Welcome to the School of Music, a place bursting with talent, creative energy and special encounters. It is a place of nuts-and-bolts learning -- getting the basics for beginners right -- as much as a place where musical imagination runs riot and where everyone has triple-fun with the sound of music. Making it...Listening to it...Writing it. Meet The Boss! He's called Sergio Trunk. Some people call him The Maestro, and he, along with his team of talented musicians, will lead you through 40 lessons that help you to learn about classical music, the theory behind music, and the fun you can have making it.

Twelve-year-old Amelia gets the opportunity to attend a boarding school and learn how to use music to create magic, hoping to become a Maestro like her deceased mother.

Learn functional programming and the Haskell programming language through algorithmic music composition and virtual instrument design.

In Heartland Excursions, a legendary ethnomusicologist takes the reader along for a delightful, wide-ranging tour of his workplace. Bruno Nettl provides an insightful, sometimes tongue-in-cheek, always pithy ethnography of midwestern university schools of music from a different perspective in each of four chapters, alternating among three distinct voices: the longtime professor, the "native informant," and the outside observer, an "ethnomusicologist from Mars." If you've ever been to a concert or been connected to a university with a school of music, you ll discover yourself--or someone you know--in these pages. "In the music building you can't tell the quick from the dead without a program."--Chapter 1, "In the Service of the Masters" "The great ability of a violin student whom I observed was established when his dean was persuaded to accompany him."--Chapter 2, "Society of Musicians" "Some teachers of music history would accuse students who listen to Elvis Presley not only of taking time away from hearing Brahms, but also of polluting themselves."--Chapter 3, "A Place for All Musics?" At commencement, the graduates "were perhaps not aware that they had just participated in an event in which the principal values of the Western musical world . . . had been taken out of storage bins for annual exercise."--Chapter 4, "Forays into the Repertory"

In this spellbinding sequel to The Mystwick School of Musicraft, Amelia must master the magic of Composing to help her school win a magic competition—and save her friends from a mysterious evil. Things are finally looking up for Amelia Jones: she's officially a Mystwick student, and she even has a teacher to help her learn how to use her rare Composing magic. When Mystwick enters an international magic competition, it’s Amelia's chance to Compose something that will help them win the day. The only problem is that she still doesn’t understand how her powers work. But then she hears about a super exclusive Midnight Orchestra—half performance, half magical black market—and Amelia is sure that’s where she’ll find the answer to her Composing problem. But the Midnight Orchestra is far more sinister than it initially appears and if Amelia can’t unlock her Composing powers, not only will Mystwick lose the musicraft competition, she won’t be able to rescue her friends from the danger unleashed in this thrilling adventure.