Set in the 1960s, this novel exploring the mysteries of the multiverse—and of human identity—is “a rare page turner that avoids the obvious traps.” —The New York Times Book Review Garrett Adams, an uptight behavioral psychology professor who refuses to embrace the 1960s, is in a slump. The dispirited rats in his latest experiment aren't yielding results, and his beloved Yankees are losing. As he sits at a New York City bar watching the Yanks strike out, he knows he needs a change. Then, at a bookstore, he meets a mysterious young woman, Daphne, who draws him into the turbulent and exciting world of Vietnam War protests and the music of Bob Dylan and the Beatles, and he starts to emerge from the numbness and grief over his father’s death in World War II. But when Daphne evolves into four separate versions of herself, Garrett’s life becomes complicated as he devotes himself to answering the questions about character and destiny raised by her iterations—an obsession that threatens to upend his relationship with a beautiful art historian, destroy his teaching job, and dissolve a longtime friendship. The Daphnes seem to exist in separate realities that challenge the laws of physics and call into question everything Garrett thought he knew. Now he must decide what is vision, what is science, and what is delusion. “[A] mind-bending experimental thriller.” —CrimeReads “An immensely interesting concept . . . dig[s] deep into psychology, philosophy, physics, and, most importantly, politics as Daphne shakes Garrett out of his indifference toward the cultural turmoil of the late ’60s.” —Kirkus Reviews “Brett's imaginative, amusing debut will appeal to fans of Nell Zink.” —Publishers Weekly “This absorbing novel vividly mines the physics and psychology of reality, and the reader’s reward is a moving story of love and loss.” —Hilma Wolitzer, author of An Available Man

“Tender, hilarious, and packed with delightful surprises . . . If Einstein and John Cleese had written a novel together, this would be it.” –Joseph Weisberg, author of 10th Grade Four friends set out into the night in Cambridge, Massachusetts, undeterred by the fact that one of them might actually be dead. Deb has perfected the half-hour orgasm. Grant, a geek, desperately desires Deb. Depressed Arlene has just improbably slept with Johnny, their leader, who recently and accidentally shot himself to death. But is he (or anyone) alive or dead until he’s observed to be by someone else? Maybe not, according to Dr. Erwin Schrödinger, the renowned physicist (1887—1961) who is, strangely, still ambling through the Ivy League town, offering opinions and proofs about how our perceptions can bring to life–and, in turn, reduce and destroy–other people and ourselves. And what does Schrödinger have to do with the President of Montana, who just declared war on the rest of the country, or the Harvard Square bag lady who is rewriting the history of the world? What’s the significance of the cat in the box, the “miracle molecule,” or the discarded piece of luncheon meat? Answer: All will collide by the end of this hypersmart, supersexy, madly moving novel that crosses structural inventiveness with easygoing accessibility, the United States with our internal states of being, philosophy with fiction. In Adam Felber’s dazzling debut, science and humanity collide in a kaleidoscopic story that is as hilarious as death and as heartbreaking as love. Praise: “A jangle of provocative absurdities playing off a pair of lovers so winning that readers, like the audiences at the old Hollywood romantic comedies, will all but rent ladders to uncross the stars that guide and misguide their efforts…. [Schrodinger’s Ball is] a romantic fantasy in three-quarter time, as brainy as it is airy, and unhinged either way.”–The New York Times “Felber has done the impossible: he’s made quantum theory seem hysterically funny and Cambridge, Massachusetts seem like a place of strange magic. Schrödinger’s Ball is a great read that will blind you with science and laughter.”–Chris Regan, writer for The Daily Show and co-author of America (The Book) “[A] crackling comic novel…[Felber] frolics in the fields of science....His wit and linguistic acrobatics make this clever mind-bender worth the ride.–Booklist “It’s smart, it’s funny, it’s got heart. All this and an umlaut too! Schrödinger’s Ball is thoroughly lively.”–Roy Blount Jr., author of Roy Blount’s Book of Southern Humor “If Einstein and John Cleese had written a novel together, this would be it. Felber creates a world that is both completely real and totally enchanted. Tender, hilarious, and packed with delightful surprises, Schrödinger’s Ball is even more original than other really original books.”–Joseph Weisberg, author of Tenth Grade “There’s no uncertainty about it. Schrödinger’s Ball once and for all proves the Adam Felber theory of comic novel writing: a book can be rollickingly funny, sharply satirical, romantic, and endearing–and involve quantum physics.”–Mo Rocca, author of All the Presidents’ Pets: The Story of One Reporter Who Refused to Roll Over ”Schrödinger’s Ball is as funny as hell, charming and kind, and perceptive and moving. Adam Felber has an amazing feel for the interior lives of his characters, even while using the shifting points-of-view of a David Foster Wallace.”–Peter Sagal, host of NPR’s Wait, Wait…Don’t Tell Me! “[A] raucous, willfully absurd debut…designed to expose the beautiful randomness of existence….Felber has embraced postmodern fiction's favorite themes…and turned it into a work of broad comedy instead of a fit of fatalistic handwringing.”–Kirkus Reviews “Few novels attempting a deliberately bad explanation of the uncertainty principle could surpass this inspired romp….Felber's debut is illogically, warmly entertaining.”–Publishers Weekly

