The complete translations of the poet Seamus Heaney, a Nobel laureate and prolific, revolutionary translator. Seamus Heaney’s translation of Beowulf, published in 1999, was immediately hailed as an undisputed masterpiece, “something imperishable and great” (James Wood, The Guardian). A few years after his death in 2013, his translation of Virgil’s Aeneid Book VI caused a similar stir, providing “a remarkable and fitting epilogue to one of the great poetic careers of recent times” (Nick Laird, Harper’s Magazine). Now, for the first time, the poet, critic, and essayist’s translations are gathered in one volume. Heaney translated not only classic works of Latin and Old English but also a great number of poems from Spanish, Romanian, Dutch, Russian, German, Scottish Gaelic, Czech, Ancient and Modern Greek, Middle and Modern French, and Medieval and Modern Italian, among other languages. In particular, the Nobel laureate engaged with works in Old, Middle, and Modern Irish, the languages of his homeland and early education. As he said, “If you lived in the Irish countryside as I did in my childhood, you lived in a primal Gaeltacht.” In The Translations of Seamus Heaney, Marco Sonzogni has collected Heaney’s translations and framed them with the poet’s own writings on his works and their composition, sourced from introductions, interviews, and commentaries. Through this volume, we come closer to grasping the true extent of Heaney’s extraordinary abilities and his genius.

A masterpiece from one of the greatest poets of the century In a momentous publication, Seamus Heaney's translation of Book VI of the Aeneid, Virgil's epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, Heaney acknowledged the significance of the poem to his writing, noting that "there's one Virgilian journey that has indeed been a constant presence, and that is Aeneas's venture into the underworld. The motifs in Book VI have been in my head for years--the golden bough, Charon's barge, the quest to meet the shade of the father." In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and sophisticated poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of James Wood, "created something imperishable and great that is stainless--stainless, because its force as poetry makes it untouchable by the claw of literalism: it lives singly, as an English language poem."

Presents a new translation of the Anglo-Saxon epic chronicling the heroic adventures of Beowulf, the Scandinavian warrior who saves his people from the ravages of the monster Grendel and Grendel's mother.

This volume of twelve essays aims to comprehensively represent the abundance and variety of both Heaney's writing and scholarship on Heaney's writing. Attention is given not only to his poetry but also to his translations and his prose. The essays foreground his internationalism and the complementary international interest in his writing.

A Boston Globe Best Poetry Book of 2011 Winner of the 2011 Griffin Poetry Prize Winner of the 2011 Poetry Now Award Seamus Heaney's new collection elicits continuities and solidarities, between husband and wife, child and parent, then and now, inside an intently remembered present—the stepping stones of the day, the weight and heft of what is passed from hand to hand, lifted and lowered. Human Chain also broaches larger questions of transmission, of lifelines to the inherited past. There are newly minted versions of anonymous early Irish lyrics, poems that stand at the crossroads of oral and written, and other "hermit songs" that weigh equally in their balance the craft of scribe and the poet's early calling as scholar. A remarkable sequence entitled "Route 101" plots the descent into the underworld in the Aeneid against single moments in the arc of a life, from a 1950s childhood to the birth of a first grandchild. Other poems display a Virgilian pietas for the dead—friends, neighbors, family—that is yet wholly and movingly vernacular. Human Chain also includes a poetic "herbal" adapted from the Breton poet Guillevic—lyrics as delicate as ferns, which puzzle briefly over the world of things and landscapes that exclude human speech, while affirming the interconnectedness of phenomena, as of a self-sufficiency in which we too are included.

This PEN/Hemingway Award winner about coming of age in Los Angeles is a “little gem of a novel . . . a masterwork of Hollywood fiction” (Salon). He’s a child of 1940s Hollywood—specifically, Casa Fiesta, a ranch in the Malibu hills that he shares with his mother, a onetime Broadway headliner, and his father, a star of Westerns. But when his parents fall out of favor in Tinseltown, the narrator of this exquisitely crafted dark comedy loses his youthful idyll and accompanies his lovesick mother on a vodka-soaked international quest for romance and redemption. Meanwhile, his father lives in “diminished circumstances” in California, clinging to his silver-screen mementos, trusting that, someday soon, his ex-wife and his career will return. Tired of tending bar at his mother’s parties and listening to his father’s sad tales of former glory, the boy moves in with his best friend’s family in Beverly Hills. But nothing in La-La Land is quite what it seems, and when his new home turns out to be just as dysfunctional as the last, our teenage hero must somehow learn to accept his parents while finding the courage to break free and become his own man. This award-winning novel, “a kind of Catcher in the Rye for the Cheap Trick generation” (GQ), was cited by the Guardian as one of the “ten best neglected literary masterpieces.” Written by a New York Times–bestselling author who was a child of Hollywood movie stars himself, it has been praised for its “spectacularly deadpan humor” by the Atlantic Monthly and called “an insightful coming-of-age tale” by the Austin Chronicle.