Publishing in association with The National Churches Trust, this book offers a luxurious guide to the amazing architecture, art and furniture found in Churches across England.

This celebration of some of the greatest art, architecture and furniture to be found in English churches offers a fascinating account of centuries of accumulated wealth, and is set off by a selection of breathtaking photographs by Matthew Byrne. It covers changing architectural styles across the centuries, and prominent examples of artistic work, including stained glass, rood screens, church monuments and curious carvings. This book is published in association with The National Churches Trust, a national, independent charity dedicated to supporting church buildings across the UK.

Simon Jenkins has travelled the length and breadth of England to select his thousand best churches. Organised by county, each church is described - often with delightful asides - and given a star-rating from one to five. All of the county sections are prefaced by a map locating each church, and lavishly illustrated with colour photos from the Country Life archive. Jenkins contends that these churches house a gallery of vernacular art without equal in the world. Here, he brings that museum to public attention.

For most people in England today, the church is simply the empty building at the end of the road, visited for the first time, if at all, when dead. It offers its sacraments to a population that lives without rites of passage, and which regards the National Health Service rather than the National Church as its true spiritual guardian. Here, Scruton argues that the Anglican Church is the forlorn trustee of an architectural and artistic inheritance that remains one of the treasures of European civilization. He contends that it is a still point in the centre of English culture and that its defining texts, the King James Bible and the Book of Common Prayer are the sources from which much of our national identity derives. At once an elegy to a vanishing world and a clarion call to recognize Anglicanism's continuing relevance, Our Church is a graceful and persuasive book.

A landmark illustrated history of rural church monuments - the forgotten national treasures of England and Wales Deep in the countryside, away from metropolitan abbeys and cathedrals, thousands of funerary monuments are hidden in parish churches. These artworks - medieval brasses and elegant marble effigies, stone tomb chests and grand mausoleums - are of great historical and cultural significance, but have, due to their relative inaccessibility, faded from accounts of our art history. Over twenty-five years, C. B. Newham FSA has visited and photographed more than eight thousand rural churches, cataloguing the monumental sculptures encountered on his quest. In Country Church Monuments, he presents 365 of the very best, each accompanied by detailed photographs, biographies of both the deceased and their sculptors and a wealth of contextual material. Many of these works commemorate famous historical figures, from scheming Tudor courtier Richard Rich to Victorian prime minister William Ewart Gladstone. But more moving are the countless others - minor aristocrats, small-time industrialists, much-loved mothers, fathers and children - who, if not for their memorials, would wholly be lost to time. As Newham blows the dust off these artworks and breathes life into the stories they tell, a new aesthetic history of rural England and Wales emerges. Country Church Monuments is a poignant record of the art we make at the borders of life and death, of our ceaseless human striving for eternity.

- New edition of this exploration of one of Britain's greatest buildings - A comprehensive, beautifully illustrated survey of Westminster Abbey's art treasures Westminster Abbey has a history stretching back over a thousand years. Founded as a Benedictine monastery in the mid-tenth century, it is the coronation church where monarchs have been crowned amid great splendor since 1066. The present church, begun by Henry III in 1245, is a treasure house of architectural and artistic achievement on which each succeeding century has left its mark. The medieval and Renaissance tombs within the Abbey, though among the most important in Europe, form only a small part of the extraordinary collection of gravestones, memorials and monumental sculpture for which it has long been famous. Ranging from the thirteenth-century shrine of St Edward and the Renaissance splendor of Henry VII's Lady Chapel, to the literary memorials of Poets' Corner and the statues of twentieth-century martyrs on the Abbey's west front, this book describes the stained glass, furniture, sculpture, textiles, wall paintings and many other historic artefacts found within this remarkable church. Contents: Introduction; Edward the Confessor's Chapel; Sacrarium and High Altar; Quire and Crossing; North Transept and Ambulatory; South Ambulatory and Transept; Nave; Lady Chapel; Cloisters; Abbey Precincts.

The author concentrates on the furnishing and works of art to be found in the churches - from Saxon times to the present - and sets them in the context of adapting religious requirements and changing aesthetic tastes, blending social history and art history.