The Book of Judith tells the story of a fictitious Jewish woman beheading the general of the most powerful imaginable army to free her people. The parabolic story was set as an example of how God will help the righteous. Judith's heroic action not only became a validating charter myth of Judaism itself but has also been appropriated by many Christian and secular groupings, and has been an inspiration for numerous literary texts and works of art. It continues to exercise its power over artists, authors and academics and is becoming a major field of research in its own right. The Sword of Judith is the first multidisciplinary collection of essays to discuss representations of Judith throughout the centuries. It transforms our understanding across a wide range of disciplines. The collection includes new archival source studies, the translation of unpublished manuscripts, the translation of texts unavailable in English, and Judith images and music.

An epic adventure telling the forgotten tale of the princess of the Crusades and matriarch of twelfth-century Jerusalem, by the author of The Eagle’s Daughter. Queen in all but name, one woman’s battle to rule her kingdom, from the Court of Jerusalem to the glorious city of Byzantium. . . . Melisende was the oldest daughter of Baldwin of Jerusalem, a princess of the Franks and, since she had no brothers, heir to the Crusader Kingdom. The crown would go to the man who married her, and after to her son. But Melisende was a strong woman; the law that forced her to marry instead of taking the crown in her own name was a thorn in her side. It was she who ruled the City and who juggled the politics of church and court. The knights of Jerusalem fought in her honor, many of the best sworn to her personal service. She would not submit easily to a husband’s rule, but must she to secure her kingdom? Perfect for fans of Elizabeth Chadwick and Conn Iggulden.

What is the Sabbath, anyway? The holy day of rest? The first effort to protect the rights of workers? A smart way to manage stress in a world in which computers never get turned off and work never comes to an end? Or simply an oppressive, outmoded rite? In The Sabbath World, Judith Shulevitz explores the Jewish and Christian day of rest, from its origins in the ancient world to its complicated observance in the modern one. Braiding ideas together with memories, Shulevitz delves into the legends, history, and philosophy that have grown up around a custom that has lessons for all of us, not just the religious. The shared day of nonwork has built communities, sustained cultures, and connected us to the memory of our ancestors and to our better selves, but it has also aroused as much resentment as love. The Sabbath World tells this surprising story together with an account of Shulevitz’s own struggle to keep this difficult, rewarding day.

Contemporary and fantasy tales are used to introduce four archetypal characters representing positive and negative aspects of feminine and masculine energies that are followed by psychological commentary and exercises to help integrate the feminine and masculine energies in your life.

He was Galen Sword by day. . . but who was he by night? Galen Sword was known as a rich New York City playboy. The public didn't know that his Porsche contained state-of-the-art equipment designed to track down an extraordinary creature, or that Galen was actually on a dangerous quest to find another world. . .his world. Shadowy memories of being sent away from his beloved parents had given Galen an obsession: to get back to a parallel universe where he had been heir to a powerful dynasty -- but had been born unaccountably and unacceptably human. To find his way home now, he had to capture a beast that crossed over from that world into the city's dark streets looking for prey: a werewolf. . . alive, deadly, and very real. But trying to stop Galen was a race of brutal, magical beings, armed with the power that was terrifying and perhaps unbeatable.

Bringing together some of the best of Judith Viorst’s witty and perceptive poetry—and featuring the illustrations from the original edition by John Alcorn—Viorst explores the all-too-true ironies and absurdities of being a woman in the modern world. Whether she’s finding herself or finding a sitter, contemplating her sex life as she rubs hormone night cream on her face, or wrestling with the contradiction of falling in love with a man her parents would actually approve of, Viorst transforms the familiar events of daily life into poems that make you laugh with recognition. Here is the young single girl leaving her parents’ home for life in the big city (“No I do not believe in free love/And yes I will be home for Sunday dinners”). Here is the aspiring bohemian with an expensive liberal arts education, getting coffee and taking dictation, “Hoping that someday someone will be impressed/With all I know.” Here is that married woman, coping with motherhood (“The tricycles are cluttering my foyer/The Pop Tart crumbs are sprinkled on my soul”) and fantasy affairs (“I could imagine cryptic conversations, clandestine martinis...and me explaining that long kisses clog my sinuses”) and all-too-real family reunions (“Four aunts in pain taking pills/One cousin in analysis taking notes”). And here she is at mid-life, wondering whether a woman who used to wear a “Ban the Bomb” button can find happiness being a person with a set of fondue forks, a fish poacher, and a wok. Every step of the way, It’s Hard to be Hip Over Thirty and Other Tragedies of Married Life demonstrates once and for all that no one understands American women coming of age like Judith Viorst. *It’s Hard to be Hip Over Thirty and Other Tragedies of Married Life is a reissue of the previous collection originally titled When Did I Stop Being Twenty and Other Injustices.

Moving and inspirational thoughts on what aging means (and can mean) to all of us. A warm, caring book that shows how to make the later years a source of hope.