscar Wilde (1895), meant that "that side of [Munro's] life had to be secret." Politically, Munro was a Tory and somewhat reactionary in his views.

Hector Hugh Munro (18 December 1870 – 14 November 1916), better known by the pen name Saki and also frequently as H. H. Munro, was a British writer whose witty, mischievous and sometimes macabre stories satirize Edwardian society and culture. He is considered a master of the short story, and often compared to O. Henry and Dorothy Parker. Influenced by Oscar Wilde, Lewis Carroll and Rudyard Kipling, he himself influenced A. A. Milne, Noël Coward and P. G. Wodehouse. Besides his short stories (which were first published in newspapers, as was customary at the time, and then collected into several volumes), he wrote a full-length play, The Watched Pot, in collaboration with Charles Maude; two one-act plays; a historical study, The Rise of the Russian Empire (the only book published under his own name); a short novel, The Unbearable Bassington; the episodic The Westminster Alice (a parliamentary parody of Alice in Wonderland); and When William Came, subtitled A Story of London Under the Hohenzollerns, a fantasy about a future German invasion and occupation of Britain. "The Unrest-Cure" - Saki's recurring hero Clovis Sangrail, a clever, mischievous young man, overhears the complacent middle-aged Huddle complaining of his own addiction to routine and aversion to change. Huddle's friend makes the wry suggestion that he needs an "unrest-cure" (the opposite of a rest cure), to be performed, if possible, in the home. Clovis takes it upon himself to "help" the man and his sister by involving them in an invented outrage that will be a "blot on the twentieth century". Famous works of the author Saki: "The Interlopers", "Gabriel-Ernest", "The Schartz-Metterklume Method", "The Toys of Peace", "The Storyteller", "The Open Window", "The Unrest-Cure", "Esmé", "Sredni Vashtar", "Tobermory", "The Bull", "The East Wing".

This early work by H. H. Munro was originally published in 1911 and we are now republishing it with a brand new introductory biography. 'The Chronicles of Clovis' is a collection of short stories, including 'The Great Weep', 'Tobermory', 'Adrian', and many more. Hector Hugh Munro was born in Akyab, Burma in 1870. He was raised by aunts in North Devon, England, before returning to Burma in his early twenties to join the Colonial Burmese Military Police. Later, Munro returned once more to England, where he embarked on his career as a journalist, becoming well-known for his satirical ‘Alice in Westminster’ political sketches, which appeared in the Westminster Gazette. Arguably better-remembered by his pen name, ‘Saki’, Munro is now considered a master of the short story, with tales such as ‘The Open Window’ regarded as examples of the form at its finest.

An NYRB Classics Original The whimsical, macabre tales of British writer H. H. Munro—better known as Saki—skewer the banality and hypocrisy of polite English society between the end of the Victorian era and the beginning of World War I. Saki’s heroes are enfants terribles who marshal their considerable wit and imagination against the cruelty and fatuousness of a decorous and doomed world. Here, Saki’s brilliantly polished dark gems are paired with illustrations by the peerless Edward Gorey, available for the first time in an English-language edition. The fragile elegance and creeping menace of Gorey’s pen-and-ink drawings perfectly complements Saki’s population of delicate ladies, mischief-making charges, spectral guests, sardonic house pets, flustered authority figures, and delightfully preposterous imposters.

Take a decent helping of P.G. Wodehouse, a soupçon of Wilde's epigrammatic wit, then season with the bloodthirsty malevolence of Edward Lear and Roald Dahl, and you will have an approximation of the inimitable genius of Hector Hugo Munro (alias Saki), the most hilarious and savage exponent of the short story in the English language. His flawlessly-etched cautionary tales, which invariably involve wild animals, tell of country parties where upper-class twits and bores meet with fittingly macabre accidents, where the children are always beastly, and where his urbane and naughty young heroes get the better of their peers using barbed sarcasm and elaborate hoaxes. Saki exposes his upper-crust guests to the menace of Nature—always perched, just out of sight, waiting to claim its next victim.

Born in Burma in 1870, Scottish writer H. H. Munro adopted the pseudonym Saki to satirize the social conventions, cruelty, and foolishness of the Edwardian era. His highly readable blend of flippant humor and outrageous inventiveness is often overlaid with a mood of horror. After Munro's untimely death in action during World War I, Christopher Morley wrote: "the empty glass we turn down for him is the fragile, hollow-stemmed goblet meant for the finest champag≠ it is of the driest." Readers can sample Munro's special brand of well-plotted satiric fiction in this inexpensive collection of his best tales. In addition to the title story, selections include "Tobermory," "Laura," "The Open Window," and "The Schartz-Metterklume Method." With its biting wit and vein of cruelty, Munro's work has sometimes been compared to early Evelyn Waugh; admirers of Waugh and other discerning readers are sure to savor this stimulating taste of vintage Saki.

"On our first day of school, Robert and I stood at the designated stop at Hevers Avenue with our mothers, and that's when we met for the very first time. We were five years old." So began a lifelong friendship that fourteen years later would result in the formation of The Cure, a quintessential post-punk band whose albums-such as Three Imaginary Boys, Pornography, and Kiss Me, Kiss Me, Kiss Me-remain among the best-loved and most influential of all time. As two of the first punks in the provincial English town of Crawley, Lol Tolhurst and Robert Smith didn't have it easy. Outsiders from the start, theirs was a friendship based initially on proximity and a shared love of music, from the punk that was raging in nearby London to the groundbreaking experimentation of David Bowie's "Berlin Trilogy." First known as The Easy Cure, they began playing in pubs and soon developed their own unique style and approach to songwriting, resulting in timeless songs that sparked a deep sense of identification and empathy in listeners, songs like "Boys Don't Cry," "Just Like Heaven," and "Why Can't I Be You?," spearheading a new subculture dubbed "Goth" by the press. The music of The Cure was not only accessible but also deeply subversive, challenging conventional notions of pop music and gender roles while inspiring a generation of devoted fans and a revolution in style. Cured is not only the first insider account of the early days of the band, it is a revealing look at the artistic evolution of the enigmatic Robert Smith, the iconic lead singer, songwriter, and innovative guitarist at the heart of The Cure. A deeply rebellious, sensitive, tough, and often surprisingly "normal" young man, Smith was from the start destined for stardom, a fearless non-conformist and provocateur who soon found his own musical language through which to express his considerable and unique talent. But there was also a dark side to The Cure's intense and bewildering success. Tolhurst, on drums and keyboards, was nursing a growing alcoholism that would destroy his place in The Cure and nearly end his life. Cured tells the harrowing and unforgettable story of his crash-and-burn, recovery, and rebirth. Intensely lyrical and evocative, gripping and unforgettable, Cured is the definitive story of a singular band whose legacy endures many decades hence, told from the point of view of a participant and eyewitness who was there when it happened-and even before it all began.