The USA Today Bestseller! Named one of 2021’s Most Anticipated Historical Novels by Oprah Daily ∙ SheReads ∙ Frolic ∙ BookReporter ∙ and more... The author of Park Avenue Summer throws back the curtain on one of the most remarkable feuds in history: Alva Vanderbilt and the Mrs. Astor's notorious battle for control of New York society during the Gilded Age. 1876. In the glittering world of Manhattan's upper crust, women are valued by their pedigree, dowry, and, most importantly, connections. They have few rights and even less independence—what they do have is society. The more celebrated the hostess, the more powerful the woman. And none is more powerful than Caroline Astor—the Mrs. Astor. But times are changing. Alva Vanderbilt has recently married into one of America's richest families. But what good is dizzying wealth when society refuses to acknowledge you? Alva, who knows what it is to have nothing, will do whatever it takes to have everything. Sweeping three decades and based on true events, this is the mesmerizing story of two fascinating, complicated women going head to head, behaving badly, and discovering what’s truly at stake.

How do you make a proper introduction at a dinner party? How late is "fashionably late"? What does it mean when the invitation says "semi-formal"? This easy course in timeless manners for today will prepare you for a variety of social situations, and formal occasions.

Etiquette and protocol are ways of showing Christian love and kindness in small ways. With an easy, engaging style and lots of helpful details, Sandra Boswell outlines the meaning and purpose of protocol education, and describes ways of practicing it in the home and at school. She draws on her experience from the successful Logos School protocol program to guide the reader through all the basic protocol topics - table settings and foods, social skills, personal grooming, appropriate dress, and more. This book is a must-read for parents who wish to recover the "social graces" for the next generation of believers.

Reprinted with a new design and a number of never-before-seen images is the famed first monograph of two-time National Endownment for the Arts Fellow, Larry Fink. In an elegant exploration of two distinctly different cultures and classes, Frink captured a sense of stale emptiness lurking in the sensuous decadence of the upper crust of NYC, only to turn the tide and let loose with the often raucous, emotional and intimate photographs of the down-home folk of Martins Creek, Pennsylvania. Illustrated with 92 duotone photos.

“‘Mad Men meets The Devil Wears Prada,’ which might as well be saying ‘put me in your cart immediately.’”—PopSugar It’s 1965 and Cosmopolitan magazine’s brazen new editor in chief—Helen Gurley Brown—shocks America and saves a dying publication by daring to talk to women about all things off-limits... New York City is filled with opportunities for single girls like Alice Weiss, who leaves her small Midwestern town to chase her big-city dreams and unexpectedly lands a job working for the first female editor in chief of Cosmopolitan magazine, Helen Gurley Brown. For Alice, who wants to be a photographer, it seems like the perfect foot in the door, but nothing could have prepared her for the world she enters. Editors and writers resign on the spot, refusing to work for the woman who wrote the scandalous bestseller Sex and the Single Girl, and confidential memos, article ideas, and cover designs keep finding their way into the wrong hands. When someone tries to pull Alice into a scheme to sabotage her boss, she is more determined than ever to help Helen succeed. While pressure mounts at the magazine, Alice struggles not to lose sight of her own dreams as she’s swept up into a glamorous world of five-star dinners, lavish parties, and men who are certainly no good. Because if Helen Gurley Brown has taught her anything, it’s that a woman can demand to have it all.

The therapeutic relationship is increasingly becoming a central topic in systemic psychotherapy and cross-cultural thinking. Here, experienced systemic psychotherapists offer their reflections and thoughts on the issues of race, culture, and ethnicity in the therapeutic relationship. The aim is to develop this area of systemic practice, to place culture squarely at the centre of all systemic psychotherapy practice as a model for all psychotherapy practice, to encourage both trainees and experienced systemic psychotherapists to pay attention to race, culture, and ethnicity as central issues in their own and their clients' identities, and to inform researchers who use qualitative research techniques such as ethnography. This book moves the issues of culture, race and equity into the centre of psychotherapeutic practice, including that which involves therapeutic encounters across culture, racial and ethnic divides. It develops an approach to cultural transference and demonstrates that thinking about culture, race and ethnicity does not belong at the margin.

A reimagining of Little Women set in 1942, when the United States is suddenly embroiled in the second World War, this story, told from each March sister's point of view, is one of grief, love, and self-discovery. In the fall of 1942, the United States is still reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth. Under the strain of their grief, Beth's remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Connecticut, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London--the same city where one Mr. Theodore Laurence is stationed as an army pilot. Each March sister's point of view is written by a separate author, three in prose and Beth's in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one's way in a world undergoing catastrophic change.