An investigation of how a man could become a Roman emperor, and the failure to create an enduring, consistent system for selecting the next emperor. John D. Grainger analyses the Roman imperial succession, demonstrating that the empire organized by Augustus was fundamentally flawed in the method it used to find emperors. Augustus’s system was a mixture of heredity, senatorial, and military influences, and these were generally antagonistic. Consequently, the Empire went through a series of crises, in which the succession to a previous, usually dead, emperor was the main issue. The infamous “Year of the Four Emperors,” AD 69, is only the most famous of these crises, which often involved bouts of bloody and destructive civil war, assassinations and purges. These were followed by a period, usually relatively short, in which the victor in the “crisis” established a new system, juggling the three basic elements identified by Augustus, but which was as fragile and short lived as its predecessor; these “consequences” of each crisis are discussed. The lucid and erudite text is supported by over 22 genealogical tables and 100 images illustrating the Emperors. Praise of The Roman Imperial Succession “For a general introduction to the question of how one becomes a Roman emperor, Grainger has provided a sound guide.” —Bryn Mawr Classical Review

John Grainger's detailed study examines a period of intrigue and conspiracy, studies how, why and by whom Domitian was killed and investigates the effects of this dynastic uncertainty and why civil war didn't occur in this time of political upheaval.

"This commentary pays close critical attention to Dio's historical sources, methods, and assumptions as it also strives to present him as a figure in his own right. During a long life (ca. 164-after 229), Dio served as a Roman senator under seven emperors from Commodus to Severus Alexander, governed three Roman provinces, and was twice consul."--BOOK JACKET.

Bestselling classical historian Barry Strauss delivers “an exceptionally accessible history of the Roman Empire…much of Ten Caesars reads like a script for Game of Thrones” (The Wall Street Journal)—a summation of three and a half centuries of the Roman Empire as seen through the lives of ten of the most important emperors, from Augustus to Constantine. In this essential and “enlightening” (The New York Times Book Review) work, Barry Strauss tells the story of the Roman Empire from rise to reinvention, from Augustus, who founded the empire, to Constantine, who made it Christian and moved the capital east to Constantinople. During these centuries Rome gained in splendor and territory, then lost both. By the fourth century, the time of Constantine, the Roman Empire had changed so dramatically in geography, ethnicity, religion, and culture that it would have been virtually unrecognizable to Augustus. Rome’s legacy remains today in so many ways, from language, law, and architecture to the seat of the Roman Catholic Church. Strauss examines this enduring heritage through the lives of the men who shaped it: Augustus, Tiberius, Nero, Vespasian, Trajan, Hadrian, Marcus Aurelius, Septimius Severus, Diocletian, and Constantine. Over the ages, they learned to maintain the family business—the government of an empire—by adapting when necessary and always persevering no matter the cost. Ten Caesars is a “captivating narrative that breathes new life into a host of transformative figures” (Publishers Weekly). This “superb summation of four centuries of Roman history, a masterpiece of compression, confirms Barry Strauss as the foremost academic classicist writing for the general reader today” (The Wall Street Journal).

This collection of essays and reviews represents the most significant and comprehensive writing on Shakespeare's A Comedy of Errors. Miola's edited work also features a comprehensive critical history, coupled with a full bibliography and photographs of major productions of the play from around the world. In the collection, there are five previously unpublished essays. The topics covered in these new essays are women in the play, the play's debt to contemporary theater, its critical and performance histories in Germany and Japan, the metrical variety of the play, and the distinctly modern perspective on the play as containing dark and disturbing elements. To compliment these new essays, the collection features significant scholarship and commentary on The Comedy of Errors that is published in obscure and difficulty accessible journals, newspapers, and other sources. This collection brings together these essays for the first time.

Vivid, scandalous, and thought-provoking, The Successor tells the story of a somber man--a figure neither wholly sympathetic nor entirely repulsive--who became an emperor, and of an emperor who became a tyrant.