The Robthorne Mystery, first published in 1934, is part of the series of mysteries featuring private detective Dr. Priestley. Author John Rhode, a pen name of Cecil Street (1884-1964), was a prolific writer of mostly detective novels, publishing more than 140 books between 1924 and 1961. When one of the Robthorne twins commits suicide, there is a question over which one it is and whether it was, in fact, suicide or murder. From the dustjacket: Dr. Priestley, well-known crime investigator, is called in to solve the mysterious death of Mr. Robthorne, who has been found shot in the greenhouse of his country estate. A chain of damning evidence that Dr. Priestley pieces so successfully together forms one of the finest examples of crime detection that Mr. John Rhode has yet produced.

The “astute and sharp-spoken” crime-solving professor must find out if a missing man got away with murder (The New York Times). After some initial suspicion, the death of Ernest Venner’s wealthy uncle was attributed to natural causes—a simple infection. But Dr. Lancelot Priestley and his crime-solving companions find it intriguing, to say the least, that as soon as Venner collected his much-needed inheritance, he vanished into the wind. Digging into the disappearance, though, will lead Priestley to some dangerous places, in this suspenseful Golden Age mystery featuring the scientifically minded sleuth . . .

This book explores Māori indigenous and non-indigenous scholarship corresponding with the term ‘animism’. In addressing visual, media and performance art, it explores the dualisms of people and things, as well as 'who' or 'what' is credited with 'animacy'. It comprises a diverse array of essays divided into four sections: Indigenous Animacies, Atmospheric Animations, Animacy Hierarchies and Sensational Animisms. Cassandra Barnett discusses artists Terri Te Tau and Bridget Reweti and how personhood and hau (life breath) traverse art-taonga. Artist Natalie Robertson addresses kōrero (talk) with ancestors through photography. Janine Randerson and sound artist Rachel Shearer consider the sun as animate with mauri (life force), while Anna Gibb explores life in the algorithm. Rebecca Schneider and Amelia Jones discuss animacy in queered and raced formations. Stephen Zepke explores Deleuze and Guattari's animist hylozoism and Amelia Barikin examines a mineral ontology of art. This book will appeal to readers interested in indigenous and non-indigenous entanglements and those who seek different approaches to new materialism, the post-human and the anthropocene.