“Imagine if Monty Python wrote the Mayo Clinic Family Health Book, and you sort of get the idea. Afraid you’re afflicted with an unknown malady? Finally you have a place to turn!” —Book Sense You hold in your hands the most complete and official guide to imaginary ailments ever assembled—each disease carefully documented by the most stellar collection of speculative fiction writers ever to play doctor. Detailed within for your reading and diagnostic pleasure are the frightening, ridiculous, and downright absurdly hilarious symptoms, histories, and possible cures to all the ills human flesh isn’t heir to, including Ballistic Organ Disease, Delusions of Universal Grandeur, and Reverse Pinocchio Syndrome. Lavishly illustrated with cunning examples of everything that can’t go wrong with you, the Lambshead Guide provides a healthy dose of good humor and relief for hypochondriacs, pessimists, and lovers of imaginative fiction everywhere. Even if you don’t have Pentzler’s Lubriciousness or Tian Shan-Gobi Assimilation, the cure for whatever seriousness may ail you is in this remarkable collection.

The boundary between ‘high’ culture and ‘popular’ culture is neither hermetic nor stable. A wide-spread mechanism of a reception strongly influenced by structuralism and post-modernism has led to the amplification and acceleration of cultural production between these two poles. Relying on a decidedly theoretical approach, this volume offers a broad perspective transgressing linguistic, cultural, temporal, and media borders. Reflections and perspectives on the relationship between ‘high’ and ‘popular’ culture are the subject of the thirteen articles collected here. Side by side with theoretical approaches, case studies covering classical and Heavy Metal music, TV series and pornographic films, zombies and ‘Creature Features’, philosophically infused comics and popular lexicography, professional wrestling and hypertext literature pave the way to a contemporary aesthetics.

A comprehensive and practically oriented introduction to the subject minimally invasive or laparoscopic surgery.

In this collection of acerbic essays, Ugresic dissects the nature of the contemporary book industry, which she argues is so infected with the need to create and promote literature that will appeal to the masses--literally to everyone--that if Thomas Mann were writing nowadays, his books wouldn't even be published in the U.S. because they're not sexy enough. A playful and biting critique, Ugresic's essays hit on all of the major aspects of publishing: agents, subagents, and scouts, supermarket-like bookstores, Joan Collins, book fairs that have little to do with books, authors promoted because of sex appeal instead of merit, and editors trying to look like writers by having their photograph taken against a background of bookshelves. Thanks to cultural influences such as Oprah, "The Today Show," and Kelly Ripa, best-seller lists have become just a modern form of socialist realism, a manifestation of a society that generally ignores literature in favor of the next big thing.

* Where did Sinbad Sail? * Who Fired the Phoenix? * The Boy Who Cried Werewolf * The Great Rough Beast * Postscript on Prester John * The Secret of Hyperborea * What Gave All Those Mammoths Cold Feet? And many more--fictional? authoritative? fantastic? deadpan?--investigations into the real, the true...and the things that should be true PREFACE BY PETER S. BEAGLE ILLUSTRATED BY GEORGE BARR "Although the wombat is real and the dragon is not, nobody knows what a wombat looks like and everyone knows what a dragon looks like." Not a novel, not a book of short stories, Adventures in Unhistory is a book of the fantastic--a compendium of magisterial examinations of Mermaids, Mandrakes, and Mammoths; Dragons, Werewolves, and Unicorns; the Phoenix and the Roc; about places such as Sicily, Siberia, and the Moon; about heroic, sinister, and legendary persons such as Sindbad, and Aleister Crowley, and Prester John; and--revealed at last--the Secret of Hyperborea. The facts are here, the foundations behind rumors, legends, and the imaginations of generations of tale-spinners. But far from being dry recitals, these meditations, or lectures, or deadpan prose performances are as lively, as crazily inventive, as witty as the best fiction of the author, a writer praised by Gardner Dozois as "one of the great short story writers of our times." Who, on the subject of Dragons, could write coldly, dispassionately, guided only by logic? Certainly not Avram Davidson. Certain facts, these facts, deserve more than recitation; they deserve flourish, verve, gusto, style--the late, great Avram Davidson's unique voice. That prose which, in the words of Peter S. Beagle's Preface to this volume, "cries out to be read aloud."