The ancient view that Plato and Xenophon were rivals at least had the merit of allowing them to respond to each other; in modern times, the view that Plato wrote first eliminates the possibility of an exchange between the only two Socratics whose writings are preserved intact. Challenging the chronological assumptions on which Plato's across-the-board priority currently rests, the purpose of The Relay Race of Virtue is to show that Plato and Xenophon were responding to each other and that we can gain a greater appreciation for both by recognizing the back-and-forth nature of their friendly dialogue. Instead of regarding Xenophon as Plato's inept copyist, William H. F. Altman presents him as first blazing the trail for his fellow Socratic and then learning from Plato in return. By emphasizing "Plato's Debts to Xenophon," Altman is charitable to both, justifying Socrates' belief (Memorabilia 1.2.8) "that those of his companions who adopted his principles of conduct would throughout life be good friends to him and to each other."

While Plato’s and Aristotle’s theories of virtue have received extensive scholarly attention, less work has been done on Xenophon’s portraits of virtue and on his attitude towards the theoretical issues connected with it. And yet, Xenophon offers one of the best sources we have for thinking about virtue in ancient Greece, because he combines the analytical interests of a Socratic with a historian’s interest in real life. Until recently, scholars of Xenophon tended to focus either on the historiographical writings or on the philosophical writings (chiefly Memorabilia, with some attention to the other Socratic writings and Hiero). Cyropaedia was treated as a separate entity, and Xenophon’s short and more technical treatises were generally studied only by those with particular interest in their specialized topics (such as horsemanship, hunting, and Athenian finances). But recent work by Vincent Azoulay and by Vivienne Gray have shown the essential unity of his writings. This volume continues this pan-Xenophontic trend by studying the virtues across Xenophon’s oeuvre and connecting them with a wide range of Greek literature, from Homer and the tragedians to Herodotus and Thucydides, the orators, Plato, and Aristotle.

With both the Roman Empire and contemporary scholarship as backdrop, this book contrasts the Imperial Platonism of Plotinus with Plato's own by distinguishing one as a master enlightening disciples, and the other as an Athenian teacher who taught students to discover the truth for themselves in the Academy.

This book is a fresh study of the fourth century B.C. Greek adventurer, writer, and student of Socrates, Xenophon. An innovating author of many guises, an important source for the history of his time, a wit and a philosopher, he no longer enjoys the reputation he once did. Suggesting that such a radical de-valuation is more a reflection on nineteenth- and twentieth-century attitudes and scholarship than on the worth of Xenophon, the author in this book attempts to reassert Xenophon's rightful position by offering a close, literary-historical reading of all of Xenophon's writings and by focusing in this process on the alluring reticence and ironic subtlety many have often failed to appreciate before offering what turn out to be their too hasty criticisms. It is hoped that this study will help to bring about the realization that Xenophon, when properly read and read without preconceptions, may yet prove an invaluable guide to the development of Greek thought in general and the world of fourth-century Greece in particular. Xenophon emerges as one of the last great representatives of that civilization which reached its height in Athens, and it is in this context that he is best understood, not, as so often previously, against the Peloponnesian and especially Spartan background where he had friends and where he spent a long exile.

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With Ascent to the Beautiful, William H. F. Altman completes his five-volume reconstruction of the Reading Order of the Platonic dialogues. This book covers Plato’s elementary dialogues, grappling from the start with F. D. E. Schleiermacher, who created an enduring prejudice against the works Plato wrote for beginners. Recognized in antiquity as the place to begin, Alcibiades Major was banished from the canon but it was not alone: with the exception of Protagoras and Symposium, Schleiermacher rejected as inauthentic all seven of the dialogues this book places between them. In order to prove their authenticity, Altman illuminates their interconnections and shows how each prepares the student to move beyond self-interest to gallantry, and thus from the doctrinal intellectualism Aristotle found in Protagoras to the emergence of philosophy as intermediate between wisdom and ignorance in Symposium, en route to Diotima’s ascent to the transcendent Beautiful. Based on the hypothesis that it was his own eminently teachable dialogues that Plato taught—and bequeathed to posterity as his Academy’s eternal curriculum—Ascent to the Beautiful helps the reader to imagine the Academy as a school and to find in Plato the brilliant teacher who built on Homer, Thucydides, and Xenophon.