The University of Pennsylvania Band, among the first collegiate marching bands in the country, was founded in 1897. Ever since, it has been a cornerstone of student life on campus, serving as a guardian of musical traditions and all things red and blue. The University of Pennsylvania Band is a distinctive photographic collection tracing the evolution of the student-led organization from its start as the prototype for the modern collegiate marching band, through the dramatic social changes during the middle of the 20th century, to the comedic Ivy Leaguestyle "scramble" band it became towards the end of its first 100 years. By following the evolution of the band, this pictorial collection traces the changes that occurred within the student body over the decades, including times of war and social inequality.

The University of Pennsylvania Band, among the first collegiate marching bands in the country, was founded in 1897. Ever since, it has been a cornerstone of student life on campus, serving as a guardian of musical traditions and all things red and blue. The University of Pennsylvania Band is a distinctive photographic collection tracing the evolution of the student-led organization from its start as the prototype for the modern collegiate marching band, through the dramatic social changes during the middle of the 20th century, to the comedic Ivy League-style "scramble" band it became towards the end of its first 100 years. By following the evolution of the band, this pictorial collection traces the changes that occurred within the student body over the decades, including times of war and social inequality.

The contributors to Remapping Sound Studies intervene in current trends and practices in sound studies by reorienting the field toward the global South. Attending to disparate aspects of sound in Africa, South and Southeast Asia, Latin America, the Middle East, Micronesia, and a Southern outpost in the global North, this volume broadens the scope of sound studies and challenges some of the field's central presuppositions. The contributors show how approaches to and uses of technology across the global South complicate narratives of technological modernity and how sound-making and listening in diverse global settings unsettle familiar binaries of sacred/secular, private/public, human/nonhuman, male/female, and nature/culture. Exploring a wide range of sonic phenomena and practices, from birdsong in the Marshall Islands to Zulu ululation, the contributors offer diverse ways to remap and decolonize modes of thinking about and listening to sound. Contributors Tripta Chandola, Michele Friedner, Louise Meintjes, Jairo Moreno, Ana María Ochoa Gautier, Michael Birenbaum Quintero, Jeff Roy, Jessica Schwartz, Shayna Silverstein, Gavin Steingo, Jim Sykes, Benjamin Tausig, Hervé Tchumkam

"Ten chapters follow, each devoted to a single decade covering the major events in the band's development over the next hundred years, such as the adoption of the name "Blue Band" in 1923."--BOOK JACKET.

Reveals what life is like for students who are able to study in the Ivy League and explores the myths and secrets of the institutions.

Provides a look at the University of Pennsylvania from the students' viewpoint.

From the Preface: &"A hush falls over the 95,000 people in attendance as drum taps measure the seconds in the middle of the field. A whistle blows once, then four times rapidly, and suddenly the drums thunder in a staccato fury. Up from the depths of Beaver Stadium storm the 275 members of The Pennsylvania State University Marching Blue Band as they triple-time onto the field. The only thing louder than the fight song they play is the roar of thousands of football fans cheering them on. The excitement, the pride, and the tradition of the Blue Band have been experienced by generations of Nittany Lion fans for 100 years. . . . As the band finishes its first century, those memories, stories, and traditions must be preserved for future generations to enjoy. This book attempts to do just that.&" This history opens with the story of how marching bands came to be so popular in America, from their early nineteenth-century beginnings at West Point to the tremendous growth of their appeal into the present day. The story continues by explaining how that popularity and the importance of music in student military training at Penn State eventually led to establishment of the Cadet Bugle Corps, the Blue Band's precursor, in 1899. Ten chapters follow, each devoted to a single decade covering the major events in the band's development over the next hundred years, such as the adoption of the name &"Blue Band'&" in 1923. Interspersed throughout are biographies of its five past and present directors, as well as &"Spotlights&" that focus on special aspects of the band, including fight songs, marching style, majorettes, silks, &"flipping&" drum majors, and various band traditions. Also included is a comparison with other prominent collegiate marching bands today. Illustrations from the band's early history to the present enrich the story throughout.