Chronicling the inner as well as the outer journey, an influential author offers his personal view of his spiritual adventure amid the breathtaking vistas of the Himalayas.

In the spring of A.D. 587, John Moschos and his pupil Sophronius the Sophist embarked on a remarkable expedition across the entire Byzantine world, traveling from the shores of Bosphorus to the sand dunes of Egypt. Using Moschos’s writings as his guide and inspiration, the acclaimed travel writer William Dalrymple retraces the footsteps of these two monks, providing along the way a moving elegy to the slowly dying civilization of Eastern Christianity and to the people who are struggling to keep its flame alive. The result is Dalrymple’s unsurpassed masterpiece: a beautifully written travelogue, at once rich and scholarly, moving and courageous, overflowing with vivid characters and hugely topical insights into the history, spirituality and the fractured politics of the Middle East.

"The Sacred Mountain" is a symbol revered by people in every religious and ethnic tradition of Asia. The 29 articles contained here celebrate these sacred peaks through prose, poetry, travelogue, historical and spiritual texts, art, and photos, and will be of interest to all students of Asian culture.

This book explores in depth the wisdom and fierce beauty of an ancient Sioux story, which teaches the value of setting out on a quest in the natural world in order to discover who and what one truly is. What unfolds, in a dramatic and inspiring way, is a vision of the elements intrinsic to the pathless path toward freeing oneself from constraining beliefs and conditioning in order to awaken to the wonder and mystery of pure presence before the soul of the world.

Alejandro Jodorowsky's El Topo helped inaugurate the midnight movie phenomenon. Its success spawned The Holy Mountain, through interventions by John Lennon and Allen Klein. After a scandalous release and a 16-month midnight career, The Holy Mountain was relegated to the underground world of fan bootlegs for over thirty years until its limited restored release in 2007. This short study reveals how The Holy Mountain, a poetic, hilarious, and anarchist cult film by an international auteur, anchored in post-1968 critiques, is – at the same time – an archaeological capsule of the counterculture movement, a timely subversion of mystical tenets, and one of the most mysterious films in the history of world cinema.

• The record of a spiritual journey through an extraordinary land, and of the devoted pilgrims who seek to climb Mount Kailas. • Two Americans recount their experiences during the sacred pilgrimage to one of the most remote places on Earth. • With more than 100 color photographs that capture the awe-inspiring landscape and the tireless determination of the pilgrims. In a remote corner of western Tibet, in one of the highest, most pristine places on Earth, rises a sublime snow-clad pyramid of rock and snow--Mount Kailas. To Hindu and Buddhist pilgrims this 22,028-foot mountain is the throne of the gods, the "Navel of the Earth," the place where the divine takes earthly form. For more than a thousand years these pilgrims have journeyed here to pay homage to the mountain's mystery, circumambulating it in an ancient ritual of devotion that continues to the present day. Spinning prayer wheels, chanting mantras, and prostrating themselves at shrines, the pilgrims make the arduous climb toward the physical and emotional high point of the journey, the lofty pass known as the Dolma La. With spectacular color photography and vivid travel writing, Tibet's Sacred Mountain provides a stunning account of this awe-inspiring landscape, and of the variety, vitality, and sheer determination of the pilgrims who venture there. Both photographer Russell Johnson and writer Kerry Moran have made the difficult pilgrimage around the mountain several times. Tibet's Sacred Mountain is the record of their inspiring journey that opens a window on a magical land of pure light and dazzling color where the temporal and the eternal unite and where every feature of the landscape holds its own divinity.