Item discusses life at the Wiesbaden Collecting Point in Germany, where cultural property and art works were collected and held at the end World War II. In November 1945 the Director of the Collection Point (the author) received a telegram ordering him to send 200 premier German-owned art works to Washington. He and his officers resisted this command with a written protest that became known as the Wiesbaden Manifesto.

"The most promising and original writer of fantasy to come along since Robin McKinley."—Peter S. Beagle, best-selling author of The Last Unicorm Damiana is safe-keeper in the small village of Tambleham. Neighbors and strangers alike come one by one, in secret, to tell her things they dare not share with anyone else, knowing that Damiana will keep then to herself. One late night, a mysterious visitor from the city arrives with an unusual secret for the Safe-Keeper—a newborn baby. Damiana, who is expecting her own child, agrees to take the foundling. She names him Reed and raises him side by side with her daughter, Fiona. Ad the years pass and the two children grow into teenagers, they must come to terms with who they are—and who they may be.

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A dazzling debut novel about love, loss, and the courage it takes to start over. It’s 1994 and Adam, a drug addict from New York City, arrives at a kibbutz in Israel with a medieval sapphire brooch. To redress a past crime, he must give the priceless heirloom to a woman his grandfather loved when he was a Holocaust refugee on the kibbutz fifty years earlier. But first, he has to track this mystery woman down—a task that proves more complicated than expected. On the kibbutz Adam joins other lost souls: Ulya, the ambitious and beautiful Soviet émigrée; Farid, the lovelorn Palestinian farmhand; Claudette, the French Canadian Catholic with OCD; Ofir, the Israeli teenager wounded in a bus bombing; and Ziva, the old Socialist Zionist firebrand who founded the kibbutz. Driven together by love, hostility, hope, and fear, their fates become forever entangled as they each get one last shot at redemption. In the middle of that fateful summer glows the magnificent brooch with its perilous history spanning three continents and seven centuries. With insight and beauty, Safekeeping tackles that most human of questions: How can we expect to find meaning and happiness when we know that nothing lasts?

A beautifully crafted and inviting account of one woman’s life, Safekeeping offers a sublimely different kind of autobiography. Setting aside a straightforward narrative in favor of brief passages of vivid prose, Abigail Thomas revisits the pivotal moments and the tiny incidents that have shaped her life: pregnancy at 18; single motherhood (of three!) by the age of 26; the joys and frustrations of three marriages; and the death of her second husband, who was her best friend. The stories made of these incidents are startling in their clarity and reassuring in their wisdom. This is a book in which silence speaks as eloquently as what is revealed. Openhearted and effortlessly funny, these brilliantly selected glimpses of the arc of a life are, in an age of excessive confession and recrimination, a welcome tonic.

WHITE PAINTED WOMAN appears in ancient myths of the Chiricahua Apaches as the virgin mother of the people and the origin of women's ceremonies. Such Chiricahua myths and traditions have closely prescribed the roles of women in relation to their husbands and children, to relatives and extended families, and to the band or tribe. One of those roles is to safeguard and hand on to the next generation the lore and customs of the people. In this way, Chiricahua women have served as safekeepers of a heritage that is now endangered. For more than a decade, H. Henrietta Stockel has moved with remarkable freedom and intimacy among the Chiricahuas, especially in the women's friendship circles. With their permission and even blessing, she has observed and recorded aspects of their traditional culture that otherwise might be lost to history. Chiricahua Apache Women and Children, written in a familiar, personal style, focuses on the duties and experiences of historical Chiricahua Apache women and the significant influences they have exerted within the family and the tribe at large. After beginning with a look at creation myths, Stockel turns to family patterns and roles. She describes in detail the puberty ceremony she has repeatedly witnessed, a ceremony little known by those outside the band. Stockel looks also at the alternative lifestyle, also culturally prescribed, of four women warriors. She concludes with Mildred Cleghorn, a contemporary "woman warrior" who was chairperson of the Fort Sill Chiricahua/Warm Springs Apache Tribe in Oklahoma for nearly twenty years and who was also Stockel's close friend and "Apache mother". Beautifully complemented with thirty-two black-and-whiteillustrations of women, children, and family life, Chiricahua Apache Women and Children offers a vivid glimpse into traditional Chiricahua Apache women's lifestyles.