A series of violent happenings add to a young woman's conviction that she is going to be murdered

Known for his unorthodox self-portraits, Lee Friedlander has given us another collection, but this time only in shadow, with The Shadow Knows, a reference to the 1930’s radio show that ended with the line: “Who knows what evil lurks in the hearts of men? The Shadow Knows.” Sometimes Friedlander's shadow is presented as ominous — imposed over another person, sometimes his wife — lending the impression of sneakiness, desire, or possession. Other times it's playful, draped over a cactus or a pile of rocks, turning the photographer into a cartoon character with exaggerated body parts. And sometimes he simply makes himself part of a scene, often where you can make out the camera held up to his eye — the photographer’s version of breaking the fourth wall. One thing is clear throughout the book: his shadow is treated as an honored guest, and Friedlander takes full advantage of the company, tirelessly finding ways of adapting it to his own drama. Historian and curator Rod Slemmons once wrote that Friedlander “provides us with a new visual world in which obstruction, confusion, and accident are the driving forces” — a statement never more evident than in this book. Friedlander, you imagine, has discovered not just the evil and not just in the hearts of men, but something more profound in his own, and in these 101 photographs shows us what it has come to know.

"Who knows what evil lurks in the hearts of men? The Shadow knows! A ruthless blackmailer acquires the Q-ray, a deadly device that kills with eerie selectivity via "The Dark Death." Then, a dying gunman asks the Knight of Darkness to save his brother from a life of crime in "House of Shadows," a powerful tale of redemption. BONUS: An executed murderer returns to exact vengeance on Margo Lane's father in "Murder by the Dead," a lost radio thriller from Orson Welles' first month as The Shadow. This instant collector's item showcases the original color pulp covers by George Rozen and Graves Gladney and all the classic interior illustrations by Tom Lovell and Edd Cartier, with historical articles by Will Murray and Anthony Tollin. (Sanctum Books) Softcover, 7x10. B&W, $12.95

NEW YORK TIMES BESTSELLER • Change can begin right now. Learn to bring about dynamic personal growth using five uniquely effective tools—from psychotherapist Barry Michels and psychiatrist Phil Stutz, subject of the Netflix documentary Stutz. “These tools are emotional game changers. They do nothing less than deliver you to your best and most powerful self.”—Kathy Freston, author of Quantum Wellness The Tools offers a solution to the biggest complaint patients have about therapy: the interminable wait for change to begin. The traditional therapeutic model sets its sights on the past, but psychiatrist Phil Stutz and psychotherapist Barry Michels employ an arsenal of techniques—“the tools”—that allow patients to use their problems as levers that access the power of the unconscious and propel them into action. Suddenly, through this transformative approach, obstacles become new chances—to find courage, embrace discipline, develop self-expression, deepen creativity. A dynamic, results-oriented practice, The Tools aims to deliver relief from persistent problems and restore control and hope right away. Every day presents challenges—big and small—that the tools transform into opportunities to bring about bold and dramatic change in your life. Stutz and Michels teach you how to: • Get Unstuck: Master the things you are avoiding and live in forward motion. • Control Anger: Free yourself from out-of-control rage and never-ending grudges. • Express Yourself: Learn the secret of true confidence and find your authentic voice. • Combat Anxiety: Stop obsessive worrying and negative thinking. • Find Discipline: Activate willpower and make the most of every minute. With The Tools, Stutz and Michels allow you to realize the full range of your potential. Their goal is nothing less than for your life to become exceptional—exceptional in its resiliency, in its experience of real happiness, and in its understanding of the human spirit.

Before Alex Cross, before Michael Bennett, before Jack Reacher, there was The Shadow! The world’s bestselling author, James Patterson, reimagines one of America’s iconic thriller heroes. Only two people know that 1930s society man Lamont Cranston has a secret identity as the Shadow, a crusader for justice. One is his greatest love, Margo Lane, and the other is fiercest enemy, Shiwan Khan. When Khan ambushes the couple, they must risk everything for the slimmest chance of survival . . . in the future. A century and a half later, Lamont awakens in a world both unknown and disturbingly familiar. The first person he meets is Maddy Gomes, a teenager with her own mysterious secrets, including a knowledge of the legend of the Shadow. Most disturbing, Khan's power continues to be felt over the city and its people. No one in this new world understands the dangers of stopping him better than Lamont Cranston. And only the Shadow knows that he’s the one person who might succeed before more innocent lives are lost.

A suite of poems examining the myth and history of the legendary prizefighter Jack Johnson—a finalist for both the Pulitzer Prize and the National Book Award—from the author, with Youssef Daoudi, of the graphic novel Last on His Feet: Jack Johnson and the Battle of the Century The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka’s third work of poetry, follows the fighter’s journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka’s book is part historic reclamation and part interrogation of Johnson’s complicated legacy, one that often misremembers the magnetic man behind the myth.

The Shadow infiltrates the sanctum of The Society of United Magicians, an esoteric enclave of illusionists who are hellbent on escaping the ultimate trap: death itself! Learning the secret of the so-called "Last Illusion" from the spirit of escape artist Harry Houdini himself, The Shadow becomes the next target of their murderous scheme. To thwart their plans, he must evade twisted traps and solve spellbinding puzzles, while simultaneously evading the deadly skills of Sandman, the magician assassin. A good (or evil) magician never reveals his secrets... but the Shadow knows!