A major US debut novel in 2019 Shortlisted for the Centre for Fiction First Novel Prize A New York Times Book Review Editors' Choice In Chia-Chia Lin's piercing debut novel, The Unpassing, we meet a Taiwanese immigrant family of six struggling to make ends meet on the outskirts of Anchorage, Alaska. The father, hardworking but beaten down, is employed as a plumber and contractor, while the loving, strong-willed, unpredictably emotional mother holds the house together. When ten-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes a week later to learn that his younger sister, Ruby, was infected too. She did not survive. Routine takes over for the grieving family, with the siblings caring for one another as they befriend the neighbouring children and explore the surrounding woods, while distance grows between the parents as each deals with the loss alone. When the father, increasingly guilt-ridden after Ruby's death, is sued over an improperly installed water well that gravely harms a little boy, the chaos that follows unearths what really happened to Ruby. With flowing prose that evokes the terrifying beauty of the Alaskan wilderness, Chia-Chia Lin explores the fallout from the loss of a child and a family's anguish playing out in a place that doesn't yet feel like home. Emotionally raw and subtly suspenseful, The Unpassing is a deeply felt family saga that dismisses the myth of the American dream for a harsher, but ultimately profound, reality. 'A singularly vast and captivating novel, beautifully written in free-flowing prose that quietly disarms with its intermittent moments of poetic idiosyncrasy' New York Times Book Review 'A striking debut by an unforgettable new voice' Cosmopolitan

A rehearsal dinner brings together two disparate families in this sparkling, witty novel “This vital novel offers delicious echoes of Virginia Woolf and E. M. Forster, and a touch of A Midsummer Night’s Dream—but its magic is unique. The Garden Party is beautiful and full of life.”—Claire Messud, author of The Burning Girl and The Woman Upstairs The Cohens are wildly impractical intellectuals—academics, activists, and artists. The Barlows are Wall Street Journal–reading lawyers steeped in trusts and copyrights, golf and tennis. The two families are reserved with and wary of each other, but tonight, the evening before the wedding that is supposed to unite them in marriage, they will attempt to set aside their differences over dinner in the garden. As Celia Cohen, the eminent literary critic, sets the table, her husband, Pindar, would much rather be translating ancient recipes for his Babylonian cookbook than hosting this rehearsal dinner. Meanwhile, their son, Adam, the poet (and nervous groom), wonders if there is still time to simply elope. One of Adam’s sisters, Naomi, a passionate but fragile social activist, refuses to leave her room, while Sara, scorpion biologist turned folklore writer, sits up on the roof mourning an imminent breakup. And Pindar’s elderly mother, Leah, witnesses everything, weaving old memories into the present. The lawyers are early: patriarch Stephen Barlow and his bespangled wife, Philippa, who specializes in estates, along with Philippa’s father, Nathan, hobbled by age and Lyme disease. Then come the Barlow sons William (war crimes), Cameron (intellectual property), and Barnes (the prosecutor), each with desperate wife and precocious offspring. How could their younger siblings—Eliza, the bride, an aspiring veterinarian, and her twin brother, Harry, recently expelled from divinity school—have issued from such a family? Up and down the dinner table, with its twenty-four (or is it twenty-five?) guests, unions are forming and dissolving while Pindar is trying to figure out whether time is really shaped like baklava, and off in the surrounding forest with its ancient pond different sorts of mischief will lead to a complicated series of fiascoes and miracles before the party is over. Set over the course of a single day and night, Grace Dane Mazur’s brilliantly observed novel weaves an irresistible portrayal of miscommunication, secrets, and the power of love. “Lyrical and charming, this comedy of errors is a delightful summer read.”—People

Instant New York Times Bestseller Longlisted for Andrew Carnegie Medal for Excellence 2020 New England Society Book Award Winner for Fiction “The Guest Book is monumental in a way that few novels dare attempt.” —The Washington Post The thought-provoking new novel by New York Times bestselling author Sarah Blake An exquisitely written, poignant family saga that illuminates the great divide, the gulf that separates the rich and poor, black and white, Protestant and Jew. Spanning three generations, The Guest Book deftly examines the life and legacy of one unforgettable family as they navigate the evolving social and political landscape from Crockett’s Island, their family retreat off the coast of Maine. Blake masterfully lays bare the memories and mistakes each generation makes while coming to terms with what it means to inherit the past.

