Her great-grandfather was a famed Lakota warrior, her father a buffalo hunter, and Rosebud Yellow Robe hosted a CBS radio show in New York City. From buffalo hunting to the hub of twentieth-century urban life, this book chronicles the momentous changes in the life of a prominent Plains Indian family over three generations. At the center of the story is Rosebud (1907?92), whose personal recollections, family memoirs, letters, and stories form the basis of this book. Rosebud?s father, Chauncey Yellow Robe, was the son of a Lakota chief and had a traditional childhood until he was sent to the Carlisle Indian School, where he became an advocate for Indian education and citizenship. He was instrumental in planning the 1927 ceremony that brought his daughter into national prominence?an induction of Calvin Coolidge into the Lakota tribe, capped by Rosebud placing a feathered war bonnet on the president?s head. Marjorie Weinberg follows the young woman from Rapid City, South Dakota, to New York City, where she became a noted lecturer and teller of Indian tales (and where her broadcasting career brought her name to the attention of Orson Welles, who may indeed have used her name for his famous sled in Citizen Kane). Reflecting a lifelong interest and a friendship that provided Weinberg access to family archives and a rich reservoir of family oral tradition, The Real Rosebud offers an intimate picture of a century and a half of a remarkable Lakota family.

“An elegant, elegiac examination of identity, fictionality, God and humanity itself”—Tamsyn Muir A multilayered, locked-room science fiction novella from Paul Cornell in which five digital beings unravel their existences to discover the truth of their humanity. “The crew of the Rosebud are, currently, and by force of law, a balloon, a goth with a swagger stick, some sort of science aristocrat possibly, a ball of hands, and a swarm of insects.” When five sentient digital beings—condemned for over three hundred years to crew the small survey ship by the all-powerful Company—encounter a mysterious black sphere, their course of action is clear: obtain the object, inform the Company, earn lots of praise. But the ship malfunctions, and the crew has no choice but to approach the sphere and survey it themselves. They have no idea that this object—and the transcendent truth hidden within—will change the fate of all existence, the Company, and themselves. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Unexpected tales of the fantastic, & other odd musings by Nalo Hopkinson, Karen Joy Fowler, Karen Russell, Jeffrey Ford, and many others Contains stories by the amazing Jeffrey Ford, the fabulous Karen Joy Fowler, the unlikely Kelly Link, the thrilling Nalo Hopkinson, the shockingly good Karen Russell, the unnerving James Sallis, and dozens of uncanny others, as well as useful lists of many kinds and straight-shooting advice from Aunt Gwenda. Edited by Kelly Link & Gavin J. Grant Introduction by Dan Chaon Contents include: “Travels with the Snow Queen” by Kelly Link “Scotch: An Essay into a Drink” by Gavin J. Grant “Unrecognizable” by David Findlay “Mehitobel Was Queen of the Night” by Ian McDowell “Tan-Tan and Dry Bone” by Nalo Hopkinson “An Open Letter Concerning Sponsorship” by Margaret Muirhead “I Am Glad” by Margaret Muirhead “Lady Shonagon’s Hateful Things” by Margaret Muirhead “Heartland” by Karen Joy Fowler “What a Difference a Night Makes” “Pretending” by Ray Vukcevich “The Film Column: Don’t Look Now” by William Smith “A Is for Apple: An Easy Reader” by Amy Beth Forbes “My Father’s Ghost” by Mark Rudolph “What’s Sure to Come” by Jeffrey Ford “Stoddy Awchaw” by Geoffrey H. Goodwin “The Rapid Advance of Sorrow” by Theodora Goss “The Wolf’s Story” by Nan Fry “Three Letters from the Queen of Elfland” by Sarah Monette “Tacoma-Fuji” by David Moles “Bay” by David Erik Nelson “How to Make a Martini” by Richard Butner “Happier Days” by Jan Lars Jensen “The Fishie” by Philip Raines and Harvey Welles “Dear Aunt Gwenda, Vol. 2” by Gwenda Bond “The Film Column: Greaser’s Palace” by William Smith “The Ichthyomancer Writes His Friend with an Account of the Yeti’s Birthday Party” by David J. Schwartz “Serpents” by Vernoica Schanoes “Homeland Security” by Gavin J. Grant “For George Romero” by David Blair “Vincent Price” by David Blair “Music Lessons” by Douglas Lain “Two Stories” by James Sallis “Help Wanted” by Karen Russell “’Eft’ or ‘Epic’” by Sarah Micklem “The Red Phone” by John Kessel “The Well-Dressed Wolf: A Comic” by Lawrence Shimel and Sara Rojo “The Mushroom Duchess” by Deborah Roggie “The Pirate’s True Love” by Seana Graham “You Could Do This Too” “The Posthumous Voyages of Christopher Columbus” by Sunshine Ison

Dorothy’s ruby slippers. Michael Myers’s mask. Marilyn Monroe’s billowy white dress. Indiana Jones’s trusty hat. These objects are icons of popular culture synonymous with the films they appear in, and, at long last, a book has come along that sorts and chronicles fifty of them. Rosebud Sleds and Horses’ Heads presents incisive discussion of fifty of the most significant objects in cinema history and explores their importance within their films and within the popular imagination. With original full color illustrations, this book surveys objects from a range of genres, from the birth of cinema to the present day. Curated and written by a prominent film critic who routinely writes for some of the leading publications in the English language, as well as broadcasts for the BBC, Rosebud Sleds and Horses’ Heads is the only book of its kind. With a fascinating, original, and instantly understandable concept, it will find grateful audiences in film buffs around the world.

A New York Times Notable Book of the Year "Easily the best book on Orson Welles." --The New Yorker Orson Welles arrived in Hollywood as a boy genius, became a legend with a single perfect film, and then spent the next forty years floundering. But Welles floundered so variously, ingeniously, and extravagantly that he turned failure into "a sustaining tragedy"--his thing, his song. Now the prodigal genius of the American cinema finally has the biographer he deserves. For, as anyone who has read his novels and criticism knows, David Thomson is one of our most perceptive and splendidly opinionated writers on film. In Rosebud, Thomson follows the wild arc of Welles's career, from The War of the Worlds broadcast to the triumph of Citizen Kane, the mixed triumph of The Magnificent Ambersons, and the strange and troubling movies that followed. Here, too, is the unfolding of the Welles persona--the grand gestures, the womanizing, the high living, the betrayals. Thomson captures it all with a critical acumen and stylistic dash that make this book not so much a study of Welles's life and work as a glorious companion piece to them. "Insightful, controversial, and highly readable--Rosebud is biography at its best." --Cleveland Plain Dealer

The 1868 Treaty of Fort Laramie gave the Sioux and Cheyenne Indian tribes control over a wide region, covering Montana, Wyoming, Nebraska, and part of the Dakotas. But in the 1870s gold was discovered in the Black Hills, and white settlers invaded Indian territory in desperate search for the precious mineral. Clashes between miners and Indians erupted. After trying other means of settling the disputes, the U.S. government decreed that all Indians in the northwest should be living on reservations by January 1876. The Sioux and the Cheyenne refused to obey, so the Bureau of Indian Affairs called in the military to enforce the order. Though the Battle of the Rosebud had a significant impact on the rest of the campaign against the Sioux, it has often been eclipsed by publicity surrounding the Battle of the Little Big Horn. It was not until 1956, when With Crook at the Rosebud was first published by Stackpole, that the first clear history of the battle emerged.