The Time Machine by H. G. Wells is a science fiction classic, which lends itself well to visualization. This version, illustrated by Yoann Laurent-Rouault, an illustrator master who graduated from the Beaux-Arts, and published in the international literary collection Memoria Books, is a reference on the time travel theme. Wells transports us in the year 802 701, in a society made up of the “Elois”, who live peacefully in a kind of big Garden of Eden, eating fruits and sleeping high up, while underground lives another species, also descending from men, the “Morlocks”, who do not stand the light anymore, living in the dark for too long now. At night, they return to the surface, going back up by the wells, in order to kidnap some Elois that they eat ; these last became livestock unknowingly. In The Time Machine, made into a movie several times, the last of them in 2002 by Simon Wells, the great-grandson of H. G. Wells, time is both a pretext to move the class struggle and warn... and also, in a way, a full character, who fascinates, arbitrates, transcends... The illustrations come to reinforce the time travel and provide a new experience to the reader.

Every age has characteristic inventions that change the world. In the 19th century it was the steam engine and the train. For the 20th, electric and gasoline power, aircraft, nuclear weapons, even ventures into space. Today, the planet is awash with electronic business, chatter and virtual-reality entertainment so brilliant that the division between real and simulated is hard to discern. But one new idea from the 19th century has failed, so far, to enter reality-time travel, using machines to turn the time dimension into a two-way highway. Will it come true, as foreseen in science fiction? Might we expect visits to and from the future, sooner than from space? That is the Time Machine Hypothesis, examined here by futurist Damien Broderick, an award-winning writer and theorist of the genre of the future. Broderick homes in on the topic through the lens of science as well as fiction, exploring some fifty different time-travel scenarios and conundrums found in the science fiction literature and film.

With his unique knack for making cutting-edge theoretical science effortlessly accessible, world-renowned physicist Paul Davies now tackles an issue that has boggled minds for centuries: Is time travel possible? The answer, insists Davies, is definitely yes—once you iron out a few kinks in the space-time continuum. With tongue placed firmly in cheek, Davies explains the theoretical physics that make visiting the future and revisiting the past possible, then proceeds to lay out a four-stage process for assembling a time machine and making it work. Wildly inventive and theoretically sound, How to Build a Time Machine is creative science at its best—illuminating, entertaining, and thought provoking.

Every age has characteristic inventions that change the world. In the 19th century it was the steam engine and the train. For the 20th, electric and gasoline power, aircraft, nuclear weapons, even ventures into space. Today, the planet is awash with electronic business, chatter and virtual-reality entertainment so brilliant that the division between real and simulated is hard to discern. But one new idea from the 19th century has failed, so far, to enter reality—time travel, using machines to turn the time dimension into a two-way highway. Will it come true, as foreseen in science fiction? Might we expect visits to and from the future, sooner than from space? That is the Time Machine Hypothesis, examined here by futurist Damien Broderick, an award-winning writer and theorist of the genre of the future. Broderick homes in on the topic through the lens of science as well as fiction, exploring some fifty different time-travel scenarios and conundrums found in the science fiction literature and film.

A Princeton astrophysicist explores whether journeying to the past or future is scientifically possible in this “intriguing” volume (Neil deGrasse Tyson). It was H. G. Wells who coined the term “time machine”—but the concept of time travel, both forward and backward, has always provoked fascination and yearning. It has mostly been dismissed as an impossibility in the world of physics; yet theories posited by Einstein, and advanced by scientists including Stephen Hawking and Kip Thorne, suggest that the phenomenon could actually occur. Building on these ideas, J. Richard Gott, a professor who has written on the subject for Scientific American, Time, and other publications, describes how travel to the future is not only possible but has already happened—and contemplates whether travel to the past is also conceivable. This look at the surprising facts behind the science fiction of time travel “deserves the attention of anyone wanting wider intellectual horizons” (Booklist). “Impressively clear language. Practical tips for chrononauts on their options for travel and the contingencies to prepare for make everything sound bizarrely plausible. Gott clearly enjoys his subject and his excitement and humor are contagious; this book is a delight to read.” —Publishers Weekly

This “stimulating contribution to literary theory” reveals the deeply philosophical concerns and developments behind popular time travel sci-fi (London Review of Books). In Time Travel, literary theorist David Wittenberg argues that time travel fiction is not mere escapism, but a narrative “laboratory” where theoretical questions about storytelling—and, by extension, about the philosophy of temporality, history, and subjectivity—are presented in story form. Drawing on physics, philosophy, narrative theory, psychoanalysis, and film theory, Wittenberg links innovations in time travel fiction to specific shifts in the popularization of science, from nineteenth-century evolutionary biology to twentieth-century quantum physics and more recent “multiverse” cosmologies. Wittenberg shows how popular awareness of new science led to surprising innovations in the literary “time machine,” which evolved from a vehicle used for sociopolitical commentary into a psychological device capable of exploring the temporal structure and significance of subjects, viewpoints, and historical events. Time Travel draws on classic works of science fiction by H. G. Wells, Edward Bellamy, Robert Heinlein, Samuel Delany, and Harlan Ellison, television shows such as “The Twilight Zone” and “Star Trek,” and other popular entertainments. These are read alongside theoretical work ranging from Einstein, Schrödinger, Stephen Hawking to Gérard Genette, David Lewis, and Gilles Deleuze. Wittenberg argues that even the most mainstream audiences of popular time travel fiction and cinema are vigorously engaged with many of the same questions about temporality, identity, and history that concern literary theorists, media and film scholars, and philosophers.

Wells was interested in the implications of evolutionary theory on the future of human beings at the biological, sociological, and cultural levels, and The Time Machine, short and readable, draws on many of the social and scientific debates of the time. The Broadview edition of this science fiction classic includes extensive materials on Wells’s scientific and political influences.