This book offers a unique analysis of how political representatives construct ideas about the nation in contemporary Indonesian politics. In their struggle to define what the authors call the ‘national narrative’, would-be national leaders seek to develop a story about the nation’s past, present and future. These stories feature a unique plot, set of characters, and a moral that the political narrator hopes will resonate. In contemporary Indonesia, the authors assess two prominent national narratives: the technocratic and populist national narratives. The book concludes with an analysis that considers other potential sources of ideas about the nation, as well as the potential implications for domestic politics and Indonesian grand strategy.

Introduction : the outskirts of the nation -- The golden bridge -- Buried guns -- Imagining independence -- Eager girls -- Sea of fire -- Letting loose the water buffaloes -- The memory artist -- Conclusion : the sense of an ending.

Traces the development of the idea of Indonesia from its origins to the present.

It has always been a matter of national pride that independence came to Indonesia not as the result of a negotiated transfer of sovereignty, though the process was completed in that way, but through a struggle of heroic proportions in whose fires the nation itself was forged. The revolution, indeed, is central to the Republic's perception of itself. To call it a revolution is, of course, to beg a number of important questions. What is a revolution? Is the concept, developed in modern thought on the models of the French and Russian revolutions, applicable to a nationalist struggle for independence? Or must a revolution involve also a transfer of power from one social class to another and a subsequent social transformation? For Indonesians looking back to the birth of the nation, however, such questions do not arise. For them there is no question but that the events of 1945-49 constituted a revolution, a revolution that is seen as the supreme act of national will, the symbol of national self-reliance and, for those caught up in it, as a vast emotional experience in which the people -- the people as a whole -- participated directly. The exploration of Sjahrir's recruitment of a group of followers during the Japanese Occupation and of the character and attitudes of the group is based, in large measure, on interviews with its surviving members. A highly articulate body of people, they clearly enjoyed recalling their youth, remembering particular experiences, and thinking back on the issues that had preoccupied them and the ideas that had excited them as students. For many of them it had obviously been a golden age, perceived all the more vividly now because the world they had hoped for had never come into being. There is, perhaps, a good deal of nostalgia in their memories of what it was like to be a part of a crucial period in their country's history and no doubt some misjudgment about the parts they played. Oral history is a risky business, given the fallibility of human memory and the tendency for interviewer and subject alike to collaborate in re-shaping the past in the light of their later perspectives. The dangers of such a method are discussed below. Nevertheless, provided it is kept in mind that memories are documents of the present and not of the period with which they deal, it is important to gather these recollections while members of the generation in question are still alive.

Indonesia the nation-state is a miraculous and unlikely construction. At first sight, the material for national unity could not be more unpromising; its history is marred by deep and often bloody internal disputation based on ideology, ethnicity, religion, and region. Yet Indonesia, as concept and as nation-state, endures and is, perhaps, beginning once again to thrive. R. E. Elson, one of the leading figures in the field, seeks to discover the origins of the idea of Indonesia in the mid-nineteenth century and explores its often vexed and troubled trajectory through to the present time. He examines why Indonesia exists, against the odds, as a nation-state, and in what different forms it has existed, seeking to explain the nation's character as it has struggled for unity and purpose. The analysis provides a chronological narrative which examines Indonesian politics, its political elites and their relationship with the Indonesian people.

Beginning to Remember charts Indonesia's turbulent decades of cultural repression and renewal amid the rise and fall of Suharto's New Order regime. These cross-disciplinary pieces illuminate Indonesia�s current efforts to reexamine and understand its past in order to shape new civic and cultural arrangements. In 1998, "reformasi" brought a wave of relief and euphoria. But Suharto's removal did not dispel persistent corruption, official secrecy and denial, religious and ethnic violence, and security policies leading to tragedy in East Timor, Aceh, and other regions. But the reformasi did open up new possibilities for seeing the past. What followed was a surge of discourse that challenged officially codified national history in mass media and publishing, in public policy debate, in the arts, and in popular mobilization and politics. This volume is an exploration of some of the expressions, narratives, and interpretations of the past found in Indonesia today. The authors illustrate ways in which the dissolution of the Indonesian state's monopoly on history is now permitting new national, local, and individual accounts and representations of the past to emerge. The book covers fields from performing arts and literature to anthropology, history, and transitional justice. The book opens with Goenawan Mohamad's dramatic poem Kali, the first publication of this important work by one of Indonesia�s leading intellectuals, which has become the libretto for an international opera production. Another chapter is a personal memoir by one of Java�s famous shadow-play masters, Tristuti Rachmadi, for years imprisoned under the New Order. Leading historian Anthony Reid commemorates the national struggle at the regional level, while South African lawyer Paul van Zyl compares efforts in transitional justice in Indonesia, East Timor, and South Africa.

The decolonization of Indonesia, the world's most populous Muslim country, was seen by up to half of the population as a religious struggle. Utilizing a combination of oral history and archival research, Kevin W. Fogg presents a new understanding of the Indonesian revolution and of Islam as a revolutionary ideology.