Among the most popular attractions at The Cloisters, the medieval branch of The Metropolitan Museum of Art, New York, is a set of tapestries depicting the hunt of the fabled unicorn. Each of the seven exquisite tapestries is reproduced in large colorplates and with a wealth of color details. Created in the Netherlands in 1495-1505, they contain supremely memorable images - from the vulnerable unicorn and the individualized faces of the hunters to the naturalistically depicted flora and fauna. The author also looks at the construction of the tapestries and the historical and cultural context in which they were woven.

This Bulletin examines the fascinating stories behind the only known sets of unicorn tapestries in the world—one at The Met Cloisters and another at the Musée de Cluny, Paris. The thirteen tapestries that compose the two sets—six at the Cluny and seven at The Met—remain shrouded in mystery, with their origins and original owners still unknown. Considering the iconography of these two collections together and drawing from primary sources, this Bulletin aims to reach a better understanding of these masterworks and their mythical subject that has captured the public imagination for centuries.

This collection of lovely images invites coloring book fans to explore the exquisite beauty of medieval tapestries. Thirty handsome drawings of unicorns, delicate damsels, knights in armor, and other details from priceless tapestries can be enhanced with a rainbow of colors. Captions.

Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.

The legendary medieval tapestry The Lady and the Unicorn is Sutherland Lyall’s starting point for this journey into the world of mythology and mystery which has been woven around the myth of the unicorn and the lady. We learn that the unicorn is the symbol for power and the lady may be mother, mistress or virgin. With an abundant collection of documents form a number of international museums, Lyall’s writing is an exciting exploration, a lively new examination, of old subjects. Who knows - perhaps he has finally sloved the mystery of The Lady and the Unicorn!

Now in Orb, the vampire book Stephen King called "Scary, entertaining, suspenseful.... unputdownable"