In this volume, Doug Underwood asks whether much of what is now called literary journalism is, in fact, 'literary,' and whether it should rank with the great novels by such journalist-literary figures as Twain, Cather, and Hemingway, who believed that fiction was the better place for a realistic writer to express the important truths of life.

In this volume, Doug Underwood asks whether much of what is now called literary journalism is, in fact, 'literary,' and whether it should rank with the great novels by such journalist-literary figures as Twain, Cather, and Hemingway, who believed that fiction was the better place for a realistic writer to express the important truths of life.

In this volume, Doug Underwood asks whether much of what is now called literary journalism is, in fact, 'literary,' and whether it should rank with the great novels by such journalist-literary figures as Twain, Cather, and Hemingway, who believed that fiction was the better place for a realistic writer to express the important truths of life.

This "is the first book to address the complex relationship between poetry and journalism. In two chapters on civilian literatures of the Spanish Civil War, five chapters on World War II, and an epilogue on contemporary poetry about the wars in Iraq and Afghanistan, Galvin combines analysis of poetic form with attention to socio-historical context, drawing on rare archival sources and furnishing new translations"--Dust jacket flap.

An account of the way in which Hollywood has achieved almost total sovereignty over the world's movies. It tells of a battle which has seen Hollywood establish itself as a global cultural and economic force, and in the process, devastate the national industries of many other countries.

Contrary to its contemporary image, deniable covert operations are not something new. Such activities have been ordered by every president and every administration since the Second World War. In many instances covert operations have relied on surrogates, with American personnel involved only at a distance, insulated by layers of deniability. Shadow Warfare traces the evolution of these covert operations, detailing the tactics and tools used from the Truman era through those of the contemporary Obama Administrations. It also explores the personalities and careers of many of the most noted shadow warriors of the past sixty years, tracing the decade–long relationship between the CIA and the military. Shadow Warfare presents a balanced, non–polemic exploration of American secret warfare, detailing its patterns, consequences and collateral damage and presenting its successes as well as failures. Shadow Wars explores why every president from Franklin Roosevelt on, felt compelled to turn to secret, deniable military action. It also delves into the political dynamic of the president's relationship with Congress and the fact that despite decades of combat, the U.S. Congress has chosen not to exercise its responsibility to declare a single state of war – even for extended and highly visible combat.

This wide-ranging study--hailed by American Journalism as one of the year's best books--provides a fresh and surprising view of the religious impulses at work in the typical newsroom by delving into the largely unexamined parallels between religion and journalism, from the "media" of antiquity to the electronic idolatry of the Internet. Focusing on how the history of religion in the United States has been entwined with the growth of the media, Doug Underwood argues that American journalists are rooted in the nation's moral and religious heritage and operate, in important ways, as personifications of the old religious virtues.