For over 500 years, women have suffered claims of mental decay solely on account of their gender. Frigid, insane, not quite there, a witch in sheep's clothing, labels that have cast her as the fragile species and destroyer of Man.This book reveals attitudes, ideas and responses on what was to be done with 'mad women' in Britain.Journey back into the unenlightened Middle Ages to find demonic possession, turbulent humours and the wandering womb. In the Puritan Age, when the mad were called witches and scolds ducked for their nagging. The age of Austen and a sense and sensibility created from her fragile nerves. Then descend into Victorian horrors of wrongful confinement and merciless surgeons, before arriving, just half a century past, to the Viennese couch and an obligation to talk.At the heart of her suffering lay her gynaecological make-up, driving her mad every month and at every stage of her life. Terms such as menstrual madness, puerperal insanity and 'Old Maid's Insanity' poison history's pages.An inescapable truth is now shared: that so much, if not all, was a male creation. Though not every medic was male, nor every male a fiend, misogynist thought shaped our understanding of women, set down expectations and 'corrected' the flawed.The book exposes the agonies of life for the 'second class' gender; from misdiagnosis to brutal oppression, seen as in league with the Devil or the volatile wretch. Touching no less than six centuries, it recalls how, for a woman, being labelled as mad was much less a risk, more her inevitable burden.

From winner of the Nordic Council Literature Prize and the Icelandic Literature Prize, Auður Ava Ólafsdóttir, comes a dazzling novel about a family of midwives set in the run-up to Christmas in Iceland In the days leading up to Christmas, Dómhildur delivers her 1,922nd baby. Beginnings and endings are her family trade; she comes from a long line of midwives on her mother’s side and a long line of undertakers on her father’s. She even lives in the apartment that she inherited from her grandaunt, a midwife with a unique reputation for her unconventional methods. As a terrible storm races towards Reykjavik, Dómhildur discovers decades worth of letters and manuscripts hidden amongst her grandaunt’s clutter. Fielding calls from her anxious meteorologist sister and visits from her curious new neighbour, Dómhildur escapes into her grandaunt’s archive and discovers strange and beautiful reflections on birth, death and human nature. With her singular warmth and humor, in Animal Life Ólafsdóttir gives us a beguiling novel that comes direct from the depths of an Icelandic winter, full of hope for spring.

Pain seems like a fairly straightforward experience – you get hurt and it, well, hurts. But how would you describe it? By the number of broken bones or stitches? By the cause – the crowning baby, the sharp knife, the straying lover? What does a 7 on a pain scale of 1 to 10 really mean? Pain is complicated. But most of the time, the way we treat pain is superficial – we seek out states of perfect painlessness by avoiding it at all costs, or suppressing it, usually with drugs. This has left us hurting all the more. Through in-depth interviews, investigation into the history of pain and original research, Ouch! paints a new picture of pain as a complex and multi-layered phenomenon. Authors Margee Kerr and Linda McRobbie Rodriguez tell the stories of sufferers and survivors, courageous kids and their brave parents, athletes and artists, people who find healing and pleasure in pain, and scientists pushing the boundaries of pain research, to challenge the notion that all pain is bad and harmful. They reveal why who defines pain matters and how history, science, and culture shape how we experience pain. Ouch! dismantles prevailing assumptions about pain and that not all pain is bad, not all pain should be avoided, and, in the right context, pain can even feel good. To build a healthier relationship with pain, we must understand how it works, how it is expressed and how we communicate and think about it. Once we understand how pain is made, we can remake it.

“[A] powerful account of the sexism cooked into medical care ... will motivate readers to advocate for themselves.”—Publishers Weekly STARRED Review A groundbreaking and feminist work of investigative reporting: Explains why women experience healthcare differently than men Shares the author’s journey of fighting for an endometriosis diagnosis In Pain and Prejudice, acclaimed investigative reporter Gabrielle Jackson takes readers behind the scenes of doctor’s offices, pharmaceutical companies, and research labs to show that—at nearly every level of healthcare—men’s health claims are treated as default, whereas women’s are often viewed as a-typical, exaggerated, and even completely fabricated. The impacts of this bias? Women are losing time, money, and their lives trying to navigate a healthcare system designed for men. Almost all medical research today is performed on men or male mice, making most treatments tailored to male bodies only. Even conditions that are overwhelmingly more common in women, such as chronic pain, are researched on mostly male bodies. Doctors and researchers who do specialize in women’s healthcare are penalized financially, as procedures performed on men pay higher. Meanwhile, women are reporting feeling ignored and dismissed at their doctor’s offices on a regular basis. Jackson interweaves these and more stunning revelations in the book with her own story of suffering from endometriosis, a condition that affects up to 20% of American women but is poorly understood and frequently misdiagnosed. She also includes an up-to-the-minute epilogue on the ways that Covid-19 are impacting women in different and sometimes more long-lasting ways than men. A rich combination of journalism and personal narrative, Pain and Prejudice reveals a dangerously flawed system and offers solutions for a safer, more equitable future.

The best way to catch a killer? Offer yourself as bait. Becky Morgan's family were the victims of the 'crimes of the decade'. The lone survivor of a ritualistic killing, Becky's been forever haunted by the memories of that night. Twenty years later, with the killer never found, Becky is ready to hunt them down and exact revenge. But the path to find the murderer is a slippery slope and she finds herself opening up some old wounds that should have been left sealed. Will Becky avenge her family or join them? Praise for The Family: 'A tour de force of a thriller! I absolutely loved this heart-stopping, spine-tingling novel that had me completely and utterly gripped throughout. And hats off for scaring me silly!' Amazon Reviewer. 'This book is a must read for fans of dark, psychological thrillers, very cleverly written with some great shockers and I had no idea how it would end - I wasn't disappointed' Amazon Reviewer. 'This was a fast-paced murder thriller that kept me turning the pages late into the night. It was intelligent and slick with just the right amount of blood and gore' Amazon Reviewer. 'It's always something of a risk trying a new author, but I was really glad I did... I did not see the plot twist coming, and it was very surprising' Amazon Reviewer.

Why do so many adults today struggle trying to fit in when it comes to their careers and relationships? Why do so many of us think we do not measure up? Measure up to what and according to whose expectations? Could these feelings stem from childhood? Could parents inadvertently be instilling these thoughts in our children, due to some unwritten rule of what is normal or traditional? Jesus life portrays an excellent example of accepting oneself and others as unique children of God created for a purpose. This book will encourage parents of children who have struggled with fitting in to embrace their uniqueness and trust Christ instead of the world.