A New York Times Best Sci-Fi and Fantasy Novel of 2021 An NPR Best Book of 2021 A genre-defying, continents-spanning saga of Korean myth, scientific discovery, and the abiding love that binds even the most broken of families. Elsa Park is a particle physicist at the top of her game, stationed at a neutrino observatory in the Antarctic, confident she's put enough distance between her ambitions and the family ghosts she's run from all her life. But it isn't long before her childhood imaginary friend—an achingly familiar, spectral woman in the snow—comes to claim her at last. Years ago, Elsa's now-catatonic mother had warned her that the women of their line were doomed to repeat the narrative lives of their ancestors from Korean myth and legend. But beyond these ghosts, Elsa also faces a more earthly fate: the mental illness and generational trauma that run in her immigrant family, a sickness no less ravenous than the ancestral curse hunting her. When her mother breaks her decade-long silence and tragedy strikes, Elsa must return to her childhood home in California. There, among family wrestling with their own demons, she unravels the secrets hidden in the handwritten pages of her mother’s dark stories: of women’s desire and fury; of magic suppressed, stolen, or punished; of the hunger for vengeance. From Sparks Fellow, Tin House alumna, and Harvard graduate Angela Mi Young Hur, Folklorn is a wondrous and necessary exploration of the myths we inherit and those we fashion for ourselves.

This Washington Post "Best Book of the Year" grapples with the complexities of the second–generation American experience, what it means to be a woman of color in the workplace, and a sister, a wife, and a mother to daughters in today's America. When a woman—known only as Mother—moves her family from Atlanta to its wealthy suburbs, she discovers that neither the times nor the people have changed since her childhood in a small Southern town. Despite the intervening decades, Mother is met with the same questions: Where are you from? No, where are you really from? The American–born daughter of Bengali immigrants, she finds that her answer―Here―is never enough. Mother's simmering anger breaks through one morning, when, during a violent and unfounded police raid on her home, she finally refuses to be complacent. As she lies bleeding from a gunshot wound, her thoughts race from childhood games with her sister and visits to cousins in India, to her time in the newsroom before having her three daughters, to the early days of her relationship with a husband who now spends more time flying business class than at home. Drawing inspiration from the author's own terrifying experience of a raid on her home, Devi S. Laskar's debut novel explores, in exquisite, lyrical prose, an alternate reality that might have been. "The entire novel takes place over the course of a single morning. . . and the effect is devastatingly potent." —Marie Claire "Devi S. Laskar's The Atlas of Reds and Blues is as narratively beautiful as it is brutal . . . I've never read a novel that does nearly as much in so few pages." —Kiese Laymon, author of Heavy

A story of queer love and working-class families, Young Mungo is the brilliant second novel from the Booker Prize-winning author of Shuggie Bain Acclaimed as one of the best books of the year by NPR, Kirkus Reviews, Time, and Amazon, and named a Top 10 Book of the Year by the Washington Post, Young Mungo is a brilliantly constructed and deeply moving story of queer love and working-class families by the Booker Prize–winning author of Shuggie Bain. Growing up in a housing estate in Glasgow, Mungo and James are born under different stars—Mungo a Protestant and James a Catholic—and they should be sworn enemies. Yet against all odds, they fall in love as they find sanctuary and dream of escape in the pigeon dovecote that James has built for his prize racing birds. But when Mungo’s mother sends him on a fishing trip to a remote loch with two strange men, he will need all his strength and courage to find his way back to a place where he and James might still have a future.

Named a MOST ANTICIPATED book by Vogue, Literary Hub, The Millions, Good Housekeeping, and Oprah Daily From the ​prizewinning, debut fiction author: an exhilarating virtuosic story collection about women navigating the wilds of male-dominated Alaskan society. Set in Newman's home state of Alaska, Nobody Gets Out Alive is a collection of dazzling, courageous stories about women struggling to survive not just grizzly bears and charging moose but the raw, exhausting legacy of their marriages and families. In "Howl Palace"--winner of The Paris Review's Terry Southern Prize, a Best American Short Story, and Pushcart Prize selection--an aging widow struggles with a rogue hunting dog and the memories of her five ex-husbands while selling her house after bankruptcy. In the title story, "Nobody Gets Out Alive," newly married Katrina visits her hometown of Anchorage and blows up her own wedding reception by flirting with the host and running off with an enormous mastodon tusk. Alongside stories set in today's Last Frontier--rife with suburban sprawl, global warming, and opioid addiction--Newman delves into remote wilderness of the 1970s and 80s, bringing to life young girls and single moms in search of a wilder, freer, more adventurous America. The final story takes place in a railroad camp in 1915, where an outspoken heiress stages an elaborate theatrical in order to seduce the wife of her husband's employer, revealing how this masterful storyteller is "not only writing unforgettable, brilliantly complex characters, she's somehow inventing souls" (Kimberly King Parsons, author of Black Light).