A bold dive into the problematic development (and developers) of "smart wives"--feminized digital assistants who are friendly, sometimes flirty, docile, efficient, occasionally glitchy, and perpetually available. Meet the Smart Wife--at your service, an eclectic collection of feminized AI, robotic, and smart devices. This digital assistant is friendly and sometimes flirty, docile and efficient, occasionally glitchy but perpetually available. She might go by Siri, or Alexa, or inhabit Google Home. She can keep us company, order groceries, vacuum the floor, turn out the lights. A Japanese digital voice assistant--a virtual anime hologram named Hikari Azuma--sends her "master" helpful messages during the day; an American sexbot named Roxxxy takes on other kinds of household chores. In The Smart Wife, Yolande Strengers and Jenny Kennedy examine the emergence of digital devices that carry out "wifework"--domestic responsibilities that have traditionally fallen to (human) wives. They show that the principal prototype for these virtual helpers--designed in male-dominated industries--is the 1950s housewife: white, middle class, heteronormative, and nurturing, with a spick-and-span home. It's time, they say, to give the Smart Wife a reboot.

It was 1950. Strikingly beautiful, 20-year-old Joan Haverty had arrived in New York and was working as a seamstress. During a deteriorating attempt to reconcile with her lover, fate intervened when Joan heard a stranger's voice calling up to her loft from the street below -- It was Jack Kerouac, needing directions to a party Thus began Joan's stormy romance with and brief marriage to the leather-jacketed archangel of the Beat Generation. She bore his tirades, his passion, his troubled poetic genius, and also bore his child while Kerouac was writing his great signature novel, On the Road.

Dana Catrell wakes from a drunken stupor in time to see an ambulance pull into her neighbour's house a few doors down. Celia Steinhauser has been murdered. But Dana was at her house only a few hours ago. Celia wanted to show her a photo - a photo of Dana's husband with another woman - and Dana has blank spots of what happened to the rest of the afternoon . . . This is a thriller that makes the reader question everything. Dana, we learn, has a history of mental illness and as she descends into another manic episode, the line between what actually happened and what she has imagined becomes blurred. A gripping domestic psychological thriller for fans of ASA Harrison's The Silent Wife and Sabine Durrant's Under Your Skin, The Pocket Wife will stay with you - as all good thrillers do - long after you've finished it.

A New York Times Notable Book of the Year “Brilliantly breathes life not only into the perils of living at sea, but also into the hidden dangers of domesticity, parenthood, and marriage. What a smart, swift, and thrilling novel.” —Lauren Groff, author of Florida Juliet is failing to juggle motherhood and her stalled-out dissertation on confessional poetry when her husband, Michael, informs her that he wants to leave his job and buy a sailboat. With their two kids—Sybil, age seven, and George, age two—Juliet and Michael set off for Panama, where their forty-four foot sailboat awaits them. The initial result is transformative; the marriage is given a gust of energy, Juliet emerges from her depression, and the children quickly embrace the joys of being at sea. The vast horizons and isolated islands offer Juliet and Michael reprieve – until they are tested by the unforeseen. A transporting novel about marriage, family and love in a time of unprecedented turmoil, Sea Wife is unforgettable in its power and astonishingly perceptive in its portrayal of optimism, disillusionment, and survival.

*"A whip-smart, funny, and searing look at the wild world of startups." —Good Morning America Book Club Buzz Pick *Named a Best Book of the Year by NPR In this “wise and wickedly funny novel about love, creativity, and the limitations of the tech-verse” (Vogue) newlyweds Asha and Cyrus find themselves running one of the most popular social media platforms in the world. Meet Asha Ray. Brilliant coder and possessor of a Pi tattoo, Asha is poised to make a scientific breakthrough when she is reunited with her high school crush, Cyrus Jones. Before she knows it, Asha has abandoned her lab, exchanged vows with Cyrus, and gone to work at an exclusive tech incubator called Utopia to develop an app called WAI—“We are Infinite.” WAI creates a sensation, with millions of users logging on every day. Will Cyrus and Asha’s marriage survive the pressures of sudden fame, or will she become overshadowed by the man everyone is calling the new messiah? This “scathing—and hilarious—take on startup culture, marriage and workaholism” (Politico) explores whether or not technology—with all its limits and possibilities—can disrupt modern love.

Bursting with originality and controversy, author Naleighna Kai has created a provocative, and at times heartwarming tale about an age-old problem that will strike a chord with all women. Every Woman Needs a Wife is the hilarious, but thought-provoking story of a wife who does the "unthinkable." Strolling in on Vernon and his mistress one night, Brandi Spencer insists that the new woman in his life come home and earn her keep the honest way -- on her feet helping the wife clean the house, keep the children and pay the bills, instead of laying on her back servicing the husband. Tanya Kaufman has had one shock too many -- one minute she's a fiancée, the next she finds out she's been the mistress all along. When Tanya shows up during the surprise anniversary party to take Brandi up on her offer, the women seize the opportunity to teach Vernon that infidelity will no longer come at the expense of the women's time, money, and happiness. Vernon fights back by launching a high-profile court battle that doesn't have a thing to do with splitting the money, keeping the house, or visitation rights. Had any married couple ever fought for custody of...the mistress?

A fascinating look at the changing role of wives in modern America After a half century of battling for gender equality, women have been freed from the necessity of securing a husband for economic stability, sexual fulfillment, or procreation. Marriage is a choice, and increasingly women (and men) are opting out. Yet despite these changes, the cultural power of marriage has burgeoned. What was once an obligation has become an exclusive club into which heterosexual women with the right amount of self-discipline may win entry. The newly exalted professionalized wife is no longer reliant on her husband’s status or money; instead she can wield her own power provided she can successfully manage the business of being a wife. Wife, Inc. tells a fiercely contemporary story revealing that today’s wives do not labor in kitchens or even homes. Instead, the work of wifedom occurs in online dating sites, on reality television, in social media, and on the campaign trail. Dating, marital commitment, and married life have been reconfigured. No longer the stuff of marriage vows, these realms are now controlled by brand management and marketability. To prosper, women must appear confident, empowered, and sexually savvy. Guiding readers through the stages of the “wife-cycle,” Suzanne Leonard follows women as they date, prepare to wed, and toil as wives, using examples from popular television, film, and literature, as well as mass market news, women’s magazines, new media, and advice culture. The first major study to focus on this new definition of “working wives,” Wife, Inc. reveals how marriage occupies a newly professionalized role in the lives of American women. Being a wife is a business that takes a lot more than a vow to maintain—this book tells that story.