"The Sacred Mountain" is a symbol revered by people in every religious and ethnic tradition of Asia. The 29 articles contained here celebrate these sacred peaks through prose, poetry, travelogue, historical and spiritual texts, art, and photos, and will be of interest to all students of Asian culture.

This book explores in depth the wisdom and fierce beauty of an ancient Sioux story, which teaches the value of setting out on a quest in the natural world in order to discover who and what one truly is. What unfolds, in a dramatic and inspiring way, is a vision of the elements intrinsic to the pathless path toward freeing oneself from constraining beliefs and conditioning in order to awaken to the wonder and mystery of pure presence before the soul of the world.

Custodians of the Sacred Mountains is the first comprehensive ethnography of the Bali Aga, a large ethnic minority that occupies the island's central highlands. The Bali Aga are popularly viewed as the indigenous counterparts to other Balinese who trace their origin to invaders from the Javanese kingdom of Majapait, who have ruled Bali from the fourteenth century A.D. Although Bali remains one of the most intensely researched localities in the world, the Bali Aga have long been overshadowed by the more exotic courtly culture of the south. A closer analysis of the changing position of the Bali Aga within Balinese society provides a key to understanding the politics and social process of cultural representation in Bali and beyond. The process is marked by a blend of representational competition and cooperation among the Bali Aga themselves, among the Bali Aga and southern Balinese, and later among the island's aristocratic elites and foreign colonizers or scholars, and state authorities. The study of this process raises important issues about the establishment and maintenance of status and power structures at regional, national, and global levels. Custodians of the Sacred Mountains explores the marginalization of the Bali Aga in light of a critical theory of cultural representation and calls for a morally engaged approach to ethnographic research. It proposes an intersubjective and communicative model of human interaction as the foundation for understanding the relative significance of cooperation and competition in the cultural production of knowledge.

First published in 2007. Geil argues in this book that five is a number most remarkable to the man of the Central Kingdom. Crafted to the rule of fifths, the author discusses aspects of the world, mountains and religion which lead to the analysis of five. These include the ascent of five key figures: Tai Shan, Nan Yo, Sung Shan, Hua Shan and Heng Shan. This title includes illustrations throughout with a comprehensive index.

A fascinating exploration of the symbolism of mountains in the mythologies, religions, literature, and art of cultures around the world.