A striking debut novel about the power of a father’s love for his son and the heart-wrenching choices he has to make in the face of death. Yanis’s world is Pierre, the son he raised as a single parent. For nearly twenty years, Yanis spent his nights as a cabdriver with Pierre always at his side, so as not to miss a moment in each other’s company. Yanis and Pierre also share a love of diving—in pursuit of that magical moment when they lose themselves in the deep sea. When enveloped by the natural world, father and son relish an escape from life’s pressures. But for some time, Pierre has been tired. Too tired. Despite how attentively Yanis watched him, Yanis missed the early signs of illness. Faced with the harsh reality of his son’s numbered days, Yanis struggles to invent a life his son won’t have the time to live.

Reality is only an illusion. Except for those who can control it... Worst. Birthday. Ever. My first boyfriend dumped me—happy birthday, Josie!—my dad is who knows where, I have some weird virus that makes me want to hurl, and now my ex is licking another girl's tonsils. Oh, and I'm officially the same age as my brother was when he died. Yeah, today is about as fun-filled as the swamps of Dagobah. But then weird things start happening... Like I make something materialize just by thinking about it. When hottily-hot badass Reid Wentworth shows up on a motorcycle, everything changes. Like, everything. Who I am. My family. What really happened to my brother. Existence. I am Oculi, and I have the ability to change reality with my thoughts. Now Reid, in all his hotness, is charged with guiding and protecting me as I begin learning how to bend reality. And he's the only thing standing between me and the secret organization that wants me dead... The Schrodinger’s Consortium series is best enjoyed in order. Reading Order: Book #1 Anomaly Book #2 Enigma

Erwin Schrödinger was an Austrian physicist famous for his contribution to quantum physics. He won the Nobel Prize in 1933 and is best known for his thought experiment of a cat in a box, both alive and dead at the same time, which revealed the seemingly paradoxical nature of quantum mechanics. Schrödinger was working at one of the most fertile and creative moments in the whole history of science. By the time he started university in 1906, Einstein had already published his revolutionary papers on relativity. Now the baton of scientific progress was being passed to a new generation: Werner Heisenberg, Paul Dirac, Niels Bohr, and of course, Schrödinger himself. In this riveting biography John Gribbin takes us into the heart of the quantum revolution. He tells the story of Schrödinger's surprisingly colourful life (he arrived for a position at Oxford University with both his wife and mistress). And with his trademark accessible style and popular touch, he explains the fascinating world of quantum mechanics, which underpins all of modern science.

“Illuminates with cutting truth the layers of longing and grief which underlie a transracial adoption . . . sharply written, intense, and page-turning.” —Randy Susan Meyers, bestselling author of Waisted Rowan Kelly knows she’s lucky. After all, if she hadn’t been adopted, she could have spent her days in a rice paddy, or a windowless warehouse assembling iPhones—they make iPhones in Korea, right? Either way, slowly dying of boredom on Long Island is surely better than the alternative. But as she matures, she realizes that she’ll never know if she has her mother’s eyes, or if she’d be in America at all had her adoptive parents been able to conceive. Rowan sets out to prove that she can be someone’s first choice. After running away from home—and her parents’ rules—and ending up beaten, barefoot, and topless on a Pennsylvania street courtesy of Bad Boy Number One, Rowan attaches herself to Never-Going-to-Commit. When that doesn’t work out, she fully abandons self-respect and begins browsing Craigslist personals. But as Rowan dives deeper into the world of casual encounters with strangers, she discovers what she’s really looking for. With a fresh voice and a quick wit, Lauren J. Sharkey dispels the myths surrounding transracial adoption, the ties that bind, and what it means to belong. A Finalist for Foreword Review’s 2020 INDIES Book of the Year Award in Adult Fiction—Multicultural “Stirring . . . a moving account of Rowan’s difficult reckoning with her identity. This is an adept portrayal of the long shadow of abuse and the difficulty of being an adoptee.” —Publishers Weekly

AN INSTANT NEW YORK TIMES BESTSELLER A New York Times Notable Book of the Year WINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist Award One of Barack Obama's Favorite Books of 2020 A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more! "So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or melt into a languorous drip; plot suddenly, wildly flying forward like a bike down a hill." —Jazmine Hughes, The New York Times Book Review No one wants what no one wants. And how do we even know what we want? How do we know we’re ready to take it? Edie is stumbling her way through her twenties—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules. As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home—though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows. Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life—her hunger, her anger—in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way. “An irreverent intergenerational tale of race and class that’s blisteringly smart and fan-yourself sexy.” —Michelle Hart, O: The Oprah Magazine