The Second Empire lasted longer than any French regime since 1789, yet most historical accounts of the government of Napoleon III have been overshadowed by the knowledge of its disastrous and tragic end. As Professor Plessis shows in this detailed thermatic study, such an approach ignores the major social, economic, and political developments of a period that witnessed the gradual acceptance of univeral suffrage, the establishment of large-scale industrial capitalism, a massive improvement in communications, and the birth of impressionism in art.

A distinguished French historian traces the history of France under the Second Republic. His approach emphasizes the relationship between the political history of the period and the history of popular culture and thought.

By linking building theory to the emancipatory project of critique advanced by radical thinkers in our time, this work investigates the key conceptual and historical elements that culminate in an emancipatory theory of building entitled: 'Toward a philosophy of shelter’. Taking Marx as its only resource, this work proceeds with the conviction that our era is contemporaneous to Marx’s historical era. This means ‘not judging the validity of Marx from the perspective of the historical situation’, but rather, ‘demonstrating the validity of a Marxian perspective for a singular historical situation’, as ours. This work will therefore translate this perspective into seeing the situation of architecture through the eyes of Marx. All those concerned with the predicament in our current condition in which architecture must play a major social role in upholding the universal value of what Alain Badiou calls 'generic humanity' will take an interest in this work. In particular, architects, critics, scholars, and students inside the field of architecture who would be seeking the application of this universal value to a new theory of building will be a welcoming audience for this work.

En beskrivelse af franske kunstneres opfattelse af Frankrigs krig mod Preussen, Pariserkommunen og den nye franske republik, som det kommer til udtryk i deres kunst

This book provides a detailed account of French history from the oripins of the Thrid Republic, born out of the collapse of Napoleon III's Second Empire, to the coming of the Great WAr in 1914. Part 1 begins with the fall of the "notables" and the victory of the republicans. Then follows a picture of the economy and society of late nineteenth-century France, and an examination of spiritual and cultural development under the increasing threat from nationalist and socialist forces. The moderates' brief ascendancy at the end of the century followed by the extreme sentiments unleashed at the time of the Dreyfus affair, brings the story in Part 2 to a more passionately political period, when the republic finallynbecame established as a bulwark of bourgeois prosperity, witnessing the rise of the banks and big business, and the dangerous revival of colonial expansion.

'Punctuated by the stories of a host of interesting and extraordinary characters, Crossland has produced a fascinating exploration of the long nineteenth century’s development of terrorism and counterterrorism, highlighting the role of fear and the paranoia, repression, and overreaction it engendered.' Michael Stohl, Professor at the University of California Author of Crime and Terrorism 'By applying an innovative historical lens, The Rise of the Devils by James Crossland offers a remarkable perspective on the history of terrorism that is not overdetermined by the events of 9/11 and explores a "violent strain of nihilism intoxicated by a whiff of martyrdom." The book reads like the prequel to the "National Treasure" movie franchise and offers a completely unique understanding of Terrorism’s First Wave.' Mia Bloom, Georgia State University Author of Dying to Kill: the Allure of Suicide Terror In the dying light of the nineteenth century, the world came to know and fear terrorism. Much like today, this was a time of progress and dread, in which breakthroughs in communications and weapons were made, political reforms were implemented and immigration waves bolstered the populations of ever-expanding cities. This era also simmered with political rage and social inequalities, which drove nationalists, nihilists, anarchists and republicans to dynamite cities and discharge pistols into the bodies of presidents, police chiefs and emperors. This wave of terrorism was seized upon by an outrage-hungry press that peddled hysteria, conspiracy theories and, sometimes, fake news in response, convincing many a reader that they were living through the end of days. Against the backdrop of this world of fear and disorder, The rise of devils chronicles the journeys of the men and women who evoked this panic and created modern terrorism – revolutionary philosophers, cult leaders, criminals and charlatans, as well as the paranoid police chiefs and unscrupulous spies who tried to thwart them. In doing so, this book explains how radicals once thought just in their causes became, as Pope Pius IX denounced them, little more than ‘devils risen up from Hell’.