Desegregation of the New York City Schools: A Story of The Silk Stocking Sisters was written to finally shed light on efforts made by an urban public school to meet the challenges of equal education opportunity in the North.

Silk Stockings and Ballot Boxes is a narrative history of organized, politically active white women in twentieth-century New Orleans. Viewing their involvement as a link between pre-1920s progressivism and 1960s feminism. Pamela Tyler tells how these upper- and middle-class women sought and exercised power at the state and local levels through lobbying, fund-raising, endorsements, watchdog activities, volunteer work, voting, and candidacy. Beginning with an overview of New Orleans politics in the early twentieth century, Tyler looks at the presuffrage political activities of New Orleans women and discusses the relatively dormant state of women's political life in New Orleans in the 1920s. From there she traces, in the careers of the city's women leaders, a shift away from humanitarian, social justice issues toward politics. Subsequent chapters focus on Hilda Phelps Hammond and the Louisiana Women's Committee's crusade against Huey Long's political machine in the 1930s, Martha Gilmore Robinson and the nonpartisan activities of the Woman Citizens' Union and the League of Women Voters in the 1930s and 1940s, and the partisanship and direct political influence of the Independent Women's Organization in the 1940s and 1950s. The final chapters consider Martha Gilmore Robinson's unsuccessful bid for a seat on the New Orleans city council in 1954 and the civil rights activities in the 1950s and 1960s of Urban League stalwart Rosa Freeman Keller, now judged to be the most effective white liberal of her time in New Orleans. Throughout, Tyler places her subjects and their stories in the context of such national trends and events as the Depression. World War II, McCarthyism, and the civil rightsmovement. She discusses, for example, the New Orleans League of Women Voters' purge of suspected Communist sympathizers in 1947-48 and the involvement of a coterie of women's organizations in community efforts during the public school integration crisis from 1959 to 1961. Tyler also discusses the insularity of New Orleans society, the limiting effects of race- and class-consciousness on many of her subjects, and the postwar decline in the domination by elites of the women's political scene in New Orleans. Though they considered themselves to be neither liberals nor feminists, the women Tyler portrays worked within existing social norms and political frameworks to challenge male hegemony in public life and embrace greater individual freedom and participation in government. Filled with previously untold, or only partially told, stories about some of Louisiana's most memorable political figures - female and male - Silk Stockings and Ballot Boxes will broaden our views on southern activism.

Beginning in 1928, the Grenfell Mission sent out a call to socialites: "When your stockings run, let them run to Labrador!" The creative recycling of tattered stockings, dyed in soft hues, is just one of many innovations that made Grenfell hooked mats highly collectible folk art. In Silk Stocking Mats, Paula Laverty chronicles the development of a local craft into an art form. For generations Newfoundland women had augmented their family's unreliable fishing income with a "matting season" in February and March. Through the Grenfell Mission's Industrial Department, set up in 1909 to help develop cottage industries, the mat industry became an increasingly important source of income reaching peak production in the late 1920s and early 1930s when the women's mats became renowned for their strong design, meticulous craftsmanship, and distinctive northern images chronicling life in the north. Reindeer, sled dog teams, polar bears, schooners, outports, and florals are but a few of the mat designs.Silk Stocking Mats is the result of over seventeen years of exhaustive research and draws on personal interviews with older women who recall their hooking days, the study of hundreds of archival documents, and careful examination of countless Grenfell hooked mats. Laverty's book is beautifully illustrated with photographs and descriptions including rare and unusual as well as common mat designs.

The 1920s Jazz Age is remembered for flappers and speakeasies, not for the success of a declining labor movement. A more complex story was unfolding among the young women and men in the hosiery mills of Kensington, the working-class heart of Philadelphia. Their product was silk stockings, the iconic fashion item of the flapper culture then sweeping America and the world. Although the young people who flooded into this booming industry were avid participants in Jazz Age culture, they also embraced a surprising, rights-based labor movement, headed by the socialist-led American Federation of Full-Fashioned Hosiery Workers (AFFFHW). In this first history of this remarkable union, Sharon McConnell-Sidorick reveals how activists ingeniously fused youth culture and radical politics to build a subculture that included dances and parties as well as picket lines and sit-down strikes, while forging a vision for social change. In documenting AFFFHW members and the Kensington community, McConnell-Sidorick shows how labor federations like the Congress of Industrial Organizations and government programs like the New Deal did not spring from the heads of union leaders or policy experts but were instead nurtured by grassroots social movements across America.