Since the late 1960s, the lives of south Koreans have been reconstructed on the shifting ground of urbanization, industrialization, military authoritarianism, democratic reform, and social liberalization. Class and gender identities have been modified in relation to a changing modernity and new definitions of home and family, work and leisure, husband and wife. Under Construction provides an illuminating portrait of south Koreans in the 1990s--a decade that saw a return to civilian rule, a loosening of censorship and social control, and the emergence of a full-blown consumer culture. It shows how these changes impacted the lives of Korean men and women and the very definition of what it means to be "male" and "female" in Korea. In a series of provocative essays written by Korean and Western scholars, we see how Korean women and men actively engage, and at times openly contest, the limitations of gender. Under Construction is part of a decisive turn in the anthropology of gender--from its early quest for the causes of female subordination to a finely tuned analysis of the historical, cultural, and class-based specificities of gender relations and the tension between gender as an ideological construct and as a lived experience. Firmly grounded in the political and economic history of south Korea, this long-awaited volume fills an important gap in Korean studies and East Asia gender studies in English. Contributors: Nancy Abelmann, Cho Haejoang, Roger L. Janelli, Laurel Kendall, June Lee, So-Hee Lee, Seungsook Moon, Dawnhee Yim.

Since the late 1960s, the lives of south Koreans have been reconstructed on the shifting ground of urbanization, industrialization, military authoritarianism, democratic reform, and social liberalization. Class and gender identities have been modified in relation to a changing modernity and new definitions of home and family, work and leisure, husband and wife. Under Construction provides an illuminating portrait of south Koreans in the 1990s--a decade that saw a return to civilian rule, a loosening of censorship and social control, and the emergence of a full-blown consumer culture. It shows how these changes impacted the lives of Korean men and women and the very definition of what it means to be "male" and "female" in Korea. In a series of provocative essays written by Korean and Western scholars, we see how Korean women and men actively engage, and at times openly contest, the limitations of gender. Under Construction is part of a decisive turn in the anthropology of gender--from its early quest for the causes of female subordination to a finely tuned analysis of the historical, cultural, and class-based specificities of gender relations and the tension between gender as an ideological construct and as a lived experience. Firmly grounded in the political and economic history of south Korea, this long-awaited volume fills an important gap in Korean studies and East Asia gender studies in English. Contributors: Nancy Abelmann, Cho Haejoang, Roger L. Janelli, Laurel Kendall, June Lee, So-Hee Lee, Seungsook Moon, Dawnhee Yim.

"The contributors to this volume offer an explicitly intersectional and transnational perspective on contemporary South Korean gender and class relations and structures"--

Mediating Gender in Post-Authoritarian South Korea focuses on the relationship between media representation and gender politics in South Korea. Its chapters feature notable voices of South Korea’s burgeoning sphere of gender critique enabled by social media, doing what no other academic volume has yet accomplished in the sphere of Anglophone studies on this topic. Seeking to interrogate the role of popular media in establishing and shaping gendered common sense, this volume fosters cross-disciplinary conversations linked by the central thesis that gender discourse and representation are central to the politics, aesthetics, and economics of contemporary South Korea. In the post-authoritarian period (the late 1980s to the #MeToo present), media representation and popular discourse changed the gender conventions that are found at the core of civic, political, and cultural debates. Mediating Gender in Post-Authoritarian South Korea maps the ways in which popular media and public discourse make the social dynamics of gender visible and open them up for debate and dismantling. In presenting innovative new research on the ways in which popular ideas about gender gain concrete form and political substance through mass mediation, the book’s contributors investigate the discursive production of gender in contemporary South Korea through trends, tropes, and thematics, as popular media become the domain in which new gendered subjectivities and relations transpire. The essays in this volume present cases and media objects that span multiple media and platforms, introducing new ways of thinking about gender as a platform and a conceptual infrastructure in the post-authoritarian era.

How do people make sense of their world in the face of the breakneck speed of contemporary social change? Through the lives and narratives of eight women, The Melodrama of Mobility chronicles South Korea's experience of just such dizzyingly rapid development. Abelmann captures the mood, feeling, and language of a generation and an era while providing a rare window on the personal and social struggles of South Korean modernity. Drawing also from television soap operas and films, she argues that a melodramatic sensibility speaks to South Korea's transformation because it preserves the tension and ambivalence of daily life in unsettled times. The melodramatic mode helps people to wonder: Can individuals be blamed for their social fates? How should we live? Who can say who is good or bad? By combining the ethnographic tools of anthropology, an engagement with prevailing sociological questions, and a literary approach to personal narratives, The Melodrama of Mobility offers a rich portrait of the experience of compressed modernity in the non-West.