This book weaves a fascinating narrative that separates surprising fact from entrenched mythology.

30th anniversary edition tells, through photos and words exactly what the psychedelic world of the Haight-Ashbury was like.

Two young women from different social classes meet and form an instant attraction to one another.

"Published by the Fine Arts Museums of San Francisco and University of California Press on the occasion of the exhibition The Summer of Love Experience: Art, Fashion, and Rock and Roll at the de Young, San Francisco, April 8 through August 20, 2017"--Colophon.

A Philip K. Dick Award Finalist San Francisco Chronicle Recommended Book The year is 1967 and something new is sweeping across America: good vibes, bad vibes, psychedelic music, lab-designed drugs, anti-war protests, racial tension, free love, dropouts, flower children. An age of innocence, a time of danger: The Summer of Love. San Francisco is the Summer of Love: a convergence where American youth seek a New Explanation, music is free in the park, and violence lurks just around the corner. Lost in these strange and wondrous days, teenager Susan Bell, alias Starbright, has run away from the straight suburbs of Cleveland to find her troubled best friend. Her path will cross with Chiron Cat's Eye in Draco, a strange and beautiful young man who has journeyed farther than she could ever imagine. With the guidance of Ruby A. Maverick, a feisty half-black, half-white Haight-Ashbury hip merchant, Starbright and Chi will discover a love spanning five centuries. But Chi has traveled across the centuries on a vital mission-nothing less than saving the Universe. He, Starbright, and Ruby must unite to save all of spacetime from demonic entities who crave their annihilation. "Clear-sighted, witty, and wise." Locus Magazine Lisa Mason has published ten novels including Summer of Love (a Philip K. Dick Award Finalist and San Francisco Chronicle Recommended Book), The Gilded Age (a New York Times Notable Book and New York Public Library Recommended Book), Strange Ladies: 7 Stories (a collection of previously published short fiction), and thirty stories and novellas in magazines and anthologies worldwide. Her Omni story, "Tomorrow's Child," sold outright as a feature film to Universal Studios. Cover copyright 2010--2017 by Tom Robinson. Literary agent: Mark Gottlieb, Trident Media Group

Though more than a generation has passed since the revolutionary fervor of the Summer of Love of 1967, the 1960s in many ways seem with us still. From recurring debates over the war in Vietnam to the perpetually appealing music of the Beatles and the Rolling Stone to the concern about youth drug use, the legacy of the 1960s is ubiquitous in contemporary life. The Summer of Love brings together an impressive group of historians, artists, and cultural critics to present a rich and varied interpretation of this seminal decade and its continuing influence on politics, society, and culture. The Summer of Love, which accompanies an exhibition at Tate Liverpool, pays particular attention to the wildly creative psychedelic art of the era. Perceptive essays on psychedelic comics, graphic design and typography, light shows, and film successfully rescue psychedelic art from the fog of nostalgia and unjust critical neglect. Distinguished contributors also explore the role of 1960s fashion and architecture, and they consider anew the central influence of hallucinogenic drugs on the art of the era. Running throughout the essays are the elements of epochal change—from sexual liberation to student revolutions—that still form the backdrop of our collective consciousness of the 1960s. An incisive collection of writings on all aspects of 1960s art and culture, tempered by time and critical distance, The Summer of Love will be indispensable for those who wish they had been there—or for those who were, but can't remember it.

Crazy Rich Asians meets Love & Gelato in this hilarious, quirky novel about a Chinese-American teen who is thrust into the decadent world of Beijing high society when she is sent away to spend the summer in China. Iris Wang is having a bit of a rough start to her summer: Her boyfriend cheated on her, she didn’t get into any colleges, and she has no idea who she is or what she wants to do with her life. She’s always felt torn about being Chinese-American, feeling neither Chinese nor American enough to claim either identity. She’s just a sad pizza combo from Domino’s, as far as she’s concerned. In an attempt to snap her out of her funk, Iris’s parents send her away to visit family in Beijing, with the hopes that Iris would “reconnect with her culture” and “find herself.” Iris resents the condescension, but even she admits that this might be a good opportunity to hit the reset button on the apocalyptic disaster that has become her life. With this trip, Iris expects to eat a few dumplings, meet some family, and visit a tourist hotspot or two. Instead, she gets swept up in the ridiculous, opulent world of Beijing’s wealthy elite, leading her to unexpected and extraordinary discoveries about her family, her future, and herself.