It's 1895, and after the death of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's being followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls - and their foray into the spiritual world - lead to?

In this gripping new novel in the New York Times bestselling series, Lady Emily travels to Greece where a ghost from her past returns to haunt her amid the ruins. On a quest to distract her lifelong friend Jeremy from his recent heartbreak, Lady Emily organizes a holiday in Greece. As a lover of all things Greek, she quickly finds herself occupied with tours of ancient ruins, lively debates with Margaret, a devoted Latinist, and slightly more scandalous endeavors with her dashing husband, Colin Hargreaves. But the pleasantries are brought to an abrupt halt when a man long believed dead greets the party at their island villa. Lord Philip Ashton, Colin's childhood best friend and Emily's first husband, has returned. But can Philip really be who he claims, even if he has the scars and stories to prove it? Where has he been for all this time? And will his undying love for Emily drive him to claim what's his? Intrigue mounts as Philip reveals that he has been plagued for the past few years by an illegal antiques trader who believes he is in possession of a piece of Achilles' helmet, a priceless relic that was stolen from him moments after he unearthed it on an archaeological dig. Emily must employ all of her cunning and expertise to thwart thieves who threaten not only her own safety, but that of those precious artifacts she holds so dear. A trail of overheard conversations, murderous assailants, and dead bodies leads her on a chase to uncover more than one buried truth.

A fairy tale with bite—vampire-style. “Don’t hold your breath waiting for Disney to film this very adult and erotic version of Beauty and the Beast.” —Winnipeg Free Press “Will you give me your blood to drink, though you die of it?” In an unexpected twist on a fairy tale, an artist goes into the wilderness to fulfill his father’s debt and finds himself the prisoner of a dangerously beautiful inhuman monster. “A Terrible Beauty is modern Canadian Gothic . . . Nancy Baker shows her mastery of the form—the mysterious letter, the journey into the wilderness, the shadows that hide from the flickering firelight—and her real affection for a good ol’ fashioned vampire yarn.” —The Telegraph Journal (Saint John) “Baker’s narrative is seductive and compelling. Like Rice, she transcends the horror genre.” —Province Showcase (Vancouver) “A polished and enchanting tale . . . It is, in a word, breathtaking.” —Ottawa Citizen “Baker’s prose is lush and sensual . . . she has a real gift for making the fantastic seem plausible and investing the mundane with eerie significance.” —Toronto Sun “A very interesting and unique take on Beauty and the Beast.” —SFFP Romance

An explosive and timely topic! This book explore the various aspects of violence from historical, cultural, literary and personal perspectives. Whiteson argues that what sex was to the nineteenth century, violence is to the 20th century -- a fact of existence but banished to a netherworld.

Initially regarded as a cult figure with a strong following amongst sci-fi and horror film fans, Canadian filmmaker David Cronenberg emerged as a major and commercially viable film director with mainstream hits such as A History of Violence (2005) and Eastern Promises (2007). With his unique ability to present imagery that is both disturbing and provocative, Cronenberg creates striking films, noteworthy not just for their cinematic beauty but also for the philosophical questions they raise. The Philosophy of David Cronenberg examines Cronenberg's body of work, from his breakthrough Scanners (1981) through his most recognizable films such as The Fly (1986) and more recent works. Editor Simon Riches and a collaboration of scholars introduce the filmmaker's horrific storylines and psychologically salient themes that reveal his pioneering use of the concept of "body horror," as well as his continued aim to satirize the modern misuse of science and technology. The Philosophy of David Cronenberg also explores the mutation of self, authenticity and the human mind, as well as language and worldviews. While Cronenberg's films have moved from small-market cult classics to mainstream successes, his intriguing visions of humanity and the self endure.

A collection of eight critical essays on the classical tragedy, arranged in the chronological order of their original publication.