St. Louis is a fragmented place. It’s physically dissected by rivers, highways, walls, and fences, but it’s also a place where one’s race, class, religion, and zip code may as well be cards in a rigged poker game, where the winners’ prize is the ability to ignore the fact that the losers have drastically shorter life expectancies. But it can also be a city of warmth, love, and beauty―especially in its contrasts. Edited by Ryan Schuessler (Sweeter Voices Still: An LGBTQ Anthology from Middle America), the collection features nearly 70 essays penned by St. Louis writers, journalists, clerics, poets, and activists including Aisha Sultan, Galen Gritts, Vivian Gibson, Maja Sadikovic, Nartana Premachandra, Sophia Benoit, Robert Langellier, Samuel Autman, Umar Lee, and more.

Comprised of facsimile reproductions of excerpts from: History of East St. Louis, by Robert A. Tyson (1875); Saint Louis : the future great city of the world, by Logan Reavis (1876); History of St. Clair County, Illinois (1881); Historical encyclopedia of Illinois, and, History of St. Clair County (1907); Standard atlas of St. Clair County, Illinois (1901); Directory of the city of East St. Louis, St. Clair County, Illinois (1893); East St. Louis directory (1887); Ordinances of the city of East St. Louis, St. Clair County, Illinois (1884).

“St. Louis gets a turn to show its dark side . . . [A] spirited, black-hearted collection” including a story from New York Times–bestselling author John Lutz (Kirkus Reviews). A vibrant Midwest metropolis, St. Louis has a rich, multicultural history of art and literature—both high and low. That duality is embraced here in an anthology that spans the reaches of noir, from violent criminality to bad luck and bad attitudes. St. Louis Noir includes stories by bestselling authors John Lutz and Scott Phillips, a poetic interlude featuring Poet Laureate Michael Castro, and more tales from Calvin Wilson, LaVelle Wilkins-Chinn, Paul D. Marks, Colleen J. McElroy, Jason Makansi, S.L. Coney, Laura Benedict, Jedidiah Ayres, Umar Lee, Chris Barsanti, and L.J. Smith. “The stories here are uniformly strong. Regular readers of the Noir series know what to expect: tightly written, tightly plotted, mostly character-driven stories of murder and mayhem, death and despair, shadow and shock.” —Booklist “Thirteen tales of grim homicidal happenings (plus one poetic interlude) set in the streets of the St. Louis area.” —St. Louis Post-Dispatch

This collection of fiction and poetry, memoirs and autobiography, history and journalism illuminates the African American experience in St. Louis in the nineteenth and twentieth centuries.

Vivian Gibson's bestselling memoir of growing up in the 1950s in a segregated St. Louis neighborhood has been hailed by critics as "a spare, elegant jewel of a work" and "a love letter to Gibson's childhood."

The St. Louis Baseball Reader is a tale of two teams: one the city’s lovable losers, the other a formidable dynasty. The St. Louis Cardinals are the most successful franchise in National League history, while the St. Louis Browns were one of the least successful, yet most colorful, American League teams. Now Richard Peterson has collected the writings of some of baseball’s greatest storytellers to pay tribute to both these teams. His book, the first anthology devoted exclusively to the Cardinals and Browns, covers the rich history of St. Louis baseball from its late-nineteenth-century origins to the modern era. The St. Louis Baseball Reader is a celebration of the many legendary stars and colorful characters who wore St. Louis uniforms and the writers who told their stories, including Alfred Spink, Roger Angell, George Will, and Baseball Hall of Fame writers Bob Broeg, J. Roy Stockton, Red Smith, and Fred Lieb. Here, too, are John Grisham, who grew up a Redbirds fan in Mississippi, and Jack Buck, the most identifiable voice in Cardinal history. Great players—Grover Cleveland Alexander, Rogers Hornsby, Marty Marion, and Satchel Paige—tell their own stories, while Bill Veeck offers an account of his wild ride as the last Browns owner and Whitey Herzog shares regrets about the play that cost the Cardinals the 1985 World Series. From the days of the Gas House Gang to the 1944 “Streetcar Series,” from Bill Veeck’s legendary stunts to Mark McGwire’s pursuit of Roger Maris’s home-run record, the Reader will bring back memories for every fan. It takes in all of the magic of the ballpark—whether recounting the unhittable pitching of Bob Gibson, the slugging prowess of Stan “The Man” Musial, or the sterling glove-work of Ozzie Smith—along with reflective commentaries that tell how Jackie Robinson confronted racism and Curt Flood challenged the reserve clause. St. Louis is a city blessed with a memorable baseball history, and The St. Louis Baseball Reader perfectly captures the joy and heartbreak of its winning and losing teams. It’s a book that will delight current fans of the Cardinals and old-timers who fondly recall the Browns.

An ambitious, honest portrait of the Black experience in flyover country. One of The St. Louis Post Dispatch's Best Books of 2020. Black Americans have been among the hardest hit by the rapid deindustrialization and