Examines the stages by which religious dissidents were persecuted by Tudor monarchs across the sixteenth century, and the means by which these dissidents counteracted authorities. While Henry VIII, Edward, Mary, and Elizabeth differed in religious orientation, their desire to enforce a uniformity of belief compelled them, in various degrees, to seek out and expunge heterodoxy or perceived treason in their midst. Individuals of contrary belief were targeted, apprehended, imprisoned, interrogated, and sometimes executed. During each stage of persecution, many dissidents were able to elude capture, counter-interrogate their inquisitors, use time in prison to write letters and prepare for death, and exploit their own executions to forge a final drama of suffering and redemption before a large, public audience. Enforcement was always dependent upon cooperation from the public and local officials, which made successful persecution uncertain at best. Sarah Covington explores the details of this system of enforcement, and the means by which it was subverted. Her explorations also address larger questions concerning obedience and disobedience, tolerance and intolerance, and the dynamics of martyrdom.

Dr. JM Carroll's "The Trail of Blood" is a great historical premise concerning the beginnings of the church from "Christ it's founder, till the current day". Written in the early 20th century, Dr. Carroll details the history and plight of TRUE bible believers throughout time. Still as relevant today as it was almost 100 years ago, this timeless classic is a must-have part of any Christian's personal reading collection.

This book discusses some rituals of justice—such as public executions, printed responses to the Archbishop of Canterbury’s execution speech, and King Charles I’s treason trial—in early modern England. Focusing on the ways in which genres shape these events’ multiple voices, I analyze the rituals’ genres and the diverse perspectives from which we must understand them. The execution ritual, like such cultural forms as plays and films, is a collaborative production that can be understood only, and only incompletely, by being alert to the presence of its many participants and their contributions. Each of these participants brings a voice to the execution ritual, whether it is the judge and jury or the victim, executioner, sheriff and other authorities, spiritual counselors, printer, or spectators and readers. And each has at least one role to play. No matter how powerful some institutions and individuals may appear, none has a monopoly over authority and how the events take shape on and beyond the scaffold. The centerpiece of the mid-seventeenth-century’s theatre of death was the condemned man’s last dying utterance. This study focuses on the words and contexts of many of those final speeches, including King Charles I’s (1649), Archbishop William Laud’s (1645), and the Earl of Strafford’s (1641), as well as those of less well known royalists and regicides. Where we situate ourselves to view, hear, and comprehend a public execution—through specific participants’ eyes, ears, and minds or accounts—shapes our interpretation of the ritual. It is impossible to achieve a singular, carefully indoctrinated meaning of an event as complex as a state-sponsored public execution. Along with the variety of voices and meanings, the nature and purpose of the rituals of justice maintain a significant amount of consistency in a number of eras and cultural contexts. Whether the focus is on the trial and execution of the Marian martyrs, English royalists in the 1640s and 1650s, or the Restoration’s regicides, the events draw on a set of cultural expectations or conventions. Because rituals of justice are shaped by diverse voices and agendas, with the participants’ scripts and counterscripts converging and colliding, they are dramatic moments conveying profound meanings. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

This book puts two groups on trail: (1) pre-First Amendment Christian Revisionists for murder and conspiracy to commit murder; (2) post-First Amendment Christian Revisionists for conspiracy to commit murder. The reliable and overwhelming evidence presented proves: The theology of the accused The motives of the accused The goals of the accused The consequences when the accused succeed in their goals The true Christian history of the First Amendment The guilt of the accused Justice requires that you, the readers and jurors, render a true and correct verdict.

2009 Outstanding Academic Title, Choice This groundbreaking volume examines the rise and spread of suicide attacks over the past decade. Sorting through 1,270 terror strikes between 1981 and 2007, Assaf Moghadam attributes their recent proliferation to the mutually related ascendance of al Qaeda and its guiding ideology, Salafi Jihad, an extreme interpretation of Islam that rejects national boundaries and seeks to create a global Muslim community. In exploring the roots of the extreme radicalization represented by Salafism, Moghadam finds many causes, including Western dominance in the Arab world, the physical diffusion of Salafi institutions and actors, and the element of opportunity created by the Soviet invasion of Afghanistan. He uses individual examples from the Middle East, Southwest Asia, and Europe to show how the elite leaders of al Qaeda and affiliated groups and their foot soldiers interact with one another and how they garner support—and a growing number of converts and attackers—from the Muslim community. Based on over a decade of empirical research and a critical examination of existing thought on suicide attacks, Moghadam distinguishes the key characteristics separating globalized suicide strikes from the traditional, localized pattern that previously prevailed. This unflinching analysis provides new information about the relationship between ideology and suicide attacks and recommends policies focused on containing Salafi Jihadism.

A unique, wide-ranging volume exploring the historical, religious, cultural, political, and social aspects of Christian martyrdom Although a well-studied and researched topic in early Christianity, martyrdom had become a relatively neglected subject of scholarship by the latter half of the 20th century. However, in the years following the attack on the Twin Towers on September 11, 2001, the study of martyrdom has experienced a remarkable resurgence. Heightened cultural, religious, and political debates about Islamic martyrdom have, in a large part, prompted increased interest in the role of martyrdom in the Christian tradition. The Wiley Blackwell Companion to Christian Martyrdom is a comprehensive examination of the phenomenon from its beginnings to its role in the present day. This timely volume presents essays written by 30 prominent scholars that explore the fundamental concepts, key questions, and contemporary debates surrounding martyrdom in Christianity. Broad in scope, this volume explores topics ranging from the origins, influences, and theology of martyrdom in the early church, with particular emphasis placed on the Martyr Acts, to contemporary issues of gender, identity construction, and the place of martyrdom in the modern church. Essays address the role of martyrdom after the establishment of Christendom, especially its crucial contribution during and after the Reformation period in the development of Christian and European national-building, as well as its role in forming Christian identities in Asia, Africa, and the Americas. This important contribution to Christian scholarship: Offers the first comprehensive reference work to examine the topic of martyrdom throughout Christian history Includes an exploration of martyrdom and its links to traditions in Judaism and Islam Covers extensive geographical zones, time periods, and perspectives Provides topical commentary on Islamic martyrdom and its parallels to the Christian church Discusses hotly debated topics such as the extent of the Roman persecution of early Christians The Wiley Blackwell Companion to Christian Martyrdom is an invaluable resource for scholars and students of religious studies, theology, and Christian history, as well as readers with interest in the topic of Christian martyrdom.

Focusing on Christopher Marlowe, William Shakespeare, John Webster and John Milton, Martyrs and Players in Early Modern England argues that the English tragedians reflected an unease within the culture to acts of religious violence. David Anderson explores a link between the unstable emotional response of society to religious executions in the Tudor-Stuart period, and the revival of tragic drama as a major cultural form for the first time since classical antiquity. Placing John Foxe at the center of his historical argument, Anderson argues that Foxe’s Book of Martyrs exerted a profound effect on the social conscience of English Protestantism in his own time and for the next century. While scholars have in recent years discussed the impact of Foxe and the martyrs on the period’s literature, this book is the first to examine how these most vivid symbols of Reformation-era violence influenced the makers of tragedy. As the persecuting and the persecuted churches collided over the martyr’s body, Anderson posits, stress fractures ran through the culture and into the playhouse; in their depictions of violence, the early modern tragedians focused on the ethical confrontation between collective power and the individual sufferer. Martyrs and Players in Early Modern England sheds new light on the particular emotional energy of Tudor-Stuart tragedy, and helps explain why the genre reemerged at this